The Oxford Handbook of Feminist Theory

The Oxford Handbook of Feminist Theory provides an overview of the analytical frameworks and theoretical concepts feminist theorists have developed to challenge established knowledge. Leading feminist theorists, from around the globe, provide in-depth explorations of a diverse array of subject areas, capturing a plurality of approaches. The Handbook raises new questions, brings new evidence, and poses significant challenges across the spectrum of academic disciplines, demonstrating the interdisciplinary nature of feminist theory. The chapters offer innovative analyses of the central topics in social and political science (e.g. civilization, development, divisions of labor, economies, institutions, markets, migration, militarization, prisons, policy, politics, representation, the state/nation, the transnational, violence); cultural studies and the humanities (e.g. affect, agency, experience, identity, intersectionality, jurisprudence, narrative, performativity, popular culture, posthumanism, religion, representation, standpoint, temporality, visual culture); and discourses in medicine and science (e.g. cyborgs, health, intersexuality, nature, pregnancy, reproduction, science studies, sex/gender, sexuality, transsexuality) and contemporary critical theory that have been transformed through feminist theorization (e.g. biopolitics, coloniality, diaspora, the microphysics of power, norms/normalization, postcoloniality, race/racialization, subjectivity/subjectivation). The Handbook identifies the limitations of key epistemic assumptions that inform traditional scholarship and shows how theorizing from women’s and men’s lives has profound effects on the conceptualization of central categories, whether the field of analysis is aesthetics, biology, cultural studies, development, economics, film studies, health, history, literature, politics, religion, science studies, sexualities, violence, or war.

Paragrana ◽  
2010 ◽  
Vol 19 (2) ◽  
pp. 13-20
Author(s):  
Katja Gvozdeva

AbstractThis paper discusses the performativity of intercultural encounters and transcultural fields against the background of the leading theoretical concepts and models elaborated within the current cultural studies: cultural transfer, third space, contact zones, transdifference, moment of wonder. The aim is to propose a differentiated methodological approach to intercultural encounters based on the opposition between two different modes of performativity: paradoxical and hybrid.


Author(s):  
Benjamin Woo

Dramatic recent growth in comics research suggests that comics studies has matured as a field, perhaps even constituting an emergent discipline. Yet important questions about the nature of this field and how it relates to established academic disciplines remain unresolved. This introductory chapter examines the genealogy of comics studies and explores the relationship between theory and method as a proxy for the field’s “paradigmatic” status. Four theories of page layout are analyzed as examples of theorization in comics studies. Drawing on Robert T. Craig’s “constitutive metamodel” of communications theory, the chapter ultimately rejects both attempts to retread the path of established humanities disciplines such as English literature and film studies and arguments against disciplinarity as such, calling instead for a dialogic conception of academic disciplines that continually reflects on the differences through which they are constituted.


2020 ◽  
Author(s):  
Fernand Hörner

This interdisciplinary analysis uses concepts of voice and polyphony both as visible, audible and understandable means of expression and as abstract analytical categories for the interpretation of music videos. The study combines abstract concepts of voice from music, media, literary and cultural studies, and linguistics with an analysis of the orchestration of the voice in the audiovisual form of music videos. The book has three parts: The first part highlights theories of voices and polyphony. The second part consists of the audiovisual transcription of a music video (‘Verliebt’ by the German rap group Antilopen Gang) by means of the online transcription tool trAVis. The third part offers an interpretation of the music video, joining the transcription with the theoretical concepts and the methodological approaches based on polyphony. This music video serves as an exhaustive test of ‘polyphony’ as a theoretical and methodological background against which one can interpret audiovisual material.


Author(s):  
Inge Hinterwaldner

In media art history as well as in science studies an intensified reception of cybernetic and system-theoretical concepts can be seen in the last few years. In the book a conceptualization of the relationship between the systemic and the iconic in interactive real-time simulations is proposed. To this end, the author differentiates between four main strata of form-giving design decisions: perspectivation, modelling, iconization, interaction. The particular images – ephemeral, changeable and open for interventions – fulfill the conditions of all these layers and, as a necessary consequence, they exhibit characteristic aesthetic features. With a close reading of the chosen example works, the variations within the repetitive cycles become evident as does the reason why the narration remains ‘flat’ (with only a few consecutive steps), contributing to the general impression of being confronted with a situation rather than a story. How are the borders of simulations either artificially marked or hidden and extended with images or other models? What role does the sensuous interface play for the degree and mode of user participation in the simulated scenery? The book assembles some basic preconditions and main features of image worlds based on computer simulations.


Oceánide ◽  
2020 ◽  
Vol 12 ◽  
pp. 72-77
Author(s):  
Peter Osterreid

This article investigates the cultural potential of the beach as a concrete place, a meaning-laden space, and finally as a metaphorical setting of idealistic vision. In conjunction with the politically heated dimension of beaches as borders to fugitives, the relevance that the humanities play in society is discussed placing particular emphasis on the role of cultural studies. Quite a number of cultural products both from the canon of high culture and from popular culture reaching wider audiences will be examined in the way they centre on the pivot of the beach. Cultural studies, it will turn out, is able to significantly contribute to discussions on morals and, beyond that, to the question of what attitudes in Western societies can be considered ethically acceptable. Thus, in contrast to many other academic disciplines, cultural studies is closely linked to reality and politics so that it is a discipline away from the ivory tower of academia because it deals with life and, most importantly, can have a practical impact on it.


2015 ◽  
Vol 7 (1) ◽  
pp. 1-29
Author(s):  
Albert Allgaier

Abstract This paper attempts to deconstruct the image of Japan as the ‘Robot Kingdom’. The genesis of this image is analysed and integrated in the nihonron, an essentialist discourse on Japan, by taking into account the perspectives of different academic disciplines such as computer science and cultural studies. The different strands of the discourse are critically evaluated. In this way, the structure of the image of the ‘Robot Kingdom’ will become visible and can be analysed in the context of the nihonron.


2021 ◽  
Vol 7 (2) ◽  
Author(s):  
Heather Rosenfeld

Farmed animal sanctuaries rescue, rehabilitate, and care for animals bred for use in agriculture. Because of the structure of veterinary training, regulations on species considered agricultural, and for other reasons, rescued animals such as chickens fall out of spaces of veterinary care and medical knowledge production. Given these knowledge and research gaps, this paper investigates how sanctuaries develop medical knowledge about chickens, focusing on hens bred for egg production. I develop the concept of “witnessing” as it has been used in science studies, feminist theory, and animal activism, arguing that sanctuary science and medicine can be understood as queer witnessing. Then, I discuss how sanctuaries put queer witnessing into practice, through aspirational archiving, transposition, and reorienting health. Though queer witnessing has its limits and problems, it offers a way of doing activist science, at sanctuaries and beyond.


Author(s):  
Ian Buchanan

Over 750 entriesThe most authoritative and up-to-date dictionary of critical theory available, covering the Frankfurt school, cultural materialism, cultural studies, gender studies, film studies, literary theory, hermeneutics, historical materialism, Internet studies, and sociopolitical critical theory. It explains complex theoretical discourses, such as Marxism, psychoanalysis, structuralism, deconstruction, and postmodernism clearly and provides biographies of figures who have influenced the discipline, such as Deleuze and Foucault.This new edition has been updated to extend coverage of diaspora, race, and postcolonial theory, and of queer and sexuality studies, ensuring that it remains invaluable for students of literary and cultural studies and anyone studying a humanities subject requiring a knowledge of theory.


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