The European Reception of Livy (1469–1600)

2020 ◽  
pp. 11-38
Author(s):  
John-Mark Philo
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
Final Section ◽  
Early Modern England ◽  
Literary Fame ◽  
Critical Order

Chapter 1 explores Livy’s early reception and translation in Renaissance Europe, examining the first, key decades in which the history reached a wider audience through its publication on the continent. The chapter first examines the literary fame enjoyed by Livy in Europe towards the end of the fifteenth century as well as the attempts of his earliest editors in print to impose some kind of critical order onto this monolithic work. The focus then moves to the first vernacular translations of Livy to have appeared in Europe, including the first renderings of the history into French and Italian. The final section considers the various translation styles at work in early-modern England and how these manifest themselves in each of the sixteenth-century translations of Livy.

Introduction

2018 ◽  
Author(s):  
Anna-Maria Hartmann
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Literary History ◽  
First Generation ◽  
Early Modern England ◽  
Related Material ◽  
Wide Range ◽  
The World ◽  
Early English

Mythographies were books that collected, explained, and interpreted myth-related material. Extremely popular during the Renaissance, these works appealed to a wide range of readers. While the European mythographies of the sixteenth century have been utilized by scholars, the short, early English mythographies, written from 1577 to 1647, have puzzled critics. The first generation of English mythographers did not, as has been suggested, try to compete with their Italian predecessors. Instead, they made mythographies into rhetorical instruments designed to intervene in topical debates outside the world of classical learning. Because English mythographers brought mythology to bear on a variety of contemporary issues, they unfold a lively and historically well-defined picture of the roles myth was made to play in early modern England. Exploring these mythographies can contribute to previous insights into myth in the Renaissance offered by studies of iconography, literary history, allegory, and myth theory.

scholarly journals “Turkish” Textiles in South-Eastern and East-Central Europe in the Early Modern Period: The Evidence of Transylvanian Customs Accounts

2020 ◽  
Vol 24 (4-5) ◽  
pp. 363-382
Author(s):  
Mária Pakucs-Willcocks
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
Ottoman Empire ◽  
Early Modern Period ◽  
East Central Europe ◽  
East Central ◽  
Modern Period ◽  
Serial Data

Abstract This paper analyzes data from customs accounts in Transylvania from the middle of the sixteenth century to the end of the seventeenth on traffic in textiles and textile products from the Ottoman Empire. Cotton was known and commercialized in Transylvania from the fifteenth century; serial data will show that traffic in Ottoman cotton and silk textiles as well as in textile objects such as carpets grew considerably during the second half of the seventeenth century. Customs registers from that period also indicate that Poland and Hungary were destinations for Ottoman imports, but Transylvania was a consumer’s market for cotton textiles.

Idleness

2015 ◽  
Author(s):  
James Kearney
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Fourteenth Century ◽  
Early Modern England ◽  
Vantage Point ◽  
History Of Ideas ◽  
Late Medieval ◽  
Human Labor ◽  
History Of ◽  
Christian Thought

This essay examines the role that the specter of idleness played in the ongoing transformation of labor in England during the late medieval and early modern periods. It begins by tracing an historical shift in Christian conceptions of labor through a knotty genealogy of ideas about labor and idleness that extends from the fourteenth to the seventeenth centuries. The essay then turns to an early sixteenth-century text that is not often considered in either medieval or early modern histories of Christian thought about labor: Thomas More’sUtopia(1516). The essay contends thatUtopiais fundamentally shaped by More’s meditation on labor and idleness and that that meditation opens the utopian text out toward a vexed history of ideas concerning human work that extends forward from the fourteenth century. With its idiosyncratic but historically resonant meditation on human labor, More’sUtopiarepresents a particularly useful vantage point from which to address the ongoing transformation of Christian conceptions of work in late medieval and early modern England.

So Much at Stake: Martyrs and Martyrdom in Early Modern England The trail of martyrdom. Persecution and resistance in sixteenth-century England. By Sarah Covington. Pp. xii+289. Notre Dame, IN: University of Notre Dame Press, 2003. $55 (cloth), $28 (paper). 0 268 04225 X; 0 268 04226 8 Making women martyrs in Tudor England. By Megan L. Hickerson. Pp. ix+239 incl. 2 figs. Basingstoke: Palgrave Macmillan, 2005. £50. 1 4039 3833 4 Martyrdom and literature in early modern England. By Susannah Brietz Monta. Cambridge: Cambridge University Press, 2005. Pp. viii+236. £55. 0 521 84498 3

2006 ◽  
Vol 57 (3) ◽  
pp. 535-541
Author(s):  
THOMAS FREEMAN
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Religious Persecution ◽  
Cambridge University ◽  
Tudor England ◽  
The Third ◽  
Women Martyrs ◽  
University Of Notre Dame

In recent years, a number of works devoted solely or partly to martyrdom in early modern England – most notably Brad Gregory's seminal Salvation at stake and Anne Dillon's The construction of martyrdom in the English Catholic community – have helped to bring the study of this topic from the margins of scholarship into the academic mainstream. Two of the three works discussed here further develop this recent research by analysing representations of martyrdom in English martyrologies; the third work, Sarah Covington's survey on religious persecution in early modern England, is gravely impaired by its almost complete disregard of the complexities present in the narrative sources on martyrs and their persecutors.

scholarly journals To Sing Upon the Book: Oral and Written Counterpoint in Early Modern Europe

2020 ◽  
Vol 13 (1) ◽  
pp. 75-105
Author(s):  
Ronald Broude
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
New Music ◽  
Early Modern Europe ◽  
Music Printing ◽  
Musical Tradition ◽  
Alternative Means ◽  
Textual Form ◽  
The Relationship

During the fifteenth century, many musici thought of counterpoint as an improvisational practice in which certain procedures were employed to produce a musical texture in which interest lay in the interplay of two or more melodic lines. The improvisational practice was called singing upon the book (cantare super librum): it required one singer to realize a pre-existing melody (called a cantus firmus) inscribed in a text while one or more other singers (called concentors), reading from that same text, devised, ex tempore, a countermelody or melodies that obeyed the rules of counterpoint with respect to the cantus firmus. Similar procedures, applied in writing, produced res facta, contrapuntal texture in textual form. Counterpoint and res facta were alternative means of providing music for occasions both sacred and secular. During the sixteenth century, several factors combined to alter the relationship between improvised and written counterpoint, and by the end of the century the importance of the former was greatly diminished. The growth of music printing provided an abundance of music for a growing community of amateurs who could read music but were not interested singing upon the book. The composers responsible for this new music embraced emerging ideas that stressed the advantages of written music, which enjoyed permanence that improvised counterpoint lacked, which was usually more observant of the rules than improvised counterpoint could be, and which enhanced the reputations of the composers who created it. As a result of these developments, emphasis shifted from improvised to written counterpoint, from the procedures that produced a contrapuntal texture to the texture itself, and singing upon the book came to be seen by many not as an end in itself but as a way to sharpen composers’ skills. Marginalized by print, improvised counterpoint survived in a much reduced community, largely in Catholic France and Iberia, and eventually, for want of a musical community large enough to sustain it, ceased to be a living musical tradition.

Making Murder Public

2019 ◽  
Author(s):  
K.J. Kesselring
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Twelfth Century ◽  
Early Modern Period ◽  
Early Modern England ◽  
The Public ◽  
Modern Period ◽  
The Subject ◽  
Late Fifteenth ◽  
Formal Distinction

Homicide can seem timeless, somehow, determined by unchanging human failings. But a moment’s reflection shows this is not true: homicide has a history. In early modern England, that history saw two especially notable developments: one, the emergence in the sixteenth century of a formal distinction between murder and manslaughter, made meaningful through a lighter punishment than death for the latter in most cases, and two, a significant reduction in the rates of homicides individuals perpetrated on each other. This book explores connections between these two changes. It demonstrates the value in distinguishing between murder and manslaughter, or at least in seeing how that distinction came to matter in a period which also witnessed dramatic drops in the occurrence of homicidal violence. Focused on the ‘politics of murder’, the book examines how homicide became more effectively criminalized from c. 1480 to 1680, with chapters devoted to coroners’ inquests, appeals and private compensation, duels and private vengeance, and print and public punishment. The English had begun moving away from treating homicide as an offence subject to private settlements or vengeance long before other Europeans, at least from the twelfth century. What happened in the early modern period was, in some ways, a continuation of processes long underway, but intensified and refocused by developments from the late fifteenth to late seventeenth centuries. Exploring the links between law, crime, and politics, bringing together both the legal and social histories of the subject of homicide, the book argues that homicide became more fully ‘public’ in these years, with killings seen to violate a ‘king’s peace’ that people increasingly conflated with or subordinated to the ‘public peace’ or ‘public justice’.

Introduction

2020 ◽  
pp. 1-36
Author(s):  
Siobhan Keenan
Keyword(s):  
Early Modern ◽  
Early Modern England ◽  
The North ◽  
Personal Rule

Chapter 1 offers an introduction to the culture of progresses, public processions, and royal entries in early modern England. This includes comparing Charles I’s progresses with the practices of his predecessors and his European contemporaries. The chapter also traces some of the variations in Charles’s practices across his reign, including the shift from the smaller-scale trips of the late 1620s, while England was at war with France and Spain, to royal practice during the peacetime years of the ‘personal rule’ when the king embarked on a series of more public progresses aimed at promoting his rule and his policies. Finally, it reflects on the transition to the militarized progresses into the North in 1639, 1640, and 1641, as Charles sought to deal with the Bishops’ Wars with Scotland. The chapter also offers an overview of the practical organization of Charles’s progresses and entries and their social, cultural, and political functions.

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