Introduction

Author(s):  
Dan Sinykin

To find the meaning of our apocalyptic times we need to look at the economics of the last five decades, from the end of the postwar boom. After historian Robert Brenner, I call this the long downturn. The economics of the long downturn worked interfered with the most intimate experiences of everyday life, and inspired the fear that there would be no tomorrow. This fear takes the form of what I call neoliberal apocalypse. The varieties neoliberal apocalypse—horror at the nation’s commitment to a racist, exclusionary economic system; resentment about threats to white supremacy; apprehension that the nation has unleashed a violence that will consume it; claustrophobia within the limited scripts of neoliberalism; suffocation under the weight of debt—together form the discordant chord that hums under American life in the twenty-first century.

2021 ◽  
Vol 5 (1) ◽  
pp. 87-102
Author(s):  
Louise D’Arcens

Abstract This essay focuses on the Polish film Cold War and the oeuvre of the French nationalist black metal band Peste Noire, examining them as twenty-first-century texts that disclose music’s capacity to solicit emotion in the service of ideology. Despite their aesthetic and ideological differences, each text demonstrates the importance of temporal emotions – that is, emotions that register a heightened sense of the relationship between present, past and future. Each text portrays these emotions’ ideological significance when attached to ideas of a national past. Dwelling on Peste Noire’s racist-nationalist use of the medieval past, the essay explores music as a medium for emotional performances in which white people appear to convey vulnerability while actually reconfirming white supremacy. Peste Noire’s idiosyncratic performance of aggressive vulnerability is a temporal emotion that self-consciously lays claim to a long emotional tradition reaching back to the French Middle Ages.


2018 ◽  

What does it mean to be a good citizen today? What are practices of citizenship? And what can we learn from the past about these practices to better engage in city life in the twenty-first century? Ancient and Modern Practices of Citizenship in Asia and the West: Care of the Self is a collection of papers that examine these questions. The contributors come from a variety of different disciplines, including architecture, urbanism, philosophy, and history, and their essays make comparative examinations of the practices of citizenship from the ancient world to the present day in both the East and the West. The papers’ comparative approaches, between East and West, and ancient and modern, leads to a greater understanding of the challenges facing citizens in the urbanized twenty-first century, and by looking at past examples, suggests ways of addressing them. While the book’s point of departure is philosophical, its key aim is to examine how philosophy can be applied to everyday life for the betterment of citizens in cities not just in Asia and the West but everywhere.


2005 ◽  
Vol 68 ◽  
pp. 134-136
Author(s):  
Gerd-Rainer Horn

For some time now, sociologists, economists and assorted futurologists have flooded the pages of learned journals and the shelves of libraries with analyses of the continuing decline of industrial and other forms of labor. In proportion to the decline of working time, those social scientists proclaim, the forward march of leisure has become an irresistible trend of the most recent past, the present and, most definitely, the future. Those of us living on planet earth have on occasion wondered about the veracity of such claims which, quite often, appear to stand in flat contradiction to our experiences in everyday life. The work of the Italian sociologist Pietro Basso is thus long overdue and proves to be a welcome refutation of this genre of, to paraphrase Basso, obfuscating hallucinations.


Author(s):  
Tyrone McKinley Freeman

The conclusion brings together the lessons and insights provided by examining Walker’s philanthropic life. After summarizing the origins, evolution, and character of Madam Walker’s gospel of giving, it underscores the historical importance of black women’s philanthropy in undermining and resisting Jim Crow and its enduring role in ultimately dismantling the institution. Further, it suggests an approach to theorizing black women’s generosity as being based on five characteristics: proximity, “resourcefull-ness,” collaboration, incrementalism, and joy. It also affirms philanthropy as a powerful interpretive and analytical lens through which to examine African American life in general and black women in particular. It urges collaboration between scholars interested in philanthropy and black women to mutually strengthen intellectual inquiry and understanding of who counts as a philanthropist and what counts as philanthropic giving. It contends that Walker’s gospel of giving is more accessible as a model of generosity than the prevailing examples offered by today’s wealthiest 1 percent. It is certainly the direct inheritance of African Americans today, but relevant to all Americans, regardless of race, class or gender, interested in taking voluntary action in the twenty-first century.


Author(s):  
Jeffrey Insko

The book’s final chapter turns to the twenty-first-century historical present to examine the resurgence of pious warnings about the dangers of presentism in current debates over historical monuments and other forms of historical commemoration. After linking, by way of Afrofuturism, the recent political slogan #StayWoke to the political disposition identified in the book’s previous chapters, I turn to debates about the renaming of college buildings in order to challenge the ideas about history promoted by antipresentists, whose claims are themselves often ahistorical. The historiographical injunction against presentism, I claim, has unwittingly sustained white supremacy in the United States. I feel strongly that we’re not yet done with history—but not done precisely because of, not despite, the history that we inhabit.


Adaptation ◽  
2020 ◽  
Author(s):  
Bernadette Luciano ◽  
Steele Burrow

Abstract This article explores Italian filmmaker Antonietta De Lillo’s cinematic adaptation of Franz Kafka’s short story ‘A Report to an Academy’ in which she incorporates elements from both literary and visual media to create a ‘re-performance’ of an earlier performance, that of Kafka’s Rotpeter. De Lillo through the extensive use of gesture, montage, shift of focus, and other cinematic devices, interrupts and disrupts the narrative ‘report’ thereby ‘shocking’ the viewer in Brechtian fashion into an awareness of the fragility of identity and of the ‘ape’ nature that remains in all of us. De Lillo’s addition of an interview to Kafka’s monologue represents an innovation in Kafka adaptation and within this framework her first person/ape narrator Signor Rotpeter is allowed to respond to what she terms our ‘loss of humanity’. He provides first person/ape evidence of this loss both verbally and through his gestural complex, addressing the disconnect between young and old, the cruelty toward animals, and the violence of everyday life, prompting the viewer to reflect on the lives of those who, like the narrator Rotpeter, are desperately seeking a ‘way out’.


1960 ◽  
Vol 12 (2) ◽  
pp. 165-185 ◽  
Author(s):  
Alexander Gerschenkron

There is every likelihood that future historians of the Russian novel will praise the Soviet period for the record number of volumes produced and blame it for an equally unprecedented decline in artistic standards. Yet one may hope that the twenty-first-century critic, in fairness to an unhappy past, will not overlook a redeeming feature of the Soviet novel, i.e., its considerable anthropological value. The present reflections about a few recent or fairly recent Soviet novels do not deal with their literary qualities. They are concerned exclusively with the light these novels cast upon various aspects of everyday life in Soviet Russia, including, it may be added, the life of the novel makers themselves.


Author(s):  
Traci C. West

Reinhold Niebuhr’s ideas invite us to confront problems of racial justice. Probing questions of method that consider whiteness and white supremacy in US-American life yields guidance for identifying how Christian ethics produces useful approaches to questions of racial justice. Examples from Reinhold Niebuhr’s twentieth-century Christian ethics commentaries on white dominance and his methodological assumptions spark an exploration of how related arguments in twenty-first century Christian ethics and theology analyses of white dominance can contribute. Besides method, concrete racist attitudes and practices in need of Christian ethics disruption are revealed in the politics of immigration seen in Niebuhr’s 1920s claims about German immigrant ethnic identity struggles and addressed by current Christian ethicists on twenty-first-century opposition to welcoming impoverished, migrant brown peoples into the United States.


Author(s):  
Sean L. Malloy

This chapter considers how the leaders of the BPP, the international section and Revolutionary People's Communications Network (RPCN), and the Black Liberation Army (BLA) were unable to formulate an effective response to the changed international and domestic landscape that they confronted in the age of détente and late-Cold War stagnation. As Aaron Dixon lamented, most of the party's rank and file who returned to their communities battered and bruised from their confrontations with police repression and party infighting found that “there would be no cheering crowds, no open arms, no therapy, no counselling.” Their efforts however, left a rich and contested legacy that remains relevant in the twenty-first century at a time when white supremacy, colonialism, and the ongoing effects of neoliberalism and deindustrialization continue to haunt the world.


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