Traditioning a Resurgence Anthem

2021 ◽  
pp. 147-190
Author(s):  
Jessica Bissett Perea
Keyword(s):  
Human Being ◽  
Performance Practices ◽  
College Degrees ◽  
Highly Educated ◽  
To Come ◽  
Over Time

This chapter traces the roots and routes of a Yupiit resurgence anthem, “Tarvarnauramken,” through some of the pathways and contributions of three (now) well-known and highly respected Yup’ik Elders: Theresa Arevgaq John, Chuna Nengqerralria McIntyre, and Marie Arnaq Meade. Over time, their collective paths converged as members of Nunamta (Of Our Land) Yup’ik Eskimo Dancers (ca. 1980s), one of the first professionalized Native performance groups to come out of Alaska and to develop inter-village yet distinctly Yupiit-specific aesthetics and sonic vernaculars. Their individual paths offer further insights into the densities of being highly educated in both Yupiit and non-Yupiit senses; they are fluent in Yugtun and Yuuyaraq (Way of the Human Being), and they have each earned college degrees and lived influential lives as public artists and intellectuals. The conclusion questions the role of density in traditioning Yupiit performance practices, especially for Yupiit performances in diaspora.

Conclusion

2019 ◽  
pp. 132-148
Author(s):  
Joshua Foa Dienstag
Keyword(s):  
Human Society ◽  
Human Being ◽  
Popular Films ◽  
To Come ◽  
Elected Representatives ◽  
Over Time

Film can be a political narcotic, suppressing rather than expressing the humanity that is supposed to flourish in democracy. Most popular films today, like many elected representatives, have this effect. In its best form, however, representation, both filmic and political, can add something irreplaceable to democracy. A human being is something that makes itself available for presenting and representing only over time. When representation succeeds, it causes some part of this being to come to the fore and be visible in a way that it was not before. Great representatives and great representations are rare, but when they do appear, they enhance our politics by sustaining the reciprocal equality that is at the heart of any human society.

Collaborative Writing and Ethical Know-how

2012 ◽  
Vol 5 (4) ◽  
pp. 349-356 ◽  
Author(s):  
Jane Speedy
Keyword(s):  
Collaborative Writing ◽  
Human Being ◽  
Human Beings ◽  
Special Issue ◽  
Social Imagination ◽  
Know How ◽  
The Social ◽  
Conditions Of Possibility ◽  
To Come ◽  
Over Time

It may seem incongruous to come across a ‘sole authored’ text amidst a journal special issue on collaborative writing. For my part the contradiction ‘plays’ eloquently with what it might mean to be/come a singular-yet-silted-up-accumulation of a human being. This paper represents not so much an assemblage (although that, too) as a collectively auto/biographical constellation, accumulation, and distillation of the traces that have remained lying around and about after many decades spent engaged with collective, collaborative and participatory writing. By themselves these sediments and dregs do not amount to much and certainly do not fit together, but as they have accumulated over time they have come to represent something of a body of work. Hence, the conditions of possibility surface for me to give an account of the very particular kinds of ethical know-how that I have witnessed emerging from many groups of people writing together collaboratively within (and to some extent against) the Academy. This paper draws on feminist sensibilities, narrative and poststructuralist ideas, therapeutic practices, Utopian methodologies and multiple writing accumulations over time to suggest that the continued and explicit practice of collaborative writing amongst social researchers alters the academic spaces they inhabit and the ethical know-how that they come by. In time the (albeit fragile) emergence of this different sense of scholarship and scholarly work and even, perhaps, of what it means to be a human being amidst human beings and other elements can begin to rework and expand the social imagination.

scholarly journals Style Evolution: Space and Movement in Longfellow’s Lyrical Poems

2021 ◽  
Vol 16 (3) ◽  
pp. 166-186
Author(s):  
Vadim Andreev
Keyword(s):  
Complex System ◽  
Final Stage ◽  
Early Period ◽  
Human Being ◽  
The World ◽  
American Poet ◽  
Individual Style ◽  
Over Time ◽  
Creative Career

ABSTRACT Variance of individual style over time and the tendencies in style evolution are important issues in modern linguistics. This paper investigates how parameters of space and movement categorization were deployed by the famous American poet H.W. Longfellow at different stages of his creative career. The attention is focused on lexical units with spatial meaning. The analysis revealed significant changes in (i) the structure of space, (ii) the ratio of horizontal vs. vertical relations of objects, statics vs. dynamics, and (iii) the role of a human being in poetic space. The early verse represents the world as a balanced unity, which then turns into a more complex system with two strata of reality. At the final stage of Longfellow’s creative career, space in his poetic world is integrated again but now acquires a new structural organisation that is different, to a certain extent, from that of his early period.

scholarly journals The Role of Time in the Theory of Narrative Identity in the Philosophy of Paul Ricoeur

2021 ◽  
Vol 25 (3) ◽  
pp. 483-494
Author(s):  
Michał Kumorek
Keyword(s):  
Personal Identity ◽  
Narrative Identity ◽  
The Other ◽  
Human Being ◽  
The Core ◽  
Other Hand ◽  
New Models ◽  
Changes Over Time ◽  
Over Time

Time has a very important function in considering the identity of a person. It is the factor that brings identity into question. The core of the problem is the question of whether the person is the same as he or she was at another time. The problem of personal identity was one of the most important issues in Paul Ricoeurs philosophy. He considers this problem in the context of time and notes that traditional models of identity as sameness and as selfhood have been entangled in various aporias. He, therefore, proposes two new models of identity that are related in different ways to temporality: character and promise. Character is a model that changes over time through the acquisition or loss of various traits. The promise, on the other hand, is a model that resists the pressure of time attempts to keep a given word. In this way, these two different models create the framework for Ricoeur's concept of narrative identity. In this concept, time enables the development of action in a story. It allows the action to turn around, but it also allows the human being to look at the story of his or her life. Character and promise are models that allow the human being to look at his or her life as a certain temporal entity that is constantly threatened by unforeseen accidents and events but also constantly absorbs them and, through to time, gives the possibility of retrospection leading to synthesis. This synthesis allows us to look at a single life as a whole, belonging to the same person endowed with the character and challenge of keeping a promise.

The problem of periodization of the history of religion

1997 ◽  
pp. 3-8
Author(s):  
Borys Lobovyk
Keyword(s):  
Religious Studies ◽  
Human Being ◽  
Religious Development ◽  
History Of Religion ◽  
The Social ◽  
The World ◽  
History Of ◽  
Role Of Religion

An important problem of religious studies, the history of religion as a branch of knowledge is the periodization process of the development of religious phenomenon. It is precisely here, as in focus, that the question of the essence and meaning of the religious development of the human being of the world, the origin of beliefs and cult, the reasons for the changes in them, the place and role of religion in the social and spiritual process, etc., are converging.

Raza, ciencia, sociedad

2015 ◽  
Vol 2 (4) ◽  
Author(s):  
Peter Wade
Keyword(s):  
Cultural Discourse ◽  
Human Biology ◽  
Science And Society ◽  
Race Science ◽  
And Behavior ◽  
Over Time

<p class="p1"><span class="s1"><strong>Resumen </strong></span>| En este trabajo quiero presentar una cronología convencional del concepto raza que marca un movimiento en el cual raza cambia de ser una idea basada en la cultura y el medio ambiente, a ser algo biológico, inflexible y determinante, para luego volver a ser una noción que habla de la cultura<span class="s2"><strong>.</strong></span>Resumo cómo la idea de raza ha cambiado a través del tiempo, mirando necesariamente el rol que ha desempeñado la ciencia, y enfocando los diferentes discursos de índole <em>natural-cultural </em>sobre los cuerpos, el medio ambiente y el comportamiento, en los cuales las dimensiones culturales y naturales siempre coexisten<span class="s2"><strong>.</strong></span>“La naturaleza” no puede ser entendida solamente como “la biología” y ni la naturaleza ni la biología necesariamente implican sólo el determinismo, la fijeza y la inmutabilidad Estar abiertos a la coexistencia de la cultura y la naturaleza y a la mutabilidad de la naturaleza nos permite ver mejor el ámbito de acción del pensamiento racial.</p><p class="p1"><strong><em>Race, Science and Society</em></strong></p><p class="p1"> </p><p class="p2"><span class="s1"><strong>Abstract </strong></span>| In this article I present and critique a standard chronology of race as, first, a concept rooted in culture and environment, and later in human biology and determinism, and finally back to culture alone<span class="s2"><strong><em>.</em></strong></span>I will outline changing understandings of race over time, with some attention to the role of science, broadly understood, and on the continuing but changing character of race as a natural-cultural discourse about organic bodies, environments and behavior, in which both cultural and natural dimensions always co-exist<span class="s2"><strong><em>.</em></strong></span>“Nature” is not to be understood simply as “biology,” and neither nature nor biology necessarily imply the fixity and determination that they are often assumed nowadays to involve<span class="s2"><strong><em>.</em></strong></span>Being open to the co-existence of culture and nature and the mutability of the latter allows us to better comprehend the whole range of action of racial thinking.</p>

Reconsidering American Power

2020 ◽  
Keyword(s):  
Social Sciences ◽  
Human Rights ◽  
Postcolonial Studies ◽  
Human Condition ◽  
American Power ◽  
Global Environmental ◽  
The Social ◽  
State Sponsorship ◽  
To Come

Postcolonial studies, postmodern studies, even posthuman studies emerge, and intellectuals demand that social sciences be remade to address fundamentals of the human condition, from human rights to global environmental crises. Since these fields owe so much to American state sponsorship, is it easier to reimagine the human and the modern than to properly measure the pervasive American influence? Reconsidering American Power offers trenchant studies by renowned scholars who reassess the role of the social sciences in the construction and upkeep of the Pax Americana and the influence of Pax Americana on the social sciences. With the thematic image for this enterprise as the ‘fiery hunt’ for Ahab’s whale, the contributors pursue realities behind the theories, and reconsider the real origins and motives of their fields with an eye on what will deter or repurpose the ‘fiery hunts’ to come, by offering a critical insider’s view.

Schopenhauer and the Paradox of the Sublime

2020 ◽  
pp. 237-255
Author(s):  
Bart Vandenabeele
Keyword(s):  
Aesthetic Experience ◽  
Human Being ◽  
Aesthetic Object ◽  
Human Reason ◽  
The Sublime ◽  
The World ◽  
The Aesthetic

Schopenhauer explores the paradoxical nature of the aesthetic experience of the sublime in a richer way than his predecessors did by rightfully emphasizing the prominent role of the aesthetic object and the ultimately affirmative character of the pleasurable experience it offers. Unlike Kant, Schopenhauer’s doctrine of the sublime does not appeal to the superiority of human reason over nature but affirms the ultimately “superhuman” unity of the world, of which the human being is merely a puny fragment. The author focuses on Schopenhauer’s treatment of the experience of the sublime in nature and argues that Schopenhauer makes two distinct attempts to resolve the paradox of the sublime and that Schopenhauer’s second attempt, which has been neglected in the literature, establishes the sublime as a viable aesthetic concept with profound significance.

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