Picturing Climate Change: “It’s the Apocalypse”
Ecological awareness goes back at least to Henry David Thoreau in the mid-nineteenth century, but it is only in the late twentieth century that a broader awareness emerged, centering on the effects of a changing climate on the Earth’s surface. The cataclysmic terror of Hurricane Katrina was most vividly photographed by Robert Polidori, among a dozen other New Orleans photographers, and his work is examined in this chapter. A different approach is taken by John Ganis, who has concentrated on the coastal regions of the East and Gulf states and has provided the perspective of a long-range view. Both photographers reveal the fragility of material structures, in which the movement from order to chaos can create shocking images of our disrupted environment. Yet another perspective is taken in the work of James Balog, whose time-lapse photographs and movies have disclosed the melting of polar glaciers at a speed that has startled scientists, even while it has confirmed the worst fears of climate change and the ruins it entails. The chapter concludes with a consideration of the way two popular climate movies by Roland Emmerich have imagined climate disaster, and the ambiguities of such representations.