Introduction
This chapter focuses on two marble tauroctony statue groups that are now in the British Museum’s collection. Both are thought to be originally from Rome and date roughly to between the end of the first and the second century AD. In this opening chapter, we look at several of the many interpretations that have been offered for the tauroctony and discuss the image’s development in the Roman world. At the heart of all such interpretations lies the problem of how to reconstruct an ancient reality based on scant remains. These carefully constructed compositions, painstakingly restored in the seventeenth and eighteenth centuries, simultaneously present us with the characteristic representation of Mithras in the Roman Empire, yet also show the difficulties in reconstructing ancient religion from a fragmented material record.