‘the barbarous wastes’
Chapter 1 describes Ashbery’s relationship with W. H. Auden in a new way, attending as much to the substantial, productive antagonisms between the two poets as to developing important continuities outlined by earlier critics. It positions The Vermont Notebook—an underrated volume in Ashbery’s oeuvre—as the critical point in Ashbery’s response to his mentor. The chapter argues that The Vermont Notebook serves as a trenchant critique of the turn towards conservatism in Auden’s poetry and cultural outlook after his move to the US in 1939. Through his homage to and appropriation of techniques from The Orators, Ashbery attempts to bring the innovative and versatile early Auden out from the shadow of his later self.