Atmosphere, affordances, and emotion
The atmosphere of a building is the pervading mood it provides, and can be considered a non-Gibsonian affordance. Atmosphere may frame our experience of a building, but over time our perception of the atmosphere may change. This chapter explores atmosphere in relation to motivation and emotion and the role of the limbic system of the brain. Emotion builds on a set of primordial emotions, but human cognition adds subtlety and supports aesthetic emotions. Paintings by Turner and Constable are examined to take the reader beyond the phenomenology of atmosphere and to explore the idea that the artist “inverts” vision. A visual pathway judges the emerging sketch; a visuomotor pathway updates the sketch. In iterating the process, the sketch changes, but so too will the mental image. An fMRI study of architects observing images of “contemplative” building grounds a critique that suggests challenges for designing further experiments. A crucial obstacle is the distance between cog/neuroscience experiments that seek to isolate the influence of a few key variables and the whole-person experience of using and contemplating a building in all its varied complexity.