Late Roman Iconography and Style

2021 ◽  
pp. 199-221
Author(s):  
Susanna McFadden
Keyword(s):  
Visual Culture ◽  
Late Antiquity ◽  
Fourth Century ◽  
Wall Paintings ◽  
Work Of Art ◽  
The Past ◽  
The Church ◽  
Late Roman

Discussions of late Roman style and iconography sometimes tend to emphasize the liminality of visual culture in late antiquity; monuments representative of the period such as the Arch of Constantine are neither fully “classical” nor “medieval” in their form and content; hence, the instinct to compare its style and iconography with that of the past or future monuments is hard to resist. The result of this lure to dichotomize is often a focus on what a late Roman work of art is not, rather than what it is (i.e., how an artwork or monument functions in its contemporary moment). This chapter therefore presents the wall paintings from the late third- to early fourth-century domus underneath the Church of Ss. Giovanni e Paolo on the Caelian Hill in Rome as a case study of a particular moment in late Roman visuality so as to better understand how engagements with iconography and style in the context of the late Roman home activate “modern” meanings and experiences.

DINING AS SPECTACLE IN LATE ROMAN HOUSES

2016 ◽  
Vol 59 (1) ◽  
pp. 54-71 ◽  
Author(s):  
JOHN STEPHENSON
Keyword(s):  
Visual Culture ◽  
Late Antiquity ◽  
Visual Display ◽  
Power Structures ◽  
New Form ◽  
The Creation ◽  
Late Roman

Abstract The elements of visual culture preserved in late Roman houses confirm an intense interest in dramatic visual display. This study employs an interpretive lens of spectacle to examine a new form of banquet space amd furnishings in the period, as well as a new style of ‘dinner-theatre’ they served. By considering ancient art as inseparable from active contexts and ephemeral events, a more sophisticated understanding of a society's self-definition through art emerges. Rather than being epiphenomenal to the poliltical culture of late antiquity, spectacle is argued to be central to the creation and contestation of power structures: performance is politics.

Religious Dissent in Late Antiquity, 350-450

2019 ◽  
Author(s):  
Maijastina Kahlos
Keyword(s):  
Roman Empire ◽  
Late Antiquity ◽  
Conflicts Of Interest ◽  
Fourth Century ◽  
Late Antique ◽  
Religious Groups ◽  
Religious Dissent ◽  
Roman Society ◽  
History Of ◽  
Late Roman

Religious Dissent in Late Antiquity reconsiders the religious history of the late Roman Empire, focusing on the shifting position of dissenting religious groups. The groups under consideration are non-Christians (‘pagans’) and deviant Christians (‘heretics’). The period from the mid-fourth century until the mid-fifth century CE witnessed a significant transformation of late Roman society and a gradual shift from the world of polytheistic religions into the Christian Empire. This book demonstrates that the narrative is much more nuanced than the simple Christian triumph over the classical world. It looks at everyday life, economic aspects, day-to-day practices, and conflicts of interest in the relations of religious groups. The book addresses two aspects: rhetoric and realities, and consequently delves into the interplay between the manifest ideologies and daily life found in late antique sources. We perceive constant flux between moderation and coercion that marked the relations of religious groups, both majorities and minorities, as well as the imperial government and religious communities. Religious Dissent in Late Antiquity is a detailed analysis of selected themes and a close reading of selected texts, tracing key elements and developments in the treatment of dissident religious groups. The book focuses on specific themes, such as the limits of imperial legislation and ecclesiastical control, the end of sacrifices, and the label of magic. It also examines the ways in which dissident religious groups were construed as religious outsiders in late Roman society.

Climbing the Capitoline Hill

2017 ◽  
Author(s):  
Jason Moralee
Keyword(s):  
Fourth Century ◽  
Sixth Century ◽  
The Third ◽  
The Past ◽  
Traditional Uses ◽  
The Hill ◽  
Do So ◽  
High Politics ◽  
Late Roman

Chapter 1 introduces the transformations of the traditional uses of the hill from the third to the sixth century, in particular when emperors climbed the Capitoline Hill, when they chose not to do so, and the dynamics that eventually led to the abandonment of the Capitoline Hill. By the end of the fourth century, Christian rulers and administrators began to treat Rome as pilgrims did, thus terminating processions not at the Capitoline Hill, as they had in the past, but instead at St. Peter’s, the Lateran Palace, or the Forum of Trajan. Far from signaling the end of the hill’s history, the absence from the hill of emperors and their ritual power lifts the hill from the shadow of late Roman high politics and allows us to see how the hill functioned in other ways.

Broken History and Crumbling Stones: The Romantic Conception of Architectural Preservation

Slavic Review ◽  
2012 ◽  
Vol 71 (4) ◽  
pp. 745-765 ◽  
Author(s):  
Andreas Schönle
Keyword(s):  
Collective Memory ◽  
Architectural Heritage ◽  
Romantic Period ◽  
Historical Landscape ◽  
The Past ◽  
Architectural Preservation ◽  
Romantic Conception ◽  
The Church ◽  
National Style

In this article Andreas Schönle explores the treatment of ruins in the Romantic period, in particular the propensity toward holistic reconstruction, rather than preservation of architectural heritage. He argues that the Romantic disregard of extant heritage harks back to the Sentimentalist infatuation with the fleetingness of life and dramatization of loss, that this melancholy feeling stoked a sense of national victimization, and that it legitimated an imaginary reinvention of the past and the constructedness of collective memory. The Church of the Tithe in Kiev serves as a case study illustrating that the Romantic commitment to totality has resulted in the significant destruction of architecture. Depictions of its ruins in travel accounts and in the writings of Vadim Passek and Andrei Murav'ev evidence a marked desire to exacerbate the sense of loss rather than to describe and valorize the remains. This disregard of heritage reprises the Sentimentalist infatuation with melancholy prominently deployed by Nikolai Karamzin. A comparison with Eugène Viollet-le-Duc in France and Augustus Pugin in England indicates that in Russia the invention of a national style of architecture required a much more radical imposition upon the historical landscape.

The Candle of Distinction: A Cultural Biography of the Havdalah Light

Images ◽  
2014 ◽  
Vol 8 (1) ◽  
pp. 3-24
Author(s):  
Michele Klein
Keyword(s):  
Middle Ages ◽  
Late Antiquity ◽  
Fourth Century ◽  
Ashkenazi Jewish ◽  
Ashkenazi Jews ◽  
Modern Times ◽  
Cultural Biography ◽  
Late Middle Ages ◽  
Jewish Ritual

This case study explores how a general lighting device transformed into a distinctive Jewish ritual object, the Havdalah candle. In late antiquity, the ubiquitous oil lamp served for the fire-light blessing during the end-of-Sabbath Havdalah ritual but in the fourth century, a sage added a torch, avukah, aggrandizing the ceremonial light. Jews showed little concern for the lighting utensil until the late Middle Ages, when a variety of contemporary torch-candles employed in Church ritual and among Christian aristocracy inspired new rabbinic interpretations of the term avukah. Ashkenazi Jews favored a costly Gothic-style implement with intertwined tapers, which particularly suited the words of the ancient Havdalah blessing. This became a distinctively Ashkenazi Jewish ritual object in the sixteenth century, after Christians abandoned the old-fashioned style of torch-candle. Following the drop in cost of wax, and massive Jewish migrations in modern times, all observant Jews adopted the Ashkenazi intertwined candle.

Modern Pentecostalism as an Urban Phenomenon: The Case of the Family of God Church in Zimbabwe

Exchange ◽  
2005 ◽  
Vol 34 (4) ◽  
pp. 349-375 ◽  
Author(s):  
Lovemore Togarasei
Keyword(s):  
Urban Areas ◽  
Growth And Development ◽  
Urban Residents ◽  
The Past ◽  
Pentecostal Movement ◽  
Family Of God ◽  
The Family ◽  
History Of ◽  
The Church

AbstractThe past twenty to thirty years in the history of Zimbabwean Christianity have witnessed the emergence of a new breed of Pentecostalism that tends to attract the middle and upper classes urban residents. This paper presentsfindings from a case study of one such movement, the Family of God church. It describes and analyses the origins, growth and development of this church as an urban modern Pentecostal movement. Thefirst section of the paper discusses the origins and development of the church focusing on the life of the founder. The second section focuses on the teaching and practices of the church. The church's doctrines and practices are here analysed tofind out the extent to which these have been influenced by the socio-political and economic challenges in the urban areas. The paper concludes that the modern Pentecostal movement is meant to address urban needs.

Architecture and élite identity in late antique Rome: appropriating the past at Sant'Andrea Catabarbara

2013 ◽  
Vol 81 ◽  
pp. 279-302 ◽  
Author(s):  
Gregor Kalas
Keyword(s):  
Fourth Century ◽  
Multiple Identities ◽  
Fifth Century ◽  
Late Antique ◽  
Physical Layers ◽  
The Past ◽  
Elite Identity ◽  
Elite Status ◽  
The Church

The conversion of a fourth-century secular basilica into the church of Sant'Andrea Catabarbara in Rome during the 470s invites a discussion of how architectural adaptation contributed to the identity of its restorer, Valila. More than a century after the praetorian prefect of Italy, Junius Bassus, founded the basilica in 331, a Goth named Valila, belonging to the senatorial aristocracy, bequeathed the structure to Pope Simplicius (468–83). References to Valila's last will in the church's dedicatory inscription were inserted directly above Junius Bassus's original donation inscription, inviting reflections upon the transmission of élite status from one individual to another. The particularities of Valila's legacy as a testator, as indicated in the references to his will in the Sant'Andrea Catabarbara inscription and confirmed by a charter he wrote to support a church near Tivoli, suggest that he sought to control his lasting memory through patronage. Valila's concern for a posthumous status provides a context for interpreting the interior of the Roman church. Juxtaposed to the church's fifth-century apse mosaic were opus sectile panels depicting Junius Bassus, together with scenes of an Apollonian tripod and an illustration of the exposed body of Hylas raped by two nymphs originating from the earliest phase of the basilica. The article proposes that Valila nuanced his élite identity by preserving the fourth-century images and thereby hinted that preservation fostered both the accretion of physical layers and the accrual of multiple identities by a Gothic aristocrat in Rome.

Between East and West

Experiment ◽  
2017 ◽  
Vol 23 (1) ◽  
pp. 66-79
Author(s):  
Maria Taroutina
Keyword(s):  
Visual Culture ◽  
Present Article ◽  
Turn Of The Century ◽  
Russian Art ◽  
Avant Garde ◽  
The Past ◽  
Close Analysis ◽  
East And West ◽  
The Way

Abstract Taking cue from Dmitry Sarabyanov’s seminal publications on the Stil Modern and turn-of-the-century Russian visual culture, the present article resituates Mikhail Vrubel’s œuvre “between East and West” by demonstrating that the artist moved beyond the narrowly circumscribed nationalist agenda typically attributed to the work he produced at the Abramtsevo and Talashkino artistic colonies. In addition to indigenous sources, Vrubel also assimilated a number of external artistic influences such as Jugendstil, medieval Gothic and Renaissance ceramics, Japanese and Chinese porcelain, and Egyptian and Assyrian art. Through a close analysis of Vrubel’s orientalist paintings, as well as his cycle of folkloric works such as Mikula Selyaninovich and the Volga (1896), I demonstrate that his aesthetic program crossed multiple boundaries: geographical, temporal, material, and institutional. Through a complex renegotiation of the global and the local, the past and the present, and the traditional and contemporary, Vrubel arrived at a strikingly modernist visual syntax, which paved the way for an entire generation of avant-garde artists such as Mikhail Larionov, Natalia Goncharova, Kazimir Malevich, Aleksandr Rodchenko, Liubov Popova, Vladimir Tatlin, and Naum Gabo, among others. Using Vrubel as a case study, this article thus proposes to rethink the opposing binary categories of avant-gardism and revivalism, historicism and innovation, Orientalism and Occidentalism, regionalism and cosmopolitanism, as they have been applied to the trajectory of modern Russian art—a set of ostensibly fixed dichotomies that Dmitry Sarabyanov had repeatedly and successfully challenged in his own work.

Religion, Language and Community in the Roman Near East

2013 ◽  
Author(s):  
Fergus Millar
Keyword(s):  
Ethnic Group ◽  
Late Antiquity ◽  
Near East ◽  
Fourth Century ◽  
Greek Language ◽  
Religious Literature ◽  
The Public ◽  
Christian Culture ◽  
The Church ◽  
Roman Near East

This book explores the way in which different ethnic, religious and linguistic communities co-existed and conflicted in the Roman Near East in the three centuries between the conversion of the Emperor Constantine to Christianity in 312 and the beginning of Muhammad's preaching in about 610. In the fourth century, a major role was played by Greek-speaking pagans, most notably the great orator, Libanius, from Antioch in Syria. After about 400, however, the public observance of pagan rituals died away under the pressure of Christianity. But the Greek language, as used in the Church, remained dominant. Pagan Aramaic is curiously invisible in this period, but the dialect of Aramaic used by Jews in Palestine is found in very extensive use, along with Hebrew, in a mass of religious literature. Outside Palestine, the most notable development in the culture of the region was the emergence of Syriac (a particular dialect and script of Aramaic) as a language of Christian culture and belief. ‘Syrians’ however were not a distinct ethnic group. The group which was most distinct from the others was made up of the unsettled and warlike peoples on the fringes of the Empire whom almost invariably, call ‘Arabs’, but who in Late Antiquity were far more often referred to as ‘Saracens’. By the end of the period, many of them had converted to Christianity. The major puzzle which the book poses is what is the relation between this process of conversion and the rise of Islam.

scholarly journals Evidence of tuberculosis among children in medieval (13th–15th century) Wrocław: A case study of hip joint tuberculosis in a juvenile skeleton excavated from the crypt of the St. Elizabeth church

2017 ◽  
Vol 80 (2) ◽  
pp. 219-231 ◽  
Author(s):  
Agata Izabela Cieślik
Keyword(s):  
Hip Joint ◽  
Skeletal Remains ◽  
Material Source ◽  
Skeletal Tuberculosis ◽  
The Past ◽  
15Th Century ◽  
Reliable Diagnosis ◽  
The Right ◽  
The Church

AbstractPaleopathological examinations of the skeletal remains of people who died centuries ago are material source of knowledge about health and diseases in the past. In this article, a case of skeletal tuberculosis from historical (13th-15th c.) Wrocław, Poland has been presented. The juvenile skeleton excavated from grave No 93, from the crypt located under the church of St. Elizabeth, displayed pathological lesions within the right hip joint resulting from a chronic inflammation, which might have been assigned to signs typical for skeletal tuberculosis. The results of macroscopic and radiological analyses appeared to be consistent, and allowed to determine a reliable diagnosis of this paleopathological case.

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