The Nature of Jewish Studies

Author(s):  
Martin Goodman

The recognition of Jewish studies as an area of knowledge worthy of research and teaching in universities is a quite recent phenomenon. From an exceedingly small base in the first half of the twentieth century, the subject has now burgeoned. The great centres for research and teaching reflect the main contemporary centres of the Jewish population, Israel and North America, but Jewish studies are also now taught in other countries where Jews live in large numbers. This explosion of interest, particularly since the 1960s, has led to a massive increase in the number of scholars for whom research in Jewish studies forms a significant part of their academic careers. The discoveries and assertions of scholars about aspects of Jewish culture and the Jewish past are as influential in moulding the Jewish self-consciousness of secular diaspora Jews as the writings of Zionist academics have been in the creation of Israeli identity.

1997 ◽  
Vol 5 (2) ◽  
pp. 87-102 ◽  
Author(s):  
Peggy Cunningham ◽  
D.G. Brian Jones

This article sheds light on some of the early roots of international marketing thought; it describes some of the earliest university courses offered in international marketing in North America. It presents evidence that international marketing was the subject of academic endeavor early in the twentieth century. It compares and contrasts topics covered in the earliest courses with those used in modern programs of study.


Antiquity ◽  
2020 ◽  
Vol 94 (376) ◽  
pp. 1084-1087
Author(s):  
J. Eva Meharry

The discipline of archaeology in Afghanistan was at a turning point when the original editions of The archaeology of Afghanistan and the Archaeological gazetteer of Afghanistan were published in 1978 and 1982, respectively. The first three decades of modern archaeological activity in Afghanistan (1920s–1940s) were dominated by French archaeologists who primarily focused on the pre-Islamic past, particularly the Buddhist period. Following the Second World War, however, Afghanistan gradually opened archaeological practice to a more international community. Consequently, the scope of archaeological exploration expanded to include more robust studies of the prehistoric, pre-Islamic and Islamic periods. In the 1960s, the Afghan Institute of Archaeology began conducting its own excavations, and by the late 1970s, national and international excavations were uncovering exciting new discoveries across the country. These archaeological activities largely halted as Afghanistan descended into chaos during the Soviet-Afghan War (1979–1989) and the Afghan Civil War (1989–2001); the Afghan Institute of Archaeology was the only archaeological institute continuing operations. The original editions of the volumes under review were therefore timely and poignant publications that captured the peak of archaeological activity in twentieth-century Afghanistan and became classic texts on the subject.


1998 ◽  
Vol 180 (3) ◽  
pp. 21-39
Author(s):  
David Novak

Here proposed is an interpretation of pluralism and multiculturalism that separates these concepts from the notion of relativism. David Novak sees multiculturalism as a promising context for exploring human nature and discovering or affirming certain truths about it. He asserts that the inclusion of formerly excluded cultural traditions such as Judaism in the universities of North America has been been a give-and-take enterprise, benefiting both tradition and university. The Jewish ethical tradition was absent from medieval universities, as were Jews themselves—universities had their beginnings as theological seminaries in a totally Christian society and culture. Only with the rise of the nation-state and the modern secularized university was there any attention to Judaism, usually treated as part of someone else's history, e.g., “Ancient Middle East.” It wasn't until the 1960s that the advent of multiculturalism led to an opening for Jewish Studies. The author believes that the best hope for university and society is the move toward interculturalism, which he sees happening in Canada. The intercultural society is one in which a moral consensus might be reached “by rational discussion of the approaches of a variety of cultures.”


Modern Italy ◽  
2018 ◽  
Vol 23 (1) ◽  
pp. 69-84
Author(s):  
Walter Stefano Baroni

This article compares the autobiographical practices used by the Partito Comunista Italiano (PCI) in the aftermath of the Second World War with those developed by Italian neo-feminism from the late 1960s onwards. The former involved a repeated injunction for activists to write about and express themselves upon joining the party, in what amounted to self-criticism. The latter, meanwhile, took shape as a result of self-consciousness exercises practised by feminist groups in various cities across Italy. The terms of comparison of this article aim to describe what changed and what remained the same in the technologies used to produce the political self within the Italian Left in the twentieth century, beginning from its split in the 1960s. In this context, the paper reveals that the communist and feminist experiences were supported by the same discursive mechanism, which hinged on a paradoxical enunciation of the self. Communist activists and feminists thus faced the same difficulty in political self-expression, which was resolved in two different ways, both equally unsatisfactory. In conclusion, examining the communist autobiographical injunction allows a radical critical reappraisal of the idea that the use of the first person and the political affirmation of subjectivity are determining features exclusively bound to the feminist experience.


This book is devoted to the life and academic legacy of Mustafa Badawi who transformed the study of modern Arabic literature in the second half of the twentieth century. Prior to the 1960s the study of Arabic literature, both classical and modern, had barely been emancipated from the academic approaches of orientalism. The appointment of Badawi as Oxford University's first lecturer in modern Arabic literature changed the face of this subject as Badawi showed, through his teaching and research, that Arabic literature was making vibrant contributions to global culture and thought. Part biography, part collection of critical essays, this book celebrates Badawi's immense contribution to the field and explores his role as a public intellectual in the Arab world and the west.


2018 ◽  
Vol 20 (3) ◽  
pp. 277-291 ◽  
Author(s):  
Joan Copjec

Regarded by many as the pre-eminent Islamicist of the twentieth century, Henry Corbin is also the subject of much criticism, aimed primarily at his supposed overemphasis on the mythological aspects of Islamic philosophy and his idiosyncratic privileging of the concept of the imaginal world. Taking seriously an unusual claim made by Steven Wasserstrom in Religion after Religion that the redeployment of Schelling's concept of tautegory by Corbin reveals all that is wrong with his work, this essay seeks to defend both the concept and Corbin's use of it. Developed by Schelling in his late work on mythology, the concept of tautegory turns out to be, for historical and theoretical reasons, a revelatory switch point. Not only does it make clear why the imaginal ‘locus’ is key to understanding the unity of God – the oneness of his apophatic and revealed dimensions – it also gives us profound insights into the links connecting Islamic philosophy, German Idealism, and psychoanalysis, which all take their bearings from the esoteric or mystical idea of an unconscious abyss.


2019 ◽  
Vol 96 (4) ◽  
pp. 54-77
Author(s):  
Nicolas G. Rosenthal

A vibrant American Indian art scene developed in California from the 1960s to the 1980s, with links to a broader indigenous arts movement. Native American artists working in the state produced and exhibited paintings, prints, sculptures, mixed media, and other art forms that validated and documented their cultures, interpreted their history, asserted their survival, and explored their experiences in modern society. Building on recent scholarship that examines American Indian migration, urbanization, and activism in the twentieth century, this article charts these developments and argues that American Indian artists in California challenged and rewrote dominant historical narratives by foregrounding Native American perspectives in their work.


1995 ◽  
Vol 5 (2) ◽  
pp. 249-263
Author(s):  
John F. Wilson

Over the last decade, a noteworthy number of published studies have, in one fashion or another, been defined with reference to religious denominations. This is an arresting fact, for, coincidentally, the status of religious denominations in the society has been called into question. Some formerly powerful bodies have lost membership (at least relatively speaking) and now experience reduced influence, while newer forms of religious organization(s)—e.g., parachurch groups and loosely structured movements—have flourished. The most compelling recent analysis of religion in modern American society gives relatively little attention to them. Why, then, have publications in large numbers appeared, in scale almost seeming to be correlated inversely to this trend?No single answer to this question is adequate. Surely one general factor is that historians often “work out of phase” with contemporary social change. If denominations have been displaced as a form of religious institution in society in the late twentieth century, then their prominence in earlier eras is all the more intriguing.


Transfers ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 115-119 ◽  
Author(s):  
Susan E. Bell ◽  
Kathy Davis

Translocation – Transformation is an ambitious contribution to the subject of mobility. Materially, it interlinks seemingly disparate objects into a surprisingly unified exhibition on mobile histories and heritages: twelve bronze zodiac heads, silk and bamboo creatures, worn life vests, pressed Pu-erh tea, thousands of broken antique teapot spouts, and an ancestral wooden temple from the Ming dynasty (1368–1644) used by a tea-trading family. Historically and politically, the exhibition engages Chinese stories from the third century BCE, empires in eighteenth-century Austria and China, the Second Opium War in the nineteenth century, the Chinese Cultural Revolution of the mid-twentieth century, and today’s global refugee crisis.


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