1491

2021 ◽  
pp. 193-216
Author(s):  
Dominic McHugh

Chapter 7 harnesses a huge number of new archival documents to reveal the story behind Meredith Willson’s ill-fated final musical 1491. In writing a flattering musical about Christopher Columbus, Willson was out of step with the civil rights movement, and both personal problems (including the death of his wife) and collaborative issues (with the producer) meant that his final musical never even made it to Broadway. The chapter discusses the extant songs, critiques the many drafts of the book, and charts the show’s progress to the stage with several collaborators. In a final section, the chapter also examines Willson’s aborted attempts to write several other shows including Dennis the Menace.

2021 ◽  
Vol 72 (1) ◽  
pp. 97-117
Author(s):  
Holly Collins

Mitch Landrieu, former mayor of New Orleans garnered significant attention for his book In the Shadow of Statues (2018), observing that many Confederate monuments were erected to buttress Jim Crow laws and serve as a warning to those who supported the civil rights movement. Likewise, there are a number of monuments in Québec that serve a particular political or religious purpose, seeking to reinforce a pure laine ideology. In this article, I explore the parallels between the literal and figurative construction and deconstruction of monuments that have fortified invented ideas on identity in francophone North America. Further, Gabrielle Roy’s short story “L’arbre,” which describes a “living monument,” tells the story of a racialized past in North America and unveils the falsities that have been preserved through the construction of statues that perpetuate racial myth. “L’arbre” examines the natural, unconstructed monument of the Live Oak: a tree that witnessed and holds the visible scars of the many terrible realities that took place in its shadows. I use Roy’s short story to show how she sought to deconstruct a whitewashed history of the post-Civil War American South and suggest that her broader corpus rejects determinism wholesale.


Deferred Dreams, Defiant Struggles interrogates Blackness and illustrates how it has been used as a basis to oppress, dismiss and exclude Blacks from societies and institutions in Europe, North America and South America. Employing uncharted analytical categories that tackle intriguing themes about borderless non-racial African ancestry, “traveling” identities and post-blackness, the essays provide new lenses for viewing the “Black” struggle worldwide. This approach directs the contributors’ focus to understudied locations and protagonists. In the volume, Charleston, South Carolina is more prominent than Little Rock Arkansas in the struggle to desegregate schools; Chicago occupies the space usually reserved for Atlanta or other southern city “bulwarks” of the Civil Rights Movement; diverse Africans in France and Afro-descended Chileans illustrate the many facets of negotiating belonging, long articulated by examples from the Greensboro Woolworth counter sit-in or the Montgomery Bus Boycott; unknown men in the British empire, who inverted dying confessions meant to vilify their blackness, demonstrate new dimensions in the story about race and religion, often told by examples of fiery clergy of the Black Church; and the theatres and studios of dramatists and visual artists replace the Mall in Washington DC as the stage for the performance of identities and activism.


Author(s):  
Katharina Gerund

Chapter uses research paradigms from mobility studies, black diaspora studies, and transnational American studies, in order to create a nuanced picture of the many facets of Josephine Baker’s career as an artist and activist. It discusses Baker’s often neglected role as an activist for the French Resistance and in the US Civil Rights Movement, as well as her self-fashioning as a mother, head of state, and humanitarian at Les Milandes: a 15th century château where Baker established her Rainbow Tribe. The chapter considers how Baker’s changing positionalities, mechanisms of inclusion and exclusion in different social contexts, and experiences of displacement and exile, partially determined her political work and how she was simultaneously constructed by these discourses. Baker is cast as a “revolutionary diva” who does not simply belong on the margins of current debates around transnational affiliations and cosmopolitanisms, cultural mobilities and immobilities, and political activism in the black diaspora.


Out in Time ◽  
2019 ◽  
pp. 1-10
Author(s):  
Perry N. Halkitis

The Stonewall Riots of 1969 set the foundation for the civil rights movement of the lesbian, gay, bisexual, transgender, and queer (LGBTQ) population in the United States. Despite policies and laws, which have been enacted since that historical turning point, gay men continue to experience challenges in their lives as they emerge into their sexual identities. This chapter provides an overview and the thesis of the volume, which posits that development and negotiation of gay identity is a challenge with which many gay men grapple during their lifetimes despite the advances in LGBTQ rights over the last several decades. The thesis is explored in relation to the life narratives of three generations of gay men—the Stonewall Generation, the AIDS Generation, and the Queer Generation. These narratives are indicative of the many life challenges gay men face, the impact of these challenges on health and well-being of many gay men, but also of pride, dignity, and resilience that is evidenced in the population.


2006 ◽  
Vol 16 (2) ◽  
pp. 195-226 ◽  
Author(s):  
Wallace Best

AbstractThe infamous conflict between Joseph Harrison Jackson, longtime president of the National Baptist Convention, Inc. (NBC), and Martin Luther King, Jr., has attracted considerable scholarly attention. For nearly a decade, the two Baptist clerics fought for control of the largest African American religious organization in the country as King sought to use it as the “institutional basis for the Civil Rights Movement.” Treated as a simple confrontation between the “radicalism” of King and the”conservatism” of Jackson, however, the conflict has been misinterpreted and, therefore, undervalued by scholars. It was not a struggle between conservative and progressive forces within the NBC, and Jackson and King were not ideological polar opposites. Their conflict was essentially religious in nature and was predicated on questions regarding what constituted church work among black Baptists. In retaining control of the NBC, Jackson wanted to make sure that the answers to those questions would reflect what he perceived to be the “vital center” of American culture. He was convinced that his commitment to “correct” the social ills of society through national and religious unity would achieve that which was right while conquering that which was wrong. Faced also with the challenges of an increasingly global context within which black religious leaders were compelled to operate, Jackson envisioned the NBC as an organization involved with efforts to bring peace and economic parity around the world. In Jackson's view, King's aim to use the NBC as the “institutional basis for the Civil Rights Movement” was both “anti-American” and limited in scope. Jackson's “gradual” stance on civil rights and his confidence in the democratic process to bring about social change reveal one of the many options employed in post -WWII African American religious and political culture.


This chapter examines how the political ideas that would come to shape the civil rights movement in America were fomented and sometimes nearly thwarted by focusing on the many visual encounters with the dead and disfigured body of Emmett Till—some in the flesh, some mediated by photography. The chapter analyzes how the decision of Mamie Till-Mobley, Emmett Till's mother, to have an open-casket funeral for her son made possible the wide-scale circulation of photographs of his body. An examination of the courtroom in which Till's murderers were tried makes clear the paradoxical uses of his image. This use demonstrates that the political utility of seeing another's disfigured body lies in recognizing that the violence enacted upon the Other is also violence enacted upon the Self. The chapter offers a psychoanalytic and deconstructionist interpretation of recognition, which is figured as a central project in the struggle for black liberation and civil rights.


2020 ◽  
Vol 65 (2) ◽  
pp. 283-302
Author(s):  
Norina Herki

"This paper aims to trace and chart the interplay between the struggle for recognition of the Genocide and the Roma civil rights movement, respectively to what extent memory, commemoration, reconciliation play a role and contribute to building a collective identity for the Roma, the Roma narrative – in which persecution, past trauma are important. The paper will also analyze the struggle for recognition and identity as a resistance to the manifestations of Antigypsyism in contemporary society. Furthermore, the paper proposes to analyze the European dimension of the Roma mobilization, respectively to what extent there is a Europe-wide movement for recognition of the Roma Holocaust, given the many Roma groups, different regional histories and the heterogeneous identity of the Roma. Keywords: Roma civil rights movement, Roma genocide, Antigypsyism, Memory, Identity, Recognition, Remembrance"


Author(s):  
Aly Renwick

An inspiration for the many student’ protests and workers’ industrial struggles of the 1960s came from the black civil rights struggle in America and the worldwide opposition to the US war in Vietnam. When a civil rights struggle then started in Northern Ireland, many sixties activists in the UK began to make this a focus for their political work. In the early 1970s a number of them came together to form the Troops Out Movement (TOM). This chapter contributes to a history of the TOM that is yet to be written. Set in the context of 1960s activism, it examines the start of TOM in late 1973 in relation to the situation that erupted in Northern Ireland. This included the Civil Rights Movement and the Unionist reaction to it, discrimination and the Special Powers Act, the work of the Campaign for Democracy in Ulster at Westminster, and early protests in the UK against British political and military involvement. The chapter goes on to discuss the TOM’s campaign for the withdrawal of British troops, our work with the Labour Movement, and our influence on public opinion in Britain, including the evidence of polls indicating popular support for British withdrawal.


2021 ◽  
Vol 49 (2) ◽  
pp. 168-173 ◽  
Author(s):  
Thaddeus John Bell

AbstractThis narrative provides insight into medical education for Black physicians in South Carolina in the 1960s, during the civil rights movement. It also discusses the many rewards and challenges of being a physician of color, describes what has been done to develop programs that benefit minority communities, and argues that more such programs are needed.


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