New Beginnings in the Post-War Years
After World War II, Auric enjoyed a privileged position in the French musical scene, with numerous ballets and scores of incidental music. He was also by this time the leading composer for the French cinema; he remains the only person to have won music prizes at both the Cannes and Venice film festivals. From the 1940s through the 1960s, he composed dozens of films in the French “tradition of quality,” but also for British and American films and for international co-productions. He also was elected to the Administrative Council at SACEM, ultimately serving as President for three decades. In the late 1950s, he was a defendant in Hirshon v. United Artists, a case that clarified two sections of the U.S. Copyright Code, and he was also the principal lobbyist on behalf of the Loi Escarra, the first modern copyright law in France.