An Art Class for Music
This chapter describes in detail a constructivist philosophy for music curricula. Alternatives to traditional performance ensembles, including songwriting, sound design, remixing, sampling, and other computer-based music creation techniques, are discussed. The constructivist approach adopts learning strategies used by popular musicians, including aural learning by listening to and copying recordings, and personal learning with minimal adult guidance and intervention. Furthermore, project prompts are designed to guide students from tightly scaffolded and formulaic production exercises to more open-ended creative projects. The affordances of digital audio workstations support trial-and-error experimentation by linking visualization to immediate auditory feedback for each action. The chapter also covers the role of sound design in popular music production, the remix as a scaffold for creating original songs, and the intellectual property considerations inherent in sampling. The goal is for students to have created a portfolio of music that expresses their tastes and identities, and that they are proud of.