Anglican Liturgical Developments in New Contexts

2017 ◽  
Author(s):  
Louis Weil
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Cultural Diversity ◽  
The United States ◽  
English History ◽  
Episcopal Church ◽  
Deep Roots ◽  
Book Of Common Prayer ◽  
Cultural Contexts ◽  
Common Prayer

The deep roots of Anglican liturgical prayer in English history and culture raise the question of whether that liturgical tradition can achieve authentic expression in other cultural contexts. The planting of that tradition through missionary expansion in the Anglo-Americas did not initially raise that question because of the indebtedness of both Canada and the United States to their English origins. Even as the Anglican tradition was planted in non-Anglo environments, local liturgical practice long continued in the use of the 1662 Book of Common Prayer or of the substantially similar Book of Common Prayer of the Episcopal Church. Only in the latter part of the twentieth century was Anglican liturgical evolution seriously affected by cultural diversity.

The 78th General Convention of the Episcopal Church and the Liturgy: New Wine in Old Wineskins?

2016 ◽  
Vol 98 (4) ◽  
pp. 681-701
Author(s):  
Bryan Cones
Keyword(s):  
Cultural Diversity ◽  
Center Of Gravity ◽  
Theological Reflection ◽  
Episcopal Church ◽  
Book Of Common Prayer ◽  
Liturgical Reform ◽  
Common Prayer ◽  
The Church

The 78th General Convention of the Episcopal Church generated a significant number of resolutions related to the church's liturgy, most of which passed both Houses, including resolutions authorizing preparation of the revision of the 1979 Book of Common Prayer and The Hymnal 1982. A review of the resolutions related to liturgy and music, however, raises fundamental questions about the kind of liturgical reform the church may undertake and how it may integrate growing appreciation for linguistic and cultural diversity in the church, including the insights of feminist, postcolonial, and LGBTQ theological reflection and those produced by theologians of color. This essay argues that serious engagement with these questions suggests a completely reimagined liturgical “center of gravity” that integrates the insights of liturgical scholarship and practice since the authorization of the 1979 Book of Common Prayer and The Hymnal 1982, while providing the flexibility to respond to the church's current diverse contexts.

THE INCEPTION AND EVOLUTION OF FINANCIAL REPORTING IN THE PROTESTANT EPISCOPAL CHURCH IN THE UNITED STATES OF AMERICA

1986 ◽  
Vol 13 (2) ◽  
pp. 55-63 ◽  
Author(s):  
G. A. Swanson ◽  
John C. Gardner
Keyword(s):  
United States ◽  
Financial Reporting ◽  
United States Of America ◽  
The United States ◽  
Episcopal Church ◽  
For Profit ◽  
Not For Profit ◽  
The Church

This research documents the emergence of accounting procedures and concepts in a centrally controlled not-for-profit organization during a period of change and consolidation. The evolution of accounting as prescribed by the General Canons is identified and its implementation throughout the church conferences is examined.

The Book of Common Prayer: A Guide

2020 ◽  
Author(s):  
Charles Hefling
Keyword(s):  
Sixteenth Century ◽  
Church Of England ◽  
The United States ◽  
History Of The Book ◽  
Book Of Common Prayer ◽  
Prayer Book ◽  
Corporate Worship ◽  
History Of ◽  
Common Prayer ◽  
The Church

This book surveys the contents and the history of the Book of Common Prayer, a sacred text which has been a foundational document of the Church of England and the other churches in the worldwide community of Anglican Christianity. The Prayer Book is primarily a liturgical text—a set of scripts for enacting events of corporate worship. As such it is at once a standard of theological doctrine and an expression of spirituality. The first part of this survey begins with an examination of one Prayer Book liturgy, known as Divine Service, in some detail. Also discussed are the rites for weddings, ordinations, and funerals and for the sacraments of Baptism and Communion. The second part considers the original version of the Book of Common Prayer in the context of the sixteenth-century Reformation, then as revised and built into the Elizabethan settlement of religion in England. Later chapters discuss the reception, revision, rejection, and restoration of the Prayer Book during its first hundred years. The establishment of the text in its classical form in 1662 was followed by a “golden age” in the eighteenth century, which included the emergence of a modified version in the United States. The narrative concludes with a chapter on the displacement of the Book of Common Prayer as a norm of Anglican identity. Two specialized chapters concentrate on the Prayer Book as a visible artifact and as a text set to music.

The Insidious Momentum of American Mass Incarceration

2020 ◽  
Author(s):  
Franklin E. Zimring
Keyword(s):  
United States ◽  
Public Policy ◽  
Twentieth Century ◽  
Mass Incarceration ◽  
The United States ◽  
Next Generation ◽  
Single Generation ◽  
American Life ◽  
Peak Rate ◽  
Or Practice

The phenomenal growth of penal confinement in the United States in the last quarter of the twentieth century is still a public policy mystery. Why did it happen when it happened? What explains the unprecedented magnitude of prison and jail expansion? Why are the current levels of penal confinement so very close to the all-time peak rate reached in 2007? What is the likely course of levels of penal confinement in the next generation of American life? Are there changes in government or policy that can avoid the prospect of mass incarceration as a chronic element of governance in the United States? This study is organized around four major concerns: What happened in the 33 years after 1973? Why did these extraordinary changes happen in that single generation? What is likely to happen to levels of penal confinement in the next three decades? What changes in law or practice might reduce this likely penal future?

Orientalized Aztecs: Observations on the Americanization of Theatrical Dance

2019 ◽  
Vol 51 (2) ◽  
pp. 35-50
Author(s):  
K. Mitchell Snow
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Manifest Destiny ◽  
The United States ◽  
United States Policy ◽  
Ballets Russes

The opening decades of the twentieth century saw a passing fashion for “Aztec” dancing in the vaudeville theaters of the United States. Russian classical dancers Kosloff and Fokine tapped the orientalist currents of the Ballets Russes, adopting the Aztec as superficial signs of the American. Conversely, works by Shawn and film director Cecil B. DeMille, which served as points of reference for the Russians, represented a continuation of equally orientalist attitudes toward Mexico's past, forged during the realization of the United States’ policy of Manifest Destiny. The emergence of a cadre of trained dancers from Mexico, trained by students of Kosloff and Shawn, would bring a distinctively different perspective on the presentation of their heritage to the dance stage, one that was no longer based in the imagination of an expansionist America.

A Century of America on Chinese Screens

2010 ◽  
Vol 17 (4) ◽  
pp. 305-323 ◽  
Author(s):  
Zhiwei Xiao
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Print Media ◽  
The United States ◽  
Sharp Contrast ◽  
American People ◽  
Early Twentieth Century ◽  
History Of ◽  
Chinese Films ◽  
New Millennium

AbstractNo serious study has been published on how Chinese filmmakers have portrayed the United States and the American people over the last century. The number of such films is not large. That fact stands in sharp contrast not only to the number of "China pictures" produced in the United States, which is not surprising, but also in contrast to the major role played by Chinese print media. This essay surveys the history of Chinese cinematic images of America from the early twentieth century to the new millennium and notes the shifts from mostly positive portrayal in the pre-1949 Chinese films, to universal condemnation during the Mao years and to a more nuanced, complex, and multi-colored presentation of the last few decades.

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