Utopia?

2021 ◽  
pp. 350-390
Author(s):  
Philip Kitcher

The final chapter takes up the charge that the program envisaged is a utopian fantasy. Could the Deweyan society be achieved? If it were achieved, could it be sustained? Both questions are addressed. The seven characteristic features of the Deweyan society depend on a systematic change: once a society has reached a stage of economic comfort, it can increase the time spent away from the workplace instead of striving for ever greater productivity. The crucial move in bringing about the Deweyan society is to declare that enough is enough. The bulk of the subsequent discussion attempts to demonstrate that forgoing productivity needn’t spell economic (or social) doom. It concludes with some clarifications of the thesis that markets are essential to economic health, and with a defense of John Stuart Mill’s claim that the “stationary state” is not something to be feared, but, quite possibly, an enormous improvement on the way people currently live.

Author(s):  
Rebecca Skreslet Hernandez

The final chapter brings the discussion of al-Suyūṭī’s legal persona squarely into the modern era. The discussion explores how contemporary jurists in Egypt use the legacy of the great fifteenth-century scholar in their efforts to frame their identity and to assert authority as interpreters and spokesmen for the Sharīʿa in a political arena that is fraught with tension. In the midst of Mursī’s embattled presidency, leading scholars at Egypt’s state religious institutions rushed to news and social media outlets to affirm their status as representatives of “orthodoxy” and to distance themselves from more extreme salafī trends that threaten to change the way Islamic law is practiced in the modern Egyptian state. It is striking how closely the image of the moderate Sunni, Sufi-minded, theologically sound scholar grounded in the juristic tradition (according to the accepted legal schools) fits with the persona that al-Suyūṭī strove so tenaciously to construct.


Author(s):  
Zoran Oklopcic

As the final chapter of the book, Chapter 10 confronts the limits of an imagination that is constitutional and constituent, as well as (e)utopian—oriented towards concrete visions of a better life. In doing so, the chapter confronts the role of Square, Triangle, and Circle—which subtly affect the way we think about legal hierarchy, popular sovereignty, and collective self-government. Building on that discussion, the chapter confronts the relationship between circularity, transparency, and iconography of ‘paradoxical’ origins of democratic constitutions. These representations are part of a broader morphology of imaginative obstacles that stand in the way of a more expansive constituent imagination. The second part of the chapter focuses on the most important five—Anathema, Nebula, Utopia, Aporia, and Tabula—and closes with the discussion of Ernst Bloch’s ‘wishful images’ and the ways in which manifold ‘diagrams of hope and purpose’ beyond the people may help make them attractive again.


Author(s):  
Aysel Asadova

The article analyzes the musical language of the opera Kerem by A. Adnan Saygun. Ahmet Adnan Saygun was born during the Ottoman period and lived in the newly created Republic of Turkey. Saygun is one of the founders of the Turkish School of Composing, as well as one of the founders of the Turkish Five. The composer paid great attention to folk art and national values. You can always see folk music and folklore in his works. The purpose of the research is to analyze Sufi motives in the scenes of the opera. Mainly, the attention is paid to musical drama and harmonic aspects of the opera, which directly reflect Turkish folklore and musical culture in general. The research methodology lies in solving a scientific and theoretical problem. A number of theoretical and analytical methods have been applied, highlighting the principle of using a literary text in musical scenes that contain phrases that reflect “reunification with the Creator” in Sufism. The use of characteristic rhythmic patterns in mystical scenes, when searching for information, the methods of the axiological concept of culture were used, which made it possible to highlight the characteristic features of Turkish music. The scientific novelty of the research lies in the fact that for the first time the reflection of religious characteristics based on folk music, in particular, based on modal structures and maqams, analysis of the mystical motives of the opera, in combination with modern musical techniques is considered. Conclusions. Saigun’s opera Kerem is one of the rare works based on Sufi philosophy. A clear reflection of the main thought of Sufi philosophy was noted in Kerem, according to which the suffering of the seeker of truth is marked by a return to it. The way of light is the way of Allah. The composer, to show the unique colour and character of Anatolia, the life and customs of people, used the fret and rhythmic structure characteristic of Turkish music. As a result of the study, we see how in Kerem the author enthusiastically and passionately works on national values in all aspects of the opera.


CNS Spectrums ◽  
2008 ◽  
Vol 13 (7) ◽  
pp. 561-565 ◽  
Author(s):  
Dan J. Stein

ABSTRACTThe heterogeneity of major depression suggests that multiple neurocircuits and neurochemicals are involved in its pathogenesis. Anhedonia and psychomotor symptoms are, however, particularly characteristic features of major depression and may provide insights into its underlying psychobiology. Importantly, these symptoms appear to be mediated by dopaminergic mesolimbic and mesostriatal projections, the function of which is, in turn, influenced by key gene variants and environment stressors. Indeed, there is growing evidence of the way in which the dopaminergic system is associated with cognitive-affective disturbances in depression, and provides a useful target for therapeutic interventions. At the same time, a range of other systems are likely to contribute to the psychobiology of this condition.


2018 ◽  
pp. 161-182
Author(s):  
Tim Lanzendörfer

The final chapter of the book discusses the question of race in contemporary zombie fiction. Departing from the observation that many zombie fiction texts insist that the zombie apocalypse will do away with race as a marker of difference, it reads two recent texts against this oft-used trope. Arguing against much recent criticism, it posits that Zone One is best read not as concerned with the history of racial oppression, but as concerned with the way capitalism constructs race as a category useful to it. It concludes by reading Díaz’s “Monstro” as a tale most instructive at the metalevel, for what it tells us about the zombie’s contemporary relation to Haiti on the pervasiveness of racial categories even outside a White-Black dichotomy. It also serves as a point for departure to the Coda, an investigation of the larger valences of zombie fiction.


Author(s):  
Timothy C. Campbell
Keyword(s):  

In this final chapter, the Italian actress Monica Vitti is read as the generous form of life par excellance in three of Antonioni’s most important films: L’avventura, La notte, and L’eclisse. The generosity she evinces is registered in the way that Antonioni shows her repeatedly grasping and releasing objects such that a distinction between possession as grasping and non-possession as release emerges. That same distinction appears later as a strategy that Vitti adopts in playfully evading her capture by Antonioni’s apparatus.


Author(s):  
Jonathan Moss

This final chapter returns to Ford, Dagenham to analyse the second strike that was organised by female sewing-machinists for skill recognition in the winter of 1984-1985. Whilst the 1968 strike analysed in chapter 2 was optimistically hailed as a turning point symbolising a new era of gender equality, the sewing-machinists were dissatisfied because the skilled nature of their work was not recognised. For the women at Ford, the underlying grading grievance and the sense of injustice that led to the 1968 dispute continued to shape their experiences of work and trade unionism for the next 17 years. This dispute marks an appropriate place to begin to draw some broader conclusions about women’s experiences of workplace activism between 1968 and 1985. The Ford sewing-machinists’ eventual success in winning their grading intimates a transition had occurred in the way women’s work was valued in the intervening 17 years between the strikes – at least within the Ford factory. Drawing upon contemporary representations of the dispute and interviews with women involved, this final chapter considers whether the women themselves believed the strike represented a change in attitudes towards female workers.


Author(s):  
Paolo Ramazzotti

This chapter discusses the problems associated to an inadequate theory of economic policy. It begins by presenting the mainstream and heterodox approaches to policy. It contends that, according to the mainstream, policy must guarantee efficiency or, at the very least, consider it a key constraint, whereas according to heterodox economists, it may have a broader variety of goals. The latter's open system perspective implies that changes in the structure of the economy eventually feedback both on how people conceive of the economy and social welfare and on how the economy itself functions. The relevance of this issue, which is understated, emerges from the subsequent discussion of how neoliberal policies have changed the structure of the economy, the way people conceive of the economy, and even their voting behavior.


2021 ◽  
pp. 359-368
Author(s):  
Keith Grint

The final chapter looks back at the cases of mutiny through several different lenses. First we use Wright Mills’s notion of Vocabularies of Motive that takes what actors say they are doing as opposed to how we might interpret that. In effect these act as mobilizations, not descriptions, of action and explore the way leaders channel a general discontent into a particular form of action. Second, the cases are distributed according to whether the mutineers appear to assume the situation is one where the economic or social or political contract has been undermined. This is mirrored on the establishment side by considering whether the actions of the mutineers are perceived to be a fait accompli or the result of misled subordinates or something that actually poses an existential threat to the status quo. Finally, the nature of the individual leaders of mutinies is explored through the frame of the puer robustus, a term used by many philosophers and political commentators to describe those individuals—rule breakers—who invariably end up taking control over mutinies and often paying the price for that leadership.


2019 ◽  
pp. 225-235
Author(s):  
Erin M. Kamler
Keyword(s):  

The final chapter examines the way artist participants in “Land of Smiles” began to undergo the passage from rupture to “hospitality”—an ethical contract formed not around “sameness,” but rather, around “encounters with the unknown.” By articulating their experiences of rupture and its complementary process of hospitality, the artist narratives reveal the power of musical theater as a means of breaking down preconceptions and opening new pathways to empathy and trust. It is here that we see the tenets of liberation unfold most dramatically, illuminating DAR’s transformative essence.


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