Introduction
The cognitive ability to process kinesic stimuli is nonverbal. Sensorimotor concepts are predictive and operate primarily outside of language. Human beings are able to perform a precise gesture without knowing how to account for it verbally. In literature, verbal artists work with the connections afforded in their language between sensorimotor and verbal concepts. In turn, the act of reading their texts taps into readers’ kinesic intelligence and their ability to connect a verbal concept of movement to a sensorial and motor concept. When writers play with such connections, kinesic humor in literature is liable to be experienced. In such instances, shifts in rhythm, tonicity, and kinesthetic intensity are paramount within readers’ perceptual simulations. While perceptual simulations are the prime trigger of an experience of humor, they generally remain pre-reflective. They can, however, become a focus of reflective attention. The introduction to Kinesic Humor provides a theory for this claim, and substantiates it with preliminary literary examples.