Reflections on Reading the Bible

Author(s):  
Alison Jasper

Looking back over two decades, the author recalls her appropriation of theoretical tools from the French poststructuralist philosopher, Julia Kristeva: first to read women and the feminine-identified flesh back into biblical texts and to resist older readings that viewed these presences as inferior agents or contaminants. Secondly Kristeva’s idea of female genius gives theoretical support to the case that women continually challenge orthodox biblical readings in inauspicious male-normative circumstances by reading the Bible for themselves. Illustrating the concept of female genius, the chapter returns to Jane Leade, a seventeenth-century visionary. She exemplifies the capacity of women to bring something singular and authentic—such as her descriptions of the biblical figure of Wisdom as female and her dream-visions of bodily restorations—to their readings of the Bible. The author continues to pose the question as to whether or not women (and other genders) can continue to profit from reading the Bible.

1984 ◽  
Vol 77 (3-4) ◽  
pp. 301-330 ◽  
Author(s):  
Baird Tipson

Every student of Christianity learns how the Protestant Reformation wrested the bible from the clutches of priests and monks. Luther's insistence on scripture's preeminent authority, the spate of vernacular translations, and the invention of movable type all combined to draw literate laypeople to the biblical texts. Once the clerical monoply was broken, Christianity entered a new phase of its history.


2014 ◽  
Vol 94 (3) ◽  
pp. 297-315
Author(s):  
Beth Allison Barr

Examining recent claims that the early modern Bible served as an empowering force for women, this article draws evidence from English sermons designed for quotidinal lay instruction—such as the late medieval sermons of Festial, the sixteenth-century Tudor Homilies, and the seventeenth-century sermons of William Gouge and Benjamin Keach. As didactic religious texts written and delivered by men but also heard and read by women, sermons reveal how preachers rhetorically shaped the contours of women’s agency. Late medieval sermons include women specifically in scripture and authorize women through biblical role models as actively participating within the church. Conversely, early modern sermons were less likely to add women into scripture and more likely to use scripture to limit women by their domestic identities. Thus, through their approaches to biblical texts, medieval preachers present women as more visible and active agents whereas early modern preachers present women as less visible and more limited in their roles—thereby presenting a more complex story of how the Bible affected women across the Reformation.


1954 ◽  
Vol 23 (2) ◽  
pp. 109-118 ◽  
Author(s):  
George L. Mosse

Looking back over the stormy times of Revolution and Civil War, Thomas Hobbes came to the conclusion that it was superior force which had been decisive. The sword rather than the heavens had passed judgment upon the people of the Lord. The holy zeal of the early Puritans had run its course; the crusade was ended. Had Thomas Hobbes looked across the Atlantic he would have seen another “Holy Experiment” in decline. The second half of the Seventeenth century saw a debacle of Puritanism of such dimension that not even their most purposeful enemies of an earlier date would have had cause to complain. One recent historian has even called the Restoration of Church and King a “Laudian triumph.” Yet for all this, the Revolution took place and triumphed, if only for a time. In evaluating the political ideas which the Puritans held before and even during their rise to power, subsequent events have too often been taken into account. Puritanism led to Revolution; thus doctrine of resistance to authority must be stressed. The movement failed to hold on to power largely due to the Utopianism of its proponents. This also must be explained. The first view has often led to stress upon a straight line of Puritan thought from Christopher Goodman to John Milton. The second contention based itself on the literal application of Scripture which Puritans were sometimes apt to make. It was their urge “to build Jerusalem on England's green and pleasant strand” which led them into all sorts of follies. We are still inclined to think of the Puritan in sombre dress, his intellectual equipment symbolized by the sword in one hand and the Bible in the other.


Author(s):  
Scott Mandelbrote

Scepticism and loyalty represent the poles of van Dale’s career. Two contexts have been mentioned as relevant here: the seventeenth-century attack on magic and superstition, and the circles of friendship that created a contemporary Republic of Letters. This chapter evaluates both contexts, as well as others that may throw light on his relatively neglected attitude to the text of the Bible. It brings into focus two important intellectual episodes: his treatment of the account of the Witch of Endor (1 Samuel 28:3–25), and his engagement with Hellenistic sources relating to the text of the Old Testament, especially to the miraculous composition of the Septuagint. These issues brought van Dale to ask questions about God’s Word. The chapter explores the limits of his scepticism, the extent of his scholarship, and the role of friendship and isolation in his development. Finally, it draws attention to his place in contemporary Mennonite debates.


Author(s):  
Jetze Touber

Chapter 1 homes in on Spinoza as a Bible critic. Based on existing historiography, it parses the main relevant historical contexts in which Spinoza came to articulate his analysis of the Bible: the Sephardi community of Amsterdam, freethinking philosophers, and the Reformed Church. It concludes with a detailed examination of the Tractatus theologico-politicus, Spinoza’s major work of biblical criticism. Along the way I highlight themes for which Spinoza appealed to the biblical texts themselves: the textual unity of the Bible, and the biblical concepts of prophecy, divine election, and religious laws. The focus is on the biblical arguments for these propositions, and the philological choices that Spinoza made that enabled him to appeal to those specific biblical texts. This first chapter lays the foundation for the remainder of the book, which examines issues of biblical philology and interpretation discussed among the Dutch Reformed contemporaries of Spinoza.


Author(s):  
Victoria Brownlee

The recent upturn in biblically based films in Anglophone cinema is the departure point for this Afterword reflecting on the Bible’s impact on popular entertainment and literature in early modern England. Providing a survey of the book’s themes, and drawing together the central arguments, the discussion reminds that literary writers not only read and used the Bible in different ways to different ends, but also imbibed and scrutinized dominant interpretative principles and practices in their work. With this in mind, the Afterword outlines the need for further research into the relationship between biblical readings and literary writings in sixteenth- and seventeenth-century Europe.


Author(s):  
Rainer Kessler

It is evident that the world of the Bible is pre-modern and thus distinct from the globalized civilization. This chronological gap challenges readers, whether they are feminist or not. Mainly three attitudes can be observed among scholarly and ordinary readers. For some readers, the Bible is a document of the losers of a historical process of modernization that already began in ancient Israel. For other readers, the Bible is outdated and of no use to confront the challenges of globalization. A third readerly position challenges both of these views. This essay offers four arguments to orient biblical readers in the contemporary globalized world. First, the essay posits that globalization is an asynchronous development. Thus, even today, most people living in the impoverished regions of the world face conditions similar to those dominant in the Bible. Second, the essay asserts that women are the first victims in biblical times and still nowadays. Third, the essay maintains that biblical texts display social relations that still unveil contemporary relations. Fourth, the essay suggests that intercultural Bible readings give hope, as they nurture biblical readings from “below” to strengthen people to overcome the fatal consequences of today’s globalization.


Author(s):  
Beatrice J. W. Lawrence

This essay explores pedagogical strategies for addressing rape culture in biblical studies courses, employing Genesis 34 and Judges 19–21 as primary texts. The first section discusses the nature of popular culture and its impact on gender. The following four sections highlight cultural myths about sexual assault by focusing on significant biblical texts and incorporating aspects of popular media to facilitate conversations about rape culture. The conclusion summarizes the main points and encourage further studies that combine the study of popular media and biblical texts. Overall, the essay contributes to the reading and teaching of the Bible within contemporary rape culture so that students become critical interpreters of biblical texts, as they become resistant readers of past and present rape culture.


Author(s):  
Leonard Greenspoon

The comic strip as a mainstay of print and more recently online media is an American invention that began its development in the last decades of the 1800s. For many decades in the mid-twentieth century, comic strips were among the most widely disseminated forms of popular culture. With their succession of panels, pictures, and pithy perspectives, comics have come to cover an array of topics, including religion. This chapter looks at how the Bible (Old and New Testament) figures in comic strips, focusing specifically on three areas: the depiction of the divine, renderings of specific biblical texts, and how comic strips can function as sites in which religious identity and controversies play out. Relevant examples are drawn from several dozen strips. Special attention is also paid to a few, like Peanuts and BC, in which biblical imagery, ideology, and idiom are characteristically portrayed in distinctive ways.


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