“The Most Beautiful Area”

2019 ◽  
pp. 27-55
Author(s):  
Danijela Kulezic-Wilson
Keyword(s):  
Historical Context ◽  
Digital Age ◽  
The Other ◽  
Sound Design ◽  
Sound Effects ◽  
Ambient Sound ◽  
Sound Environment ◽  
The Creation ◽  
Core Questions ◽  
The Relationship

Chapter 2 provides a historical context for exploring core questions about the production of soundtracks in the digital age, focusing on the relationship between score and sound design and the various ways in which their functions can overlap under the influences of technology and the musical approach to soundtrack. The blurring of the line between score and sound design is examined from two different angles: one looks at scoring techniques that move the score towards the realm that is usually covered by the sound department, including ambient sound and sound effects; the other involves the musicalization of sounds that are traditionally tasked with a purely mimetic role and the creation of a “realistic” sound environment.

Imagery and Metaphorical Space of the Term in the Language of Scientific Texts by V. Vinogradov

2018 ◽  
Vol 79 (9) ◽  
pp. 61-66
Author(s):  
N. V. Khalikovа
Keyword(s):  
Historical Context ◽  
Semantic Structure ◽  
Scientific Thinking ◽  
Scientific Texts ◽  
Basic Term ◽  
Pragmatic Information ◽  
The Creation ◽  
The Relationship

The article considers the functions of the system of verbal imagery’s in the creation of the scientific style of V.V. Vinogradov. The figurativeness of basic, background and metaphorical terms is described. The semantic structure of the image of the basic term «style» is analyzed, figurative paradigms of the concepts Language, Speech and Style are revealed. The article shows the relationship between scientific thinking and metaphorical style, the role of sustainable cognitive metaphors in the creation, storage and transfer of pragmatic information and the creation of a cultural and historical context.

Telling refugees’ stories: Testimony and hospitality in graphic novel L’Odyssée d’Hakim by Fabien Toulmé

2021 ◽  
Vol 12 (1) ◽  
pp. 301-313
Author(s):  
Jennifer Boum Make
Keyword(s):  
Mediterranean Region ◽  
The Other ◽  
Graphic Novel ◽  
Bearing Witness ◽  
Visual Narratives ◽  
Ethical Implications ◽  
Testing Zone ◽  
The Creation ◽  
The Aesthetic ◽  
The Relationship

Following the increase in migratory flows since 2015, in the Euro-Mediterranean region, bandes dessinées are mobilized to stir up compassion and prompt engagement with marginalized biographies. It begins with the premise that aesthetic approaches of bandes dessinées reveal a testing zone to juxtapose modalities of representation and expression of refugees and ways to interact with otherness. To interrogate the relationship between aesthetic devices and the formation of solidarity, this article considers the first volume of Fabien Toulmé’s trilogy, L’Odyssée d’Hakim: De la Syrie à la Turquie (2018). How does Toulmé’s use of aesthetic devices make space for the other, in acts of dialogue and exchange? What are the ethical implications for the exercise of bearing witness to migrant and refugee narratives, especially in the transcription and translation in words and drawing of their biographies? This article argues that visual narratives can provide for the creation of a hospitable testimonial space for migrants and refugees’ voices. The article outlines the aesthetic methodology deployed in graphic storytelling, reflects on what it means for the perception of refugees, and questions the use and ethical appeal of visual narratives as a form to curate hospitality.

scholarly journals Cultura y desarrollo: tendencias hegemónicas y contra-hegemonicas

2012 ◽  
pp. 330-344
Author(s):  
Daniel Cerdas Sandí
Keyword(s):  
The Other ◽  
Other Hand ◽  
Alternative Proposal ◽  
The Creation ◽  
Culture And Development ◽  
Culture Development ◽  
The Relationship

El trabajo busca presentar teorías o propuestas conceptuales sobre la relación cultura y desarrollo, pero no se limitará a una exposición de las mismas, sino que pretendemos realizar una crítica de la conceptualización de varias de estas nociones consideradas hegemónicas. Por otra parte, se presentará una propuesta alterna considerada más precisa y válida para entender la relación cultura y desarrollo en cuanto responde a un análisis propio de las estructuras socioeconómicas que condicionan dicho vínculo. ABSTRACT This paper aims to present the theoriesor proposals about the relationship between culture and development but this does not limited the exposition of both of them, but the creation of a critical of the conceptualization of some of the notions considered as hegemonic. In the other hand, we present an alternative proposal considered as more accurate and valid for us to understand the relationship culture – development as the response to an analysis from the socioeconomics structures that determine that link.

scholarly journals Marxism as Spinozism? One episode in the history of Soviet philosophy

2021 ◽  
Author(s):  
Maja Soboleva
Keyword(s):  
Historical Context ◽  
The Other ◽  
Soviet Philosophy ◽  
Methodological Principle ◽  
Marxist Philosophy ◽  
History Of ◽  
The Relationship ◽  
Theoretical Foundations

AbstractThis paper seeks to reconstruct philosopher Aleksandr Bogdanov’s approach to the philosophy of Spinoza in the context of the debate against Plekhanov. I demonstrate that the Soviet interest in Spinoza’s theory has never been purely historical, but rather, it served an important function in developing the theoretical foundations for Marxist philosophy. However, Bogdanov was one of only a very few who objected strongly to Plekhanov’s attempt to relate Spinoza’s philosophy to Marxism in a direct way. Two principles underlie Bogdanov’s critique: one being methodological, the other—systematic. The methodological principle has a hermeneutical character, since it demands that we treat historical concepts by taking into account their context and their changes during the time. According to Bogdanov, failing to fulfil this principle results in the dogmatization and instrumentalization of philosophy, and transforms it into political doctrine. The systematic principle concerns Bogdanov’s radical rethinking of the relationship between extension and thought. I argue that by rethinking Spinoza’s concepts in the framework of “ideo-empirical parallelism”, Bogdanov develops his own theory of cognition, which he called “empiriomonism”. When considered in historical context, I argue that these debates can serve as a window into the foundational role the Spinoza’s philosophy has played in the formation of different versions of Russian Marxism, as well as in the development of Russian Marxism in general.

scholarly journals AKOMODASI PESANTREN PADA KESENIAN RAKYAT DI CANGKRINGAN, SLEMAN, YOGYAKARTA

2018 ◽  
Vol 15 (2) ◽  
pp. 284-296
Author(s):  
Kholid Mawardi
Keyword(s):  
Historical Context ◽  
Boarding School ◽  
Folk Art ◽  
Religious Community ◽  
The Other ◽  
The Past ◽  
Diverse Society ◽  
Art Community ◽  
The One ◽  
The Relationship

This study investigated the construction of thoughts by KH. Ahmad Masrur and al-Qodir Islamic Boarding School to accomodate folk art; to reveal the relationship among KH. Ahmad Masrur, al-Qodir Islamic Boarding School, and folk art communities in Wukirsari village; and to find out the approaches of accommodation implemented in the folk art Village. The findings of this study led to some conclusions. First, on the one hand, Mr. Masrur (an Islamic expert) wanted to send the goodness and the beauty of Islam not only to be achieved by Moslems but also by other religious community. On the other hand, the folk art community wanted to maintain their existence in the diverse society. Therefore, those two intentions are linked to each other in order to accomplish those goals. Second, the relationship among Mr. Masrur, al-Qodir Islamic Boarding School, and Wukirsari village folk art community; in terms of historical context, it was the repetition of the relationship pattern in the past time that occured during the Islamisation process in Java. It was carried out by placing the locality as the basis of Islam. Mr. Masrur, al-Qodir Islamic Boarding School put themselves as the exponents of folk art; Mr. Masrur had the role as the patron and the community folk art had the role as the clients, and the overall relationship was accomplished based on mutually beneficial relationship. Third, the forms of accommodation  roposed by Mr. Masrur towards folk art in Wukirsari village were through compromise and tolerance. The form of the compromise was visible through the willingness of both parties to feel and understand the circumstances of one to each other party. As for the form of tolerance, it was implemented by Mr. Masrur and al-Qodir Islamic Boarding School deliberately to avoid various disputes and conflicts.

The Sound of India In Maurice Delage’s Quatre Poèmes Hindous

2020 ◽  
Vol 65 (2) ◽  
pp. 277-296
Author(s):  
Noémi Karácsony
Keyword(s):  
20Th Century ◽  
Point Of View ◽  
The Other ◽  
Western Music ◽  
Personal Contact ◽  
Early 20Th Century ◽  
French Music ◽  
Sound Effects ◽  
Instrumental Technique ◽  
The Relationship

"French composer and pianist Maurice Delage wrote several significant works inspired by his personal contact with the Orient. His travels to India inspired Delage to use innovative sound effects in his compositions, as well as to require his performers to adapt their vocal or instrumental technique to obtain the sound desired by the composer. His representation of the Orient is not a mere evocation of the Other, as is the case with most orientalist works, rather it reflects the composer’s desire to endow Western music with the purity, strength, and vivid colors which he discovered and admired in Indian music. The present paper presents the historical and artistic background which inspired and influenced Delage, the relationship between France and India in the early 20th century and reveals the composer’s idealistic point of view regarding India, its culture, and its music. The analysis focuses on the mélodie cycle Quatre poèmes hindous, composed between 1912 and 1913, striving to reveal the Indian influences in the work of Delage and the way orientalism is represented in French music from the first decades of the 20th century. Keywords: orientalism, France, India, 20th century, Maurice Delage"

Traces of the Other: Adorno on Natural Beauty

2020 ◽  
Vol 47 (2) ◽  
pp. 169-189
Author(s):  
André Krebber
Keyword(s):  
Historical Context ◽  
The Other ◽  
Environmental Crisis ◽  
Aesthetic Theory ◽  
Environmental Aesthetics ◽  
Natural Beauty ◽  
Relationship Of ◽  
The Relationship

Abstract This article explores Theodor W. Adorno’s recovery of natural beauty in Aesthetic Theory against the background of current debates in environmental aesthetics and evinces the relationship of his reading of natural beauty to his critique of the domination of nature. From there, a critique of natural domination can be issued through the artwork. Whereas Adorno specifies that artworks do not relate to natural beauty in a positive, pseudomorphotic sense, they nevertheless inherit a quality of natural beauty as presenting to humans what is not reducible to the human. Within the specific historical context of an environmental crisis, then, a case is finally made for art as an area of ecological critique that recovers the artwork and nature from both the artwork’s reduction to a propagandistic tool and its idealistic enlisting for reinstating a bourgeois ideal of nature.

Searching for Champions and Finding Enemies

2020 ◽  
pp. 36-68
Author(s):  
Kurt Edward Kemper
Keyword(s):  
Civil War ◽  
College Football ◽  
The Other ◽  
College Basketball ◽  
Rule Changes ◽  
The Creation ◽  
The Relationship

Chapter 2 focuses on the rise of the NAIA, NIT, and NCAA postseason college basketball tournaments and the forces and rivalries that shaped their early identities. Like the civil war between the NCAA, YMCA, and AAU, the relationship between the tournaments took on a hostile, paranoid, and destructive tone. The creation of the NCAA Tournament, the last of the three, was a response to the perception that the other two were encroaching on the NCAA’s domain. And perhaps worse, many within the NCAA saw them as creating a collegiate championship, with attendant profits, outside the NCAA purview, akin to college football bowl games. NCAA partisans saw the other two events as illegitimate and actively worked to undermine or destroy them, even engaging in conspiracy at one point. The creation of the tournaments, along with other innovations and rule changes in the 1930s, helped create big-time commercialized college basketball, on the same trajectory, if not yet the same scale, as big-time college football. However, no sooner had the NCAA created its tournament than it immediately ran into criticisms over how it selected teams, particularly the obvious bias shown to members of the most commercialized conferences that pursued big-time basketball.

Auto-Intertext of the Novel of Ivan Turgenev «Stuchit»

2015 ◽  
Vol 4 (6) ◽  
pp. 60-64
Author(s):  
Бобылев ◽  
B. Bobylev
Keyword(s):  
Verbal Behavior ◽  
The Other ◽  
The Novel ◽  
Ego States ◽  
The Creation ◽  
Other World ◽  
Relationship Of ◽  
The Relationship

In this article B. Bobylev analyses the intertextual relations of the novel of Ivan Turgenev “Stuchit” (Knocks) with other stories of the writer. It defines the place of the story in a series of “A Sportsman’s sketches” and the whole work of the writer in general. The article identifies key themes and symbols that define the specifics of the worldview of the author. It affirms the idea of a deep connection of the Turgenev’s image of knocking with the search for meaning, the mystery of human’s existence. It also covers the role mythopoetic tradition in the creation of a system of verbal images of the story and in the development of the idea of parallel existence of the earthly world with the other world. The article studies verbal and non-verbal behavior of the characters, assesses the relationship of peasants and landowners within the theory of ego states of Eric Berne.

scholarly journals THE DISCURSIVE WALKS OF MIGRANT WORKERS AS A TRAUMA:FROM A COLLECTIVE EXPERIENCE TO A FEELING OF NOSTALGIA

2020 ◽  
Vol 18 (1) ◽  
pp. 182-198
Author(s):  
Željko Milanović ◽  
Keyword(s):  
Migrant Workers ◽  
Literary History ◽  
Historical Context ◽  
The Other ◽  
Collective Trauma ◽  
The Past ◽  
The Status ◽  
Collective Experience ◽  
The Creation ◽  
Dominant Discourses

The paper starts by tracing the shifts in the status of Anđelko Krstić in the framework of Serbian and Macedonian literature. We interpret the possibility of Krstić being unconditionally accepted as an author with more than one homeland as a non-ideological principle of literary history that could be involved in a de-traumatization of the past and the creation of a conflict-free future. The similarities in the depiction of migrant workers in the novels Trajanby Anđelko Krstić and Infidelityby Dejan Trajkoski are marginal when compared to the involvement of contemporary novelistic protagonists in the modernization processes which open the affected individuals to the experiences of the Other. However, we conclude with the observation that the discrete historical context of Infidelityreproduces memory narratives that perceive their subject solely as a victim of collective trauma in the past. Although Infidelitycontains elements of an invigorating relativization of memory, it is influenced by dominant discourses that abandoned multi-perspectives of the Balkan past and the inclusion of the Other. Such multifaceted perspectives which include the Other represent a prerequisite for a conflict-free future of the Balkan peoples and cultures.

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