Emotion
2020 ◽
pp. 966-982
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This chapter considers the expression of emotion by music, the most interesting of the relations between music and the emotions. It is written from the dual perspective of Anglo-American philosophy and of musicology. The former focuses on the conceptual analysis of emotion, the latter on the underlying causes of the listeners’ experience. The theories of Stephen Davies and Jerrold Levinson are considered and criticized, and recent work in the psychology of music is examined in the light of the pioneering account of expression from Leonard Meyer. Finally, there is some speculation as to the future of work in this area.
2014 ◽
pp. 2-23
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Keyword(s):
Keyword(s):