ARTISTIC ASSIMILATION OF THE WORLD IN THE ESSAY PROSE OF M. G. ATAMANOV (BASED ON THE BOOK “I AM UDMURT. WHY DOES IT HURT?”)

2020 ◽  
Vol 14 (3) ◽  
pp. 459-464
Author(s):  
Alevtina Vasilevna Kamitova ◽  
Tatyana Ivanovna Zaitseva
Keyword(s):  
Ethnic Identity ◽  
National Identity ◽  
National Culture ◽  
Native Language ◽  
Topographic Features ◽  
Wide Range ◽  
The World ◽  
The Subject ◽  
Individual Style

The paper reflects the specificity of the fundamental ideas of the artistic world of M. G. Atamanov, which includes a wide range of literary facts from the content level of the text of the works to their poetics. A particularly important role in the works of M. G. Atamanov is played by cross-cutting themes and images that reflect the author's individual style and his idea of national-ethnic identity. The subject of the research is the book of essays “Mon - Udmurt. Maly mynym vös’?” (“I am Udmurt. Why does it hurt?”), which most vividly reflected the main spiritual and artistic searches of M. G. Atamanov, associated with his ideas about the Udmurt people. The main motives and plots of the works included in the book under consideration are accumulated around the concept of “Udmurtness”. The comprehension of “Udmurtness” is modeled in his essays through specific leit themes: native language, Udmurt people, national culture, mentality, geographic and topographic features of the Udmurt people’ places of residence, the Orthodox idea. The “Udmurt theme” is recognized and comprehended by the writer through the prism of national identity.

scholarly journals Russian and International Contours of Precarious Employment

2020 ◽  
Vol 16 (1) ◽  
pp. 51-60
Author(s):  
Ivan D. Matskulyak
Keyword(s):  
Technological Progress ◽  
Research Area ◽  
Domestic Economy ◽  
Decent Work ◽  
Precarious Employment ◽  
Management Personnel ◽  
Wide Range ◽  
The World ◽  
Actual Content ◽  
The Subject

The Object of the Study. Socioeconomic processes and phenomena characterized as an unsustainable employment and reflected in the collective monograph published in Rossiya among the first as well as its main provisions, conclusions and recommendations. The Subject of the Study is expressed by the combination of socioeconomic relations between market-based economic entities regarding the widespread development in recent years in the world, including the Rossiyskaya Federatsiya, the precarious employment of the population and the consequences of this process. The Purpose of the Study is to attract the notice of a wide range of management personnel of both state authorities and economic bodies, as well as employers, legislators, scientists, etc., to the problem of unsustainable employment, the need of its effectively solve, especially in conditions of intensification of transformation of the domestic economy. The Main Provisions of the Article cover all six sections, including 30 paragraphs of the monograph studied, authored by 41 specialist-scientists, professionally engaged in the designated research area. The author, on the basis of the actual content of the book, has tried to present all the aspects, to convey the variety of shades of the process of unsustainable employment reflected in the monographic research. It applies both the domestic experience and international practice. The problems of the unsustainable employment are revealed compared to decent work. Their dependence on the scientific and technological progress is considered. The domestic and foreign experience of the personnel reduction is summarized on the example of a flexible employment. Risks of unsustainable employment are identified and directions of their prevention are formulated. The characteristics of precarious employment of different groups of workers - women, pensioners and others working in similar conditions of specific industries - are characterized as well as the legal coverage of unsustainable workers is analyzed, and special attention is paid to external migrants and functioning numerous institutions in the investigated economy sectors.

scholarly journals Ironia i nihilizm. Figura bibliotekarza w Posłuchaniu u Lucypera Józefa Sękowskiego

2019 ◽  
pp. 83-94
Author(s):  
Jarosław Ławski
Keyword(s):  
National Identity ◽  
Present Article ◽  
Short Story ◽  
Subject Matter ◽  
Russian Literature ◽  
Absolute Power ◽  
Polish Literature ◽  
The World ◽  
History Of ◽  
The Subject

The subject matter of the present article is the image of library and librarian in a forgotten short story by a Polish-Russian writer Józef Julian Sękowski (1800−1858). Sękowski is known in Polish literature as a multi-talented orientalist and polyglot, who changed his national identity in 1832 and began to write only in Russian. In the history of Russian literature he is famous for Library for Reading and Fantastic Voyages of Baron Brambeus, an ironic-grotesque work, which was precursory in Russian prose. Until 1832 Sękowski was, however, a Polish writer. His last significant work was An Audience with Lucypher published in a Polish magazine Bałamut Petersburski (Petersburgian Philanderer) in 1832 and immediately translated into Russian by Sękowski himself under the title Bolszoj wychod u Satany (1833). The library and librarian presented by the author in this piece are a caricature illustration proving his nihilistic worldview. Sękowski is a master of irony and grotesquery, yet the world he creates is deprived of freedom and justice and a book in this world is merely a threat to absolute power.

Modern domestic cinema and the legacy of shaken Aimanov

Keruen ◽  
2020 ◽  
Vol 4 (69) ◽  
Author(s):  
A.S. Jumadilov ◽  
Keyword(s):  
National Identity ◽  
Soviet Union ◽  
National Culture ◽  
Film Industry ◽  
National Cinema ◽  
Soviet State ◽  
The Soviet Union ◽  
The World ◽  
History Of ◽  
First Time

Following the collapse of the Soviet Union, the post-Soviet state of post-Soviet autonomous republics turned out to be the ideology for which cinematographers and screenwriters have to make a film epic of epoch - national cinema. In this article, the author can only use the ever-present cinematography, the unmerciful nationalistic culture, the ideological orientation of the film industry, the uniqueness or national identity. It's a good idea to have a world-renowned artisan who is doing all the same, seeking internationalization and gloss? Another - cinematic and astrophysical art of Shaken Aimanov, whose works live in volumes or polls, and others. For many years, many changes have taken place in the national cinema, such as national culture, a national emblem of national culture. For the first time in the history of national cinema, national cinema and the world of cinema, the future and future films have been transformed into a lot of changes. The Concept of distinguished singer Shaken Aimanova is embodied in the volume, which, unlike the researchers and artists all over the world of cinema Shaken Aimnayev, the director of which, as long as he is a filmmaker, creates a film studio as part of national culture.

6. Identity

2021 ◽  
pp. 83-96
Author(s):  
Ian Shaw
Keyword(s):  
Ethnic Identity ◽  
National Identity ◽  
Ancient Egypt ◽  
Gender And Sexuality ◽  
Same Sex ◽  
The World ◽  
Definition Of

‘Identity’ addresses the iconography of Egypt's early ethnic identity, considering the significance of the Narmer Palette with regard to the early pharaonic Egyptians' definition of their own national identity. How did the ancient Egyptians view themselves? The chapter looks at how they portrayed themselves in painting and sculpture and analyses their depictions of ‘foreigners’. As in many other cultures, the Egyptians seem to have gained a sense of their own identity primarily by contrasting themselves with the peoples of the world outside their borders. Gender and sexuality played a massive role in Egyptian identity, as did the evidence for same-sex relations in ancient Egypt.

scholarly journals The characters of Eremey Aipin is pursuit of identity (based on the novel “In Search of the Primordial Land”)

Litera ◽  
2021 ◽  
pp. 78-88
Author(s):  
Tatyana Yuryevna Kolyagina
Keyword(s):  
National Identity ◽  
Cultural Memory ◽  
Literary Work ◽  
Comprehensive Approach ◽  
The Novel ◽  
Methods Of Analysis ◽  
The World ◽  
Identity Based ◽  
The Subject ◽  
Identification Analysis

The subject of this article is the problem of identity of the characters in the novel “In Search of the Primordial Land” by the regional Khanty writer Eremey Aipin. The goal is to describe the key vectors of reflections of the main characters on personal and national identity. The author aims to analyze the path of spiritual and social becoming, as well as finding true identity in the world and society of the protagonists of the novel — “man of the kin” Matvey Taishin and the hero “without kith or kin” Roman Romanov. The study leans on the interdisciplinary comprehensive approach, with the use of cultural-historical, typological, ethno-cultural, axiological and imagological methods of analysis. The scientific novelty lies in examination of the characters of the literary work from the perspective of their identity and identification. Analysis is conducted on the two ways of finding true identity by the characters in the small and big world. Path of “man of the kin” is the cognition of capabilities of staying in the world, strengthening of inviolable faith as the essential link in the chain of life, nature, Cosmos, and humanity. Path of the hero “without kith or kin” is a series of initiations (according to V. Y. Propp), as a result of which he gradually assimilates to the “earthly world”, having acquired the experience of merging with society. It is proven that solution of the questions on personal, social and national identity of the characters of the novel is interrelated with the author's traditionalistic worldview. The conclusion is made that in a crisis historical situation, the characters of the novel intuitively tilt towards ancient cultural memory of humanity, seeing its as a basis for reconstruction of identity.

scholarly journals A bridge over Zbruch: Great Unity in the press of Ukrainian People’s Republic

2020 ◽  
pp. 126-146
Author(s):  
Mariana Komarytsia
Keyword(s):  
Native Language ◽  
Political Elite ◽  
Educational Institutions ◽  
Wide Range ◽  
The Press ◽  
Theoretical Reasoning ◽  
Red Flag ◽  
The Subject ◽  
The Government ◽  
The Revolution

In the article we analyze the press publications that covered the process of realizing the idea of consolidation and its theoretical reasoning in the journals of 1918—1919 in UNR and Ukrainian State. The subject of the research is newspaper materials of such press editions as «Nova Rada» (Kyiv, 1917—1919), «Kozatska Dumka» (Berdychiv, 1917), «Vidrodzennia» (Kiev, 1918), «Vistnyk Ukrainskoi Narodnoi Respubliky » (Kyiv, Vinnytsia, Kamianets-Podilsky, 1918—1919), «Respublikanski Visty» (Vinnytsia, 1918—1919), «Respublikanski Visty» (Kharkiv, 1918), «Zhyttia Podillia» (Kamianets-Podilsky, 1918—1919), «Kievskii Kommunist» (1918—1919) and others. Analysis of publications about consolidation reveals a wide range of factors that influenced the Act of Union on January 22, 1919 — historical, mental, ideological, political and informational. At the same time it reveals the inconsistency policy of the leaders of the Ukrainian Central Rada, in particular Mykhailo Hrushevskyi, of promoting the idea of the federation (which was de facto in opposition to the idea of consolidation). We have made comparative parallels of understanding the process of unification among Galician and Dnieper Ukrainians, taking into account the fact of the presence of Ukrainian lands within different empires — Russian and Austro-Hungarian, related to this fact internal contradictions among the Ukrainian political elite, open armed aggression against Ukraine. The repressions of the Russian authorities led to the destruction of the nationally-oriented Ukrainian political elite, whose numerous representatives did not know their native language. Additionally, the influence of socialist ideology caused the priority of social demands against national ones. Representatives of the Galicians, released after the revolution from the Siberian camps, have joined the government, administrative and educational institutions of Ukraine. The opponents of consolidation were the Bolsheviks, who saw the prospects of unification only under the red flag. In the journals were published texts of documents, described the process of the celebration on January 22, 1919, abstracts of V. Vynnychenko`s, S. Petliura`s, L. Tsehelsky`s and V. Olesnitsky`s speeches, published mottos for the necessity of the unity of the nation. Keywords: consolidation, Act of Union, federation, UNR, ZUNR, ukrainian press of 1918—1919.

scholarly journals THE CURRENT STATE OF THE KOMI-YAZVA LANGUAGE

2020 ◽  
Vol 13 (4) ◽  
pp. 576-590
Author(s):  
Roman Valentinovich Gaidamashko ◽  
Iuliia Anatolyevna Shkuratok
Keyword(s):  
Ethnic Identity ◽  
National Culture ◽  
Questionnaire Survey ◽  
Main Part ◽  
Native Speakers ◽  
Native Language ◽  
Language Endangerment ◽  
Field Recordings ◽  
Current State ◽  
The Status

In this article we present the current state of the Komi-Yazva language through field recordings from recent expeditions of 2017-2018, results of the sociolinguistic questionnaires and personal observations. The main part of the article is prefaced by the brief review of scientists’ opinions on the status of the Komi-Yazva idiom and the explanation of what constitutes the term “Komi-Yazva language” used in the article. The information on the number of Komi-Yazva speakers according to the censuses’ data is given and the number of native speakers of the language at present time is estimated. The conclusion is made that the number of the population speaking the Komi-Yazva language in the second half of the 20 century rapidly decreased. The article describes the processes of revival of the national culture and formation of the ethnic identity of the Komi-Yazva speakers “from above” in the 1990s-2000s. The problem of teaching the native language in schools and the state of publishing activities on the Komi-Yazva language are analyzed in detail. The article reveals the results of a sociolinguistic questionnaire survey, which contains a number of questions concerning the ethnolinguistic situation (including ethnic identity). All sections of the article are accompanied by excerpts from the 2017-2018 field recordings made by the authors. Based on the adduced data, in the conclusion we assess the current state of the Komi-Yazva language. According to the UNESCO language endangerment scale, the Komi-Yazva language is critically endangered. Finally, some possible ways of supporting and preserving Komi-Yazva language are suggested for discussion.

scholarly journals Music code of poetry Dmitry Kremeny

2019 ◽  
Vol 66 (3) ◽  
pp. 186-190
Author(s):  
Olha Petrenko
Keyword(s):  
World Music ◽  
Music Culture ◽  
Semantic Richness ◽  
Wide Range ◽  
The World ◽  
The Subject ◽  
Poetic Texts ◽  
The One ◽  
Musical Cues

The article deals with the role of musical images in the poetry of Dmitry Kremen. The subject of study is the music code, which is present in many works of the poet. Musical signs, symbols, links play a significant role in vocabulary, phraseology and other ways of poetic expressiveness. Familiarity with the subject world of D. Kremin's poetic texts includes a wide range of concepts related to the world of sounds. The additional accents of a musical-conceptual thesaurus arise when musical cues form certain speech turns that acquire the meaning of metaphors. Musical signs in the lyrics of Dmitry Kremin imply awareness of a wide range of sound associations, which the poet interprets from the standpoint of his own value attitude to them. Beethoven, Chopin, Mozart are the names-symbols of the world music culture, which occupy a significant place in the thesaurus of Dmitry Kremin's poetic texts. Behind these subject designations lies the vast world of artistic and figurative generalization and lyrical and philosophical reflections that are gaining coded meaning. Familiarity with the poetry of Dmitry Kremin proves that the leitmotif of many of his texts is the image of a violin, which acquires different semantic shades. Thus, in Beethoven's poetry, the poet emphasizes the value of music as a special language, devoid of words, but empowered to embody emotional and semantic richness, and therefore capable of being the language of angels. Music code the poetry of Dmitry Kremen is a multidimensional system in which the concept of "music" acts as a concept as a set of meaningful characters and their semantic meanings. In the process of decoding Dmitry Kremin's poetry, one can discover the deep semantic loads of the musical code, on the one hand – as the embodiment of the categories of high, sublime, valuable and eternal in the human sense, on the other – as a symbol of the extra-material, mystical, language of which the angels speak. Decoding the poet's texts is the process of extracting recognition codes and perception codes. The codes of perception in the poetry of Dmitry Kremenya are meaningful loads of texts, its semantic components, which highlight the deep meanings of texts. Through the musical code, the poet embodies the content of the categories of the sublime and the beautiful. The music code shows the understanding of poetry of Dmitry Kremenin a deeply metaphorical sense.

Potential Applications of Nanomaterials in Wastewater Treatment

2019 ◽  
pp. 51-61 ◽  
Author(s):  
Hamidreza Sadegh ◽  
Gomaa A. M. Ali
Keyword(s):  
Wastewater Treatment ◽  
Conventional Treatment ◽  
Efficient Treatment ◽  
Treatment Techniques ◽  
Wide Range ◽  
The World ◽  
Potential Applications ◽  
Treatment Technologies ◽  
Quality Water ◽  
The Subject

High-quality water is one of the most important challenges around the world. Conventional techniques of wastewater treatment need to be developed. Therefore, finding sustainable, environmentally friendly, and efficient treatment techniques is required. In this regard, due to the extraordinary potential of nanotechnology resulted from nanoscale size characteristics, recently nanomaterials have been the subject of novel research and development worldwide. In this chapter, the authors review recent development of the direct applications of nanomaterial as an adsorbent in adsorption systems for integrating nanoparticles into conventional treatment technologies for wastewater treatment, especially a wide range of candidate nanomaterials and its properties. In addition, advantages and limitations as compared to existing processes are discussed.

An Unscientific Postscript

2019 ◽  
pp. 269-278
Author(s):  
Kwame Anthony Appiah
Keyword(s):  
Ethnic Identity ◽  
National Identity ◽  
Political Psychology ◽  
National Culture ◽  
The Other ◽  
The Political ◽  
General Account ◽  
Do So ◽  
Three Components

This chapter explores some of the tensions between cosmopolitanism and nationalism, from above, and ethnic identity and nationalism, from below, in the light of some of the other chapters in this book. To do so, it sketches a general account of identity, with its three components: criteria of membership, psychological identification, and the treatment of members by others as members of the group, and argues that all are standardly contested. It then incorporates the insights of some of the earlier chapters that show that identification can involve (a) feelings of warmth for the nation, or (b) celebrating national culture and achievements, or (c) conceiving of one’s nation as superior to others, and it discusses the different effects of these on redistributive solidarity with minorities and migrants. Finally, it urges attention to the role of national honour in thinking about national identity and suggests that there is scope for more work on the political psychology of nationalism.

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