“Conversion” in Late-Medieval Christianity

2020 ◽  
pp. 10-35
Author(s):  
Baird Tipson
Keyword(s):  
Protestant Reformation ◽  
Late Medieval ◽  
Men And Women ◽  
Late Fifteenth ◽  
Medieval Christianity ◽  
Christian Men

This chapter discusses the great indulgence campaigns of the late fifteenth and early sixteenth centuries. In the centuries before the Protestant Reformation, being solicited for indulgences had become commonplace for Christian men and women. The practice of granting indulgences—perceived abuses of which generated Martin Luther’s Ninety-Five Theses—was tied closely to the sacrament of penance, so a close look at indulgences can uncover the assumptions behind a religiosity that provided access to God through a sacramental system and an ordained priesthood.

Hell Disarmed? The Function of Hell in Reformation Spirituality

Numen ◽  
2009 ◽  
Vol 56 (2-3) ◽  
pp. 366-384 ◽  
Author(s):  
Tarald Rasmussen
Keyword(s):  
The Other ◽  
Protestant Reformation ◽  
Late Medieval ◽  
Ars Moriendi ◽  
Religious Importance ◽  
The One ◽  
The Right ◽  
The Relationship ◽  
Medieval Christianity

In Late Medieval Christianity, the concept of hell was closely connected to the sacrament of penance. Hell could be avoided through the right use of penance. And the cleansing sufferings in purgatory could to a certain extent replace the eternal sufferings in hell. The Protestant Reformation rejected purgatory, and returned to a traditional dualistic view of the relationship between heaven and hell. At the same time, hell seems to lose some of its religious importance in early Protestant spirituality. This change is illustrated through a comparison of two central texts belonging more or less to the same genre: on the one hand the famous Late Medieval illustrated Ars moriendi and on the other Luther's Sermon von der Bereitung zum Sterben from 1519.

Time and the Testator, 1370–1540

2002 ◽  
Vol 37 ◽  
pp. 133-144
Author(s):  
Judith Middleton-Stewart
Keyword(s):  
Middle Ages ◽  
Late Medieval ◽  
Men And Women ◽  
The Past ◽  
Late Middle Ages ◽  
The World ◽  
The Future ◽  
Perception Of Time ◽  
Limited Duration ◽  
At Will

There were many ways in which the late medieval testator could acknowledge time. Behind each testator lay a lifetime of memories and experiences on which he or she drew, recalling the names of those ‘they had fared the better for’, those they wished to remember and by whom they wished to be remembered. Their present time was of limited duration, for at will making they had to assemble their thoughts and their intentions, make decisions and appoint stewards, as they prepared for their time ahead; but as they spent present time arranging the past, so they spent present time laying plans for the future. Some testators had more to bequeath, more time to spare: others had less to leave, less time to plan. Were they aware of time? How did they control the future? In an intriguing essay, A. G. Rigg asserts that ‘one of the greatest revolutions in man’s perception of the world around him was caused by the invention, sometime in the late thirteenth century, of the mechanical weight-driven clock.’ It is the intention of this paper to see how men’s (and women’s) perception of time in the late Middle Ages was reflected in their wills, the most personal papers left by ordinary men and women of the period.

scholarly journals What Is Charity? William Langland’s Answers with Some Diachronic Questions

Religions ◽  
2019 ◽  
Vol 10 (8) ◽  
pp. 458
Author(s):  
David Aers
Keyword(s):  
Fourteenth Century ◽  
Piers Plowman ◽  
Late Medieval ◽  
The Reformation ◽  
History Of ◽  
The Subject ◽  
Medieval Christianity ◽  
Ethics And Politics

Charity turns out to be the virtue which is both the root and the fruit of salvation in Langland’s Piers Plowman, a late fourteenth-century poem, the greatest theological poem in English. It takes time, suffering and error upon error for Wille, the central protagonist in Piers Plowman, to grasp Charity. Wille is both a figure of the poet and a power of the soul, voluntas, the subject of charity. Langland’s poem offers a profound and beautiful exploration of Charity and the impediments to Charity, one in which individual and collective life is inextricably bound together. This exploration is characteristic of late medieval Christianity. As such it is also an illuminating work in helping one identify and understand what happened to this virtue in the Reformation. Only through diachronic studies which engage seriously with medieval writing and culture can we hope to develop an adequate grasp of the outcomes of the Reformation in theology, ethics and politics, and, I should add, the remakings of what we understand by “person” in these outcomes. Although this essay concentrates on one long and extremely complex medieval work, it actually belongs to a diachronic inquiry. This will only be explicit in some observations on Calvin when I consider Langland’s treatment of Christ’s crucifixion and in some concluding suggestions about the history of this virtue.

THE RECOVERY OF FREEDOM OF SPEECH IN THE CULTURE OF HUMANISTS AND THE COMMUNICATIVE ORIGINS OF THE REFORMATION

Traditio ◽  
2019 ◽  
Vol 74 ◽  
pp. 375-422 ◽  
Author(s):  
JORGE LEDO
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Freedom Of Speech ◽  
Protestant Reformation ◽  
Common Currency ◽  
Late Medieval ◽  
The Reformation ◽  
Three Stages ◽  
Rules Of The Game

Ideas and opinions about communication and intellectual exchange underwent significant changes during the transition from the Middle Ages to the Renaissance. The rediscovery of parrhesia by the humanists of the Quattrocento is one of the least studied of these changes, and at the same time, paradoxically, one of the most fascinating. My main argument in these pages is that the recovery of Hellenistic “freedom of speech” was a process that took place from the thirteenth century through the first decade of the sixteenth century; thus it began well before the term παρρησία was common currency among humanists. This is the most important and counterituitive aspect of the present analysis of early modern parrhesia, because it means that the concept did not develop at the expense of classical and biblical tradition so much as at the expense of late-medieval scholastic speculation about the sins of the tongue and the legitimation of anger as an intellectual emotion. To illustrate this longue durée process, I have focused on three stages: (i) the creation, transformation, and assimilation by fourteenth-century humanism of the systems of sins of the tongue, and especially the sin of contentio; (ii) the synthesis carried out by Lorenzo Valla between the scholastic tradition, the communicative presumptions of early humanism, and the classical and New Testament ideas of parrhesia; and (iii) the systematization and transformation of this synthesis in Raffaele Maffei's Commentariorum rerum urbanorum libri XXXVIII. In closing, I propose a hypothesis. The theoretical framework behind Maffei's encyclopaedic approach is not only that he was attempting to synthesize the Quattrocento's heritage through the prism of classical sources; it was also that he was crystallizing the communicative “rules of the game” that all of Christianitas implicitly accepted at the beginning of the sixteenth century. Taking the three ways of manifesting the truth considered by Maffei and fleshing them out in the figures of Erasmus of Rotterdam, Celio Calcagnini, and Martin Luther just before the emergence of the Protestant Reformation could help to explain from a communicative perspective the success and pan-European impact of the Reformation.

Art and Identity in the Parish Communities of Late Medieval Kent

1992 ◽  
Vol 28 ◽  
pp. 225-237
Author(s):  
Judy Ann Ford
Keyword(s):  
Middle Ages ◽  
Art Criticism ◽  
Religious Community ◽  
Social Meaning ◽  
Late Medieval ◽  
Men And Women ◽  
Political Messages ◽  
Late Middle Ages ◽  
The Social ◽  
Religious Associations

Historians have long been aware that patronage is a crucial factor in interpreting the social meaning of art. The late Middle Ages knew a variety of patrons, each employing art to communicate different sorts of concern: royal and aristocratic courts emphasized political messages, urban communes created governmental myths, cathedrals and monasteries gave expression to spiritual ideas—and all used art to convey notions of social identity. Recent investigations into the process of choosing and procuring works of art in these contexts have not only added perspective to formal art criticism, they have also deepened our understanding of the groups interested in the creation of art. One area in which questions of patronage could perhaps be better illuminated is the community of the parish. The parish served as the primary religious community for the majority of men and women for most of the Middle Ages. It was complex in composition, involving both laity and clergy, encompassing other religious associations, such as gilds, and including the devout and the indifferent, the orthodox and the dissenters.

Divorce and the elite household in late medieval Cairo

2001 ◽  
Vol 16 (2) ◽  
pp. 201-218 ◽  
Author(s):  
YOSSEF RAPOPORT
Keyword(s):  
Fifteenth Century ◽  
Late Medieval ◽  
Financial Compensation ◽  
Marital Relations ◽  
Late Fifteenth

This article examines the rate and causes of divorce among the elite households of late fifteenth-century Cairo. By using a unique contemporary chronicle, it is possible to estimate that a third of all marriages ended in divorce. Wives initiated divorces at least as often as their husbands. They did so by reaching a divorce settlement with their husbands for a financial compensation, or, in the case of desertion, by using the courts to impose a judicial divorce. In the vast majority of the cases, the causes for the divorce were grounded in marital relations. In spite of the importance of marriage alliances for the elite household, these marriages did eventually hinge on the mutual consent of the two individuals concerned.

scholarly journals The Gloss to the Saunteen Kesta (Seventeen Statutes) of the Frisian Land Law

2019 ◽  
Vol 87 (1-2) ◽  
pp. 30-64
Author(s):  
Jan Hallebeek
Keyword(s):  
Fifteenth Century ◽  
Considerable Increase ◽  
Roman Law ◽  
Land Law ◽  
Late Medieval ◽  
Indigenous Law ◽  
Late Fifteenth ◽  
Law Texts

SummaryThe Seventeen Statutes is one of the oldest classical texts of Old Frisian Law. In its late fifteenth century edition, as part of the Frisian Land Law, it was provided with Latin glosses. Analysis of these glosses, which were scarcely investigated until now, enables us to pronounce with more certainty upon the date of both the Frisian Land Law, as a compilation, and its Gloss. Moreover, the glosses to the Seventeen Statutes reflect a considerable increase of ecclesiastical competence, point to certain principles of Romano-canonical procedure and use Roman law texts when applying provisions of indigenous law. This all may indicate a stronger presence of learned law in late medieval Friesland than previously assumed.

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