Embodied Engagements

2018 ◽  
pp. 157-187
Author(s):  
Uma Maheswari Bhrugubanda

Through ethnographic explorations of the question of viewership, this chapter shifts the focus from film texts to film-viewing contexts. It critically reflects upon the embodied character of viewer engagement with mythological and devotional cinema through a special focus on the figure of the possessed spectator. It theorizes the interesting intersections between film viewership and religious practice through the concept of habitus. It engages with the question, does affective engagement necessarily preclude critical and rational engagement with the narrative? It argues that viewers bring with them to the cinema embodied dispositions and sensibilities, that is, a particular habitus that has been cultivated in traditional performative contexts and this shapes their responses. However, this does not necessarily render them passive or uncritical in their engagement with film.

2015 ◽  
Vol 03 (01) ◽  
pp. 011-015 ◽  
Author(s):  
Kanica Kaushal ◽  
Sunil Raina

AbstractThe past two decades have seen a rise in the number of investigations examining the health-related effects of religiously motivated fasts. The fact that fasting is a common religious practice observed not only among Muslims, but among many other religious communities as well underlie a long felt need for drafting recommendations on fasting in diabetic patients as there are no substantial guidelines for the same. An extensive review of the work involving studies across populations in India and other nations across the world was conducted, with the aim to arrive at some broad consensus highlighting on the need for developing strict guidelines for patients with diabetes during fasting, before fasting and afterwards.


SAGE Open ◽  
2020 ◽  
Vol 10 (3) ◽  
pp. 215824402093953
Author(s):  
Onotina Jeiva Elinwa

This research aims to investigate the social experiences of Nigerian film audiences in viewing centers to examine the possibility that social experiences are a potent influencer of the meaning construction process in the film viewing space. This study was conducted among other existing studies of the Nigerian film audience and it took on a performative approach. It involved the use of ethnography and unstructured interviews. The study examined Nollywood viewing center audiences during their shared practice of film viewing. Observing these audiences revealed several ways in which audiences negotiate meanings within the viewing center space from film texts based on their social identity and actual social experiences. It majorly revealed that viewers develop interpersonal understanding of each other’s similar relevant social situations through self-identification and then use this understanding in the interpretive process of meaning production.


2018 ◽  
Vol 35 (3) ◽  
pp. 26-29
Author(s):  
Fareeha Khan

When I first walked into the living quarters of Begum Noor Jahan ZareefThanawi (1931-2017) in Karachi, I was fatigued from jetlag and notexpecting much to come of the meeting except polite verbal exchanges.But as I absorbed the functionality of every item in the sparsely furnishedroom, and the immense level of spiritual focus she carried within her frail(though still somehow strong!) physical frame, I realized I was sitting in thecompany of no ordinary woman. It was about Begum Zareef that Dr. ‘Abdal-Hayy ‘Arifi—one-time nāẓim of Dar al-‘Ulum Karachi and spiritual successorto Ashraf ‘Ali Thanawi—had remarked, “If we gave khilāfat (spiritualsuccessorship) to women, we would have given it to her.” Though not givenpermission to take spiritual disciples, her sheikh had given her a generalallowance to teach the religious sciences to women. She taught Qur’anicexegesis (tafsīr) for decades out of her home; wrote numerous pamphletson spirituality and religious practice; and published a volume on the legalrulings of Hajj, with a special focus on related women’s issues.If Begum Zareef were asked what was the secret that persuaded hersheikh to give her such a wide allowance to teach, I know her answer wouldbe the pious company (of her sheikh and others) that she kept throughouther life. As Ashraf ‘Ali Thanawi clarifies in Fawāʾid al-ṣuḥba, his famouslecture cited by Darakhshan Khan, it was the ṣuḥba (company) they’d keptthat made the Companions (Ṣaḥāba) who they were. Were it not for thefact that they had sat with the Messenger of God, they would not have attainedtheir otherwise unattainable spiritual and religious rank, and theywould not be seen as a necessary source of religious knowledge for all Muslimswho came after them. In my own book,1 I argue that ṣuḥba, in fact,lies at the spiritual center of Sunni Islam. For one to be a “real Sunni,” onedoes not merely have to accept the probity of every one of the Ṣaḥāba; onemust also accept that the preservation and continuation of true religious ...


2020 ◽  
Vol 4 (1) ◽  
pp. 1-103
Author(s):  
Stefanie Knauss

Abstract Is cinema evil, or sacramental? Can films make theological contributions? Can film-viewing be a religious practice? How do films, values and power interact? The study of film and religion engages a range of diverse questions through different approaches and methods. In this contribution, I distinguish three complementary approaches. In the first section, I discuss those that focus on the film as text, the representation of religion in film, and how theology happens in film. The next section will broaden this perspective by taking into consideration how films affect audiences, and how the relationship between film and audience might have religious dimensions or serve religious functions. In the third section, attention to the text and the audience are combined with the consideration of both film and religion as agents in cultural processes in order to think about how film and religion are shaped by and shape value systems and ideologies. In the last section I will begin to tackle the difficult question of theory and method. I consciously postpone this part until the end because, in many cases, methodologies and theoretical frameworks are implied in and emerge from concrete case studies rather than being consciously reflected upon. This final section has two goals: it will make explicit some of these underlying assumptions to serve as a starting point for a more sustained reflection on the theories and methodologies of the field, and it will highlight some of the pitfalls we encounter if we are not methodologically and theoretically precise in our work.


2017 ◽  
Vol 53 (2) ◽  
pp. 197-218 ◽  
Author(s):  
Ruth Illman

This article focuses on religion and change in relation to music. Its starting point is the argument that music plays a central role as a driving force for religious change, as has recently been suggested by several researchers of religion. Music is seen to comprise elements that are central to contemporary religiosity in general: participation, embodiment, experience, emotions, and creativity. This article approaches the discussion from a Jewish point of view, connecting the theoretical perspective to an ethnographic case study conducted among progressive Jews in London with special focus on music, religious practice, and change.    The article outlines the ongoing discussion on religion and change by focusing on features of individualism, personal choice, and processes of bricolage, critically assessing them from an inclusive point of view, focusing on individuals as simultaneously both personal and socially as well as culturally embedded agents. The analysis highlights a visible trend among the interviewees of wanting to combine a radically liberal theology with an increasingly traditional practice. In these accounts musical practices play a pivotal yet ambiguous role as instigators and insignia of religious change. As a conclusion, insights into more ‘sonically aware religious studies’ are suggested.


VASA ◽  
2012 ◽  
Vol 41 (5) ◽  
pp. 313-318 ◽  
Author(s):  
Ernemann ◽  
Bender ◽  
Melms ◽  
Brechtel ◽  
Kobba ◽  
...  

Interventional therapies using angioplasty and stenting of symptomatic stenosis of the proximal supraaortic vessels have evolved as safe and effective treatment strategies. The aim of this paper is to summarize the current treatment concepts for stenosis in the subclavian and brachiocephalic artery with regard to clinical indication, interventional technique including selection of the appropriate vascular approach and type of stent, angiographic and clinical short-term and long-term results and follow-up. The role of hybrid interventions for tandem stenoses of the carotid bifurcation and brachiocephalic artery is analysed. A systematic review of data for angioplasty and stenting of symptomatic extracranial vertebral artery stenosis is discussed with a special focus on restenosis rate.


2016 ◽  
Vol 21 (1) ◽  
pp. 30-40 ◽  
Author(s):  
Paulo S. Boggio ◽  
Gabriel G. Rêgo ◽  
Lucas M. Marques ◽  
Thiago L. Costa

Abstract. Social neuroscience and psychology have made substantial advances in the last few decades. Nonetheless, the field has relied mostly on behavioral, imaging, and other correlational research methods. Here we argue that transcranial direct current stimulation (tDCS) is an effective and relevant technique to be used in this field of research, allowing for the establishment of more causal brain-behavior relationships than can be achieved with most of the techniques used in this field. We review relevant brain stimulation-aided research in the fields of social pain, social interaction, prejudice, and social decision-making, with a special focus on tDCS. Despite the fact that the use of tDCS in Social Neuroscience and Psychology studies is still in its early days, results are promising. As better understanding of the processes behind social cognition becomes increasingly necessary due to political, clinical, and even philosophical demands, the fact that tDCS is arguably rare in Social Neuroscience research is very noteworthy. This review aims at inspiring researchers to employ tDCS in the investigation of issues within Social Neuroscience. We present substantial evidence that tDCS is indeed an appropriate tool for this purpose.


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