“Deeds of Music” in Bourgeois Opera (What the Listener Sees…)

2021 ◽  
pp. 25-41
Author(s):  
Peter Franklin
Keyword(s):  
Recent Work ◽  
Film Music ◽  
Romeo And Juliet ◽  
Music And Meaning ◽  
German School ◽  
Symphonic Music ◽  
Mass Entertainment ◽  
Music Study

The internalized visualization of symphonic music was validated by “New German School” programmaticism. Wagner’s mature music-dramas, with their symphonic “underscores,” were even theorized by him as “deeds of music made visible.” By locating dramatic agency in his concealed orchestra, Wagner problematized in advance his later disparagement by critics for whom the cinema downgraded music to the role of redundant accompaniment. Recent work on music in popular melodrama further complicates our understanding of critical battles fought over music and meaning in mass-entertainment theatre, where its melodramatic use seems initially to have served to repress socially disruptive “meaning.” Implications for film music-study of discoveries about melodramatic music are traced here with reference to a 1989 film realization of Delius’s opera A Village Romeo and Juliet (1901), whose last orchestral interlude (“The Walk to the Paradise Garden”) is turned there into a fully realized, “silent” cinematic narrative.

MANUSCRIPT EVIDENCE FOR ALPHABET-SWITCHING IN THE WORKS OF CICERO: COMMON NOUNS AND ADJECTIVES

2018 ◽  
Vol 68 (2) ◽  
pp. 498-516
Author(s):  
Neil O'Sullivan
Keyword(s):  
Recent Work ◽  
Code Switching ◽  
Consistent Pattern ◽  
Current Interest ◽  
Reliable Transmission ◽  
Accurate Record ◽  
The Way

Of the hundreds of Greek common nouns and adjectives preserved in our MSS of Cicero, about three dozen are found written in the Latin alphabet as well as in the Greek. So we find, alongside συμπάθεια, also sympathia, and ἱστορικός as well as historicus. This sort of variation has been termed alphabet-switching; it has received little attention in connection with Cicero, even though it is relevant to subjects of current interest such as his bilingualism and the role of code-switching and loanwords in his works. Rather than addressing these issues directly, this discussion sets out information about the way in which the words are written in our surviving MSS of Cicero and takes further some recent work on the presentation of Greek words in Latin texts. It argues that, for the most part, coherent patterns and explanations can be found in the alphabetic choices exhibited by them, or at least by the earliest of them when there is conflict in the paradosis, and that this coherence is evidence for a generally reliable transmission of Cicero's original choices. While a lack of coherence might indicate unreliable transmission, or even an indifference on Cicero's part, a consistent pattern can only really be explained as an accurate record of coherent alphabet choice made by Cicero when writing Greek words.

Musical shape and feeling

2017 ◽  
Author(s):  
Daniel Leech-Wilkinson
Keyword(s):  
Everyday Life ◽  
Recent Work ◽  
Sensory Perception ◽  
Dynamic Processes ◽  
Sensorimotor System ◽  
Musical Sound ◽  
Sensory Mode ◽  
Daniel Stern

The concept of shape is widely used by musicians in talking and thinking about performance, yet the mechanisms that afford links between music and shape are little understood. Work on the psychodynamics of everyday life by Daniel Stern and on embodiment by Mark Johnson suggests relationships between the multiple dynamics of musical sound and the dynamics of feeling and motion. Recent work on multisensory and precognitive sensory perception and on the role of bimodal neurons in the sensorimotor system helps to explain how shape, as a percept representing changing quantity in any sensory mode, may be invoked by dynamic processes at many stages of perception and cognition. These processes enable ‘shape’ to do flexible and useful work for musicians needing to describe the quality of musical phenomena that are fundamental to everyday musical practice and yet too complex to calculate during performance.

How Artefacts Do Leadership: A Ventriloquial Analysis

2021 ◽  
pp. 089331892199807
Author(s):  
Jonathan Clifton ◽  
Fernando Fachin ◽  
François Cooren
Keyword(s):  
Organizational Communication ◽  
Recent Work ◽  
Distributed Leadership ◽  
Network Theory ◽  
Actor Network Theory ◽  
Fine Grained ◽  
Naturally Occurring ◽  
Human Actors

To date there has been little work that uses fine-grained interactional analyses of the in situ doing of leadership to make visible the role of non-human as well as human actants in this process. Using transcripts of naturally-occurring interaction as data, this study seeks to show how leadership is co-achieved by artefacts as an in-situ accomplishment. To do this we situate this study within recent work on distributed leadership and argue that it is not only distributed across human actors, but also across networks that include both human and non-human actors. Taking a discursive approach to leadership, we draw on Actor Network Theory and adopt a ventriloquial approach to sociomateriality as inspired by the Montreal School of organizational communication. Findings indicate that artefacts “do” leadership when a hybrid presence is made relevant to the interaction and when this presence provides authoritative grounds for influencing others to achieve the group’s goals.

scholarly journals Representations of Psychoactive Drugs’ Use in Mass Culture and Their Impact on Audiences

2021 ◽  
Vol 18 (11) ◽  
pp. 6000
Author(s):  
Marek A. Motyka ◽  
Ahmed Al-Imam
Keyword(s):  
Young People ◽  
Drug Use ◽  
Mass Culture ◽  
Film Music ◽  
Psychoactive Drugs ◽  
Frequent Contact ◽  
Preventive Actions ◽  
The Impact ◽  
Staying At Home

Drug use has been increasing worldwide over recent decades. Apart from the determinants of drug initiation established in numerous studies, the authors wish to draw attention to other equally important factors, which may contribute to augmenting this phenomenon. The article aims to draw attention to the content of mass culture, especially representations of drug use in mass media, which may influence the liberalization of attitudes towards drugs and their use. The role of mass culture and its impact on the audience is discussed. It presents an overview of drug representations in the content of mass culture, e.g., in film, music, literature, and the occurrence of drug references in everyday products, e.g., food, clothes, and cosmetics. Attention was drawn to liberal attitudes of celebrities and their admissions to drug use, particularly to the impact of the presented positions on the attitudes of the audience, especially young people for whom musicians, actors, and celebrities are regarded as authorities. Indications for further preventive actions were also presented. Attention was drawn to the need to take appropriate action due to the time of the COVID-19 pandemic when many people staying at home (due to lockdown or quarantine) have the possibility of much more frequent contact with mass culture content, which may distort the image of drugs.

New Directions in the Study of Institutional Logics: From Tools to Phenomena

2021 ◽  
Vol 47 (1) ◽  
Author(s):  
Michael Lounsbury ◽  
Christopher W.J. Steele ◽  
Milo Shaoqing Wang ◽  
Madeline Toubiana
Keyword(s):  
Recent Work ◽  
Online Publication ◽  
Institutional Logics ◽  
Annual Review ◽  
Publication Date ◽  
Complex Dynamic ◽  
New Directions ◽  
Analytical Tools ◽  
Dynamic Phenomena

In this article, we take stock of the institutional logics perspective and highlight opportunities for new scholarship. While we celebrate the growth and generativity of the literature on institutional logics, we also note that there has been a troubling tendency in recent work to use logics as analytical tools, feeding disquiet about reification and reductionism. Seeding a broader scholarly agenda that addresses such weaknesses in the literature, we highlight nascent efforts that aim to more systematically understand institutional logics as complex, dynamic phenomena in their own right. In doing so, we argue for more research that probes how logics cohere and endure by unpacking the role of values, the centrality of practice, and the governance dynamics of institutional logics and their orders. Furthermore, we encourage bridging the study of institutional logics with various literatures, including ethnomethodology, phenomenology, professions, elites, world society, and the old institutionalism, to enhance progress in these directions. Expected final online publication date for the Annual Review of Sociology, Volume 47 is July 2021. Please see http://www.annualreviews.org/page/journal/pubdates for revised estimates.

scholarly journals The role of empathy in the development of social competence: a study of German school leavers

2018 ◽  
Vol 24 (4) ◽  
pp. 395-407 ◽  
Author(s):  
Sebastian Ludwig Hirn ◽  
Joachim Thomas ◽  
Christof Zoelch
Keyword(s):  
Social Competence ◽  
German School

scholarly journals Dynamics of Extreme Stratospheric Negative Heat Flux Events in an Idealized Model

2018 ◽  
Vol 75 (10) ◽  
pp. 3521-3540 ◽  
Author(s):  
Etienne Dunn-Sigouin ◽  
Tiffany Shaw
Keyword(s):  
Heat Flux ◽  
Wave Propagation ◽  
Recent Work ◽  
Wave Interaction ◽  
Higher Order ◽  
Negative Events ◽  
Flow Mechanism ◽  
Mean Flow ◽  
Idealized Model

Recent work has shown that extreme stratospheric wave-1 negative heat flux events couple with the troposphere via an anomalous wave-1 signal. Here, a dry dynamical core model is used to investigate the dynamical mechanisms underlying the events. Ensemble spectral nudging experiments are used to isolate the role of specific dynamical components: 1) the wave-1 precursor, 2) the stratospheric zonal-mean flow, and 3) the higher-order wavenumbers. The negative events are partially reproduced when nudging the wave-1 precursor and the zonal-mean flow whereas they are not reproduced when nudging either separately. Nudging the wave-1 precursor and the higher-order wavenumbers reproduces the events, including the evolution of the stratospheric zonal-mean flow. Mechanism denial experiments, whereby one component is fixed to the climatology and others are nudged to the event evolution, suggest higher-order wavenumbers play a role by modifying the zonal-mean flow and through stratospheric wave–wave interaction. Nudging all tropospheric wave precursors (wave-1 and higher-order wavenumbers) confirms they are the source of the stratospheric waves. Nudging all stratospheric waves reproduces the tropospheric wave-1 signal. Taken together, the experiments suggest the events are consistent with downward wave propagation from the stratosphere to the troposphere and highlight the key role of higher-order wavenumbers.

scholarly journals From the Crisis of Secularism to the Predicament of Post-Secularism

2020 ◽  
Vol 5 (2) ◽  
pp. 379-412
Author(s):  
Michael Staudigl
Keyword(s):  
Recent Work ◽  
Social Life ◽  
Religious Practice ◽  
Social Imaginaries ◽  
Religious Imagination ◽  
Transformative Potential ◽  
Late Modern ◽  
Inherent Ambiguity ◽  
Productive Role

Abstract This article offers an interpretation of late modern social imaginaries and their relationship to religion and violence. I hypothesize that the transition from the ‘secular age’ to a so-called ‘post-secular constellation’ calls on us to critically reconsider the modern trope that all too unambiguously ties religion and violence together. Discussing the fault lines of a secularist modernity spinning out of control today on various fronts, I argue that the narrative semantics of the so-called ‘return of religion’ is frequently adopted as an imaginative catalyst for confronting these contemporary discontents – for better and worse. In linking recent work on ‘social imaginaries’ with Paul Ricœur’s discussion of the productive role of imagination in social life, I then explore the transformative potential of religious imagination in its inherent ambiguity. In conclusion I demonstrate that this quality involves a poietic license to start all over, one which can be used to expose both the violence of our beloved political ideals of freedom and sovereignty, as well as their repercussions on religious practice.

scholarly journals The Role of Experimenting with the Human Voice in Film Music in the Representation of the Human/Alien Divide: the Case of Arrival (2016)

2021 ◽  
Vol 20 (1) ◽  
pp. 1-19
Author(s):  
Nicolás Medina ◽  
Miklós Kiss
Keyword(s):  
Science Fiction ◽  
Possible Worlds ◽  
Film Music ◽  
Human Voice ◽  
Emotional Dimension ◽  
Creative Space

Abstract This article focuses on the musical dimension of experimentation in the creative space of science fiction film, concerning its uncanny, new and fantastic places, and otherworldly encounters within fictional, but possible worlds. The aim is to consider the function and potential of the audible – to examine how sound is used in the filmic exploration of the boundaries between the human and the alien (the unknown). More particularly, we are interested in the role that human voice-like and human vocal sounds can play in this divide, as we believe manipulations with such audible qualities contribute greatly to the emotional dimension of cinematic stories of otherworldly encounters. For that purpose, we concentrate on Denis Villeneuve’s Arrival (2016) and its soundtrack composed by Jóhann Jóhannsson, who resorts to different singing practices and vocal techniques to accompany a story charting the territories between the human and the alien.

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