Thought and Play in Musical Rhythm

Thought and Play in Musical Rhythm seeks to explore representations and implicit as well as explicit theorizing of rhythm in relation to aspects of performance that resist objectification and/or are elastic. Authored by ethnomusicologists and music theorists, the chapters provide detailed case studies of art and vernacular musical traditions, historical and contemporary, in South, West, East, and Southeast Asia; West and North Africa; Europe; and North America. Together these case studies highlight the multiple dimensions of musical rhythm. Considering rhythm as a topic involves a set of terminologies, methods, assumptions, and efforts at generalizing and abstracting that together point to a larger dynamic in scholarly discourse between universalizing and local approaches to rhythm and music more generally. However, from a theoretical standpoint, the volume rejects the kind of abstraction that removes “rhythm” from musical process and experience.

Author(s):  
Richard K. Wolf ◽  
Stephen Blum ◽  
Christopher Hasty

THOUGHT AND PLAY IN MUSICAL RHYTHM seeks to explore representations, ideal types, and implicit theorizing of rhythm in relation to aspects of performance that “play”—that pull against these ideal types, resist objectification, and/or are elastic. Our aim has been to incorporate a diversity of musical traditions and scholarly approaches, embracing those of performers, music theorists, and music ethnographers. The performance dynamic implicit in “thought and play” can, with some imagination, be recast in terms of a larger dynamic in scholarly discourse on rhythm and music more generally—that between “universalizing” and “local” approaches. The former include efforts to create overarching models that accommodate the diversity of music and to gain insight into human cognition generally, as well as craft terminologies (meter, beat, etc.) that apply cross-culturally. Local, by contrast, signals attention to musical systems and practices as they are constituted in one region, however narrowly or broadly defined; attention focuses on the specifics of musical interaction, uses of language, and regional histories. Most music scholars attempt to bring out the historical and regional specificity of what they study while also contributing to general knowledge about musical process....


2020 ◽  
Vol 6 (1) ◽  
pp. 3-12
Author(s):  
Blaise K. Nganou ◽  
Jubie Selvaraj ◽  
Pierre Tane ◽  
Alex Nchiozem ◽  
Ingrid Simo ◽  
...  

: The fabaceae are rooted in rosaceae pods known as "vegetables" by the early botanists. They are the third family of angiosperms which includes 642 genus divided into about 18,000 species. The fabaceae family is known as the most important family of the ecosystem as it is indispensable in medicine, agriculture, industry and livestock. The Adenocarpus genus has about 50 species that are frequently found in tropical regions of Northern Africa, the southern part of West Europe and in the central and southern Italy. They are used in traditional medicine for the treatment of several diseases: such as microbial infections, leprosy, scabies, acne, malaria and other plants species are used in agriculture as insecticidal properties. Mainly Adenocarpus mannii species is well represented in the tropical regions of North Africa. It occurs in Angola, Mozambique, Malawi, Guinea, South Africa, Tanzania, and Burundi. In Cameroon, it is encountered in South West Region and West Region. Previous phytochemical studies led to the isolation of several classes of compounds such as flavonoids, alkaloids and triterpenes. Several studies report the phytochemical studies on genus Adenocarpus and chemotaxonomic markers of species of this genus. Herein, we outline all the botanical, pharmacological and phytochemical aspects of Adenocarpus mannii. A brief introduction about fabaceae and the genus Adenocarpus has also been included.


2021 ◽  
Author(s):  
Jessica Needham ◽  
Joan Webber

Abstract H. fraxineus is an anamorphic fungal pathogen that causes ash dieback. Due to the severity of ash dieback H. pseudoalbidus has been on the EPPO Alert list since 2007. It is not known what caused the emergence of this 'new' disease (NAPPO, 2009). Its spread in Europe is thought to be mainly by ascospores, but infected nursery saplings may carry the fungus to new areas. The entire natural range of known hosts, including North Africa, Russia and south-west Asia (USDA-ARS, 2009), is currently threatened by ash dieback, with large areas already affected (Pautasso et al., 2013). Little is known about the susceptibility of the other species of ash in temperate zones.


Author(s):  

Abstract A new distribution map is provided for Spilocaea oleaginea (Cast.) Hughes. Hosts: Olive (Olea europea). Information is given on the geographical distribution in Africa, Algeria, Egypt, Ethiopia, Libya, Morocco, North Africa, Somalia, South Africa, Tunisia, Asia, China, Iran, Israel, Jordan, Turkey, USSR, Georgia, Australasia & Oceania, Australia, New South Wales, Europe, Cyprus, France, Greece, Italy, Crete, Sicily, Malta, Portugal, Spain, Yugoslavia, North America, USA, California, South America, Argentina, Chile, Ecuador, Peru.


TAPPI Journal ◽  
2021 ◽  
Vol 20 (2) ◽  
pp. 111-120
Author(s):  
ILICH LAMA ◽  
DEREK SAIN

Several regulatory agencies and universities have published guidelines addressing the use of wood ash as liming material for agricultural land and as a soil amendment and fertilizer. This paper summarizes the experiences collected from several forest products facility-sponsored agricultural application programs across North America. These case studies are characterized in terms of the quality of the wood ash involved in the agricultural application, approval requirements, recommended management practices, agricultural benefits of wood ash, and challenges confronted by ash generators and farmers during storage, handling, and land application of wood ash. Reported benefits associated with land-applying wood ash include increasing the pH of acidic soils, improving soil quality, and increasing crop yields. Farmers apply wood ash on their land because in addition to its liming value, it has been shown to effectively fertilize the soil while maintaining soil pH at a level that is optimal for plant growth. Given the content of calcium, potassium, and magnesium that wood ash supplies to the soil, wood ash also improves soil tilth. Wood ash has also proven to be a cost-effective alternative to agricultural lime, especially in rural areas where access to commercial agricultural lime is limited. Some of the challenges identified in the review of case studies include lengthy application approvals in some jurisdictions; weather-related issues associated with delivery, storage, and application of wood ash; maintaining consistent ash quality; inaccurate assessment of required ash testing; potential increased equipment maintenance; and misconceptions on the part of some farmers and government agencies regarding the effect and efficacy of wood ash on soil quality and crop productivity.


2006 ◽  
Vol 39 (2) ◽  
pp. 456-457
Author(s):  
Reeta Chowdhari Tremblay

Does Civil Society Matter? Governance in Contemporary India, Rajesh Tandon and Ranjita Mohanty, eds., New Delhi: Thousand Oaks, London: Sage Publications, 2003, pp. 363.In the last decade in North America, there has been an explosion of books on the subject of civil society. Like so many other concepts in contemporary political science, the notion of civil society has been imported to analyze other polities outside the North American hemisphere, and India is no exception. However, Tandon and Mohanty's edited book presents a fresh perspective by combining academic analysis with that of on-the-ground practitioners to examine the relationship between civil society and governance. The book is divided into two parts: the first deals with the theoretical conceptualization of civil society and the second with actual case studies.


2019 ◽  
Vol 14 (3) ◽  
pp. 409-427
Author(s):  
Katherine Recinos ◽  
Lucy Blue

Abstract Maritime cultural heritage is under increasing threat around the world, facing damage, destruction, and disappearance. Despite attempts to mitigate these threats, maritime cultural heritage is often not addressed to the same extent or with equal resources. One approach that can be applied towards protecting and conserving threatened cultural heritage, and closing this gap, is capacity development. This paper addresses the question of how capacity development can be improved and adapted for the protection of maritime cultural heritage under threat. It asserts that capacity development for maritime cultural heritage can be improved by gaining a more comprehensive and structured understanding of capacity development initiatives through applying a consistent framework for evaluation and analysis. This allows for assessment and reflection on previous or ongoing initiatives, leading to the implementation of more effective initiatives in the future. In order to do this, a model for classifying initiatives by ten parameters is proposed. It is then applied to a number of case studies featuring initiatives in the Middle East and North Africa region. This is followed by a discussion of how conclusions and themes drawn from the examination and evaluation of the case study initiatives can provide a deeper understanding of capacity development efforts, and an analysis of how the parameter model as a framework can aid in improving capacity development for threatened maritime cultural heritage overall.


Artnodes ◽  
2018 ◽  
Author(s):  
Pau Catà Marlès

Taking into consideration the complexity that frames the relationship between Globalization and Decolonization this text aims to unveil the potentials (and the burdens) of the Digital Humanities in relation to artist residencies focusing on North Africa as a geographical framework. Through the text I wish to argue that the Digital Humanities should be seen as both an imperative and an exclusionary process by asking the following questions: What is the impact and social projection of the Digital Humanities in relation to the evolution of artists in residencies in the region? What are its methodological innovations, beyond the application of certain technologies? And in what way do they interconnect and hybridize knowledge(s) in an era of widespread prejudice? These questions, framed by a vision that contemplates, reflects and acts in favor of the different realities and responsibilities of the artists in residency model, are the ones through which first NACMM and afterwards Platform HARAKAT have evolved with the aim to promote the encounters of imaginaries and realities that shape the contemporary Mediterranean.


2021 ◽  
Author(s):  
◽  
Jharna Joshi

<p>This research explores how residents and tourists perceive landscape aesthetics in tourism-based landscapes that are continuously changing. Three case study sites in Nepal are examined. Landscapes are dynamic, multifunctional and an amalgamation of natural and human-made components that are constantly evolving, both naturally and due to human activities. Landscape aesthetics, related to experiences within and with multiple dimensions of landscape that engage all human senses, are perceived differently by different groups of people and have implications for their preservation and modification. Tourism, an integral part of contemporary society, reflects and influences changes in society and the landscape. The interrelationships amongst landscapes, change, perceptions and tourism are complex with paradoxical tensions that arise from their interconnections and interdependence.  Researchers have studied and interpreted the interrelationship between landscape and tourism from different perspectives that are sometimes contradictory. The literature is fragmented with similar aspects of the landscape-tourism relationship described and conceptualized using different terminologies (landscapes, cultural landscapes, environment, place, space, nature) and with an absence of an integrated approach and a holistic concept of landscape. This research addresses this fragmentation and multiple interpretations to build an integrated approach of landscape taken as a holistic entity, where the natural, cultural, social and economic dimensions, including tourism, interact, integrate and overlap. This study adds a new perspective by looking closely at landscape aesthetics and its relation to change and tourism incorporating the perspectives of both residents and tourists.  This research adopts a qualitative methodology using case studies in three geographically, culturally and contextually different locations in Nepal (Ghandruk, Bandipur and Sauraha). A multi-layered approach is used to explore the dynamic nature of landscape and nonlinear drivers of change that add layers and dimensions to landscape aesthetics and how it is perceived by different residents and tourists, both domestic and international. This research applies an interpretivist paradigm using in-depth interviews with photo-elicitation (incorporating past and repeat photographs with in-situ interviews), field observations and visual data analysis.  Different themes emerged when the data were analysed but the overarching one was the often-antagonistic relationship between conservation and development. Participatory conservation and local development were key in Ghandruk, while the emphasis was on built heritage and expansion in Bandipur with the national park and indigenous Tharu traditions clashing with current landscape use in Sauraha. Key findings also indicate that the residents perceive landscape aesthetics holistically incorporating multiple dimensions that include traditions, culture, food, occupation and historical associations as well as contemporary societal changes and modern conveniences interwoven into their everyday landscapes. The tourists, with their fleeting presence, focus on the visual aesthetics, engaging with the non-material values of landscapes through different activities and are often accommodating of landscape changes perceived as improvements based on their background and worldview. The pace of change in the present context of globalisation influences the perceptions of both tourists and residents that are reflected in the landscapes and landscape aesthetics. In order to effectively manage landscape change and tourism development, it is pertinent to understand drivers of change and the society within a holistic concept of landscape.</p>


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