The Consumer Ideology and the Truth about Man

The formation of the human conscience is a controverted question in both philosophical ethics and moral philosophy. Conscience refers to one’s conception and understanding of the moral good. An especially significant manifestation of the problem of conscience in the 20th and 21st centuries is the impact of ideology on the individual person’s moral sense. This article considers the impact of two 19th century philosophies―Mill’s utilitarianism and Marxism―on contemporary moral thought insofar as the interaction of these two produce a powerful materialist ideology to determine the modern European and American conscience. We then turn to the thought of Pope John Paul II (Karol Wojtyła), who in his encyclical Veritatis Splendor and in his earlier philosophical writings developed an account of moral truth by which the dangers of materialistic ideology can be overcome. It is argued, with John Paul II, that only in the context of truth can a coherent account of freedom of conscience under the moral law be developed.

Gadamerian and Chinese Philosophical Reflections on the Developments of Chung-ying Cheng’s Post-Dialogue Onto-hermeneutic Philosophy

In light of developments in Chung-ying Cheng’s (1935-) onto-hermeneutic philosophy during the years after his dialogue with Hans-Georg Gadamer (1900–2002) took place in Heidelberg in May 2000, I explore several new issues related to Cheng’s understanding of Gadamer’s hermeneutic philosophy. First of all, I argue that Cheng has not addressed the vital concept of the “inner word” in Gadamer’s Truth and Method, and point toward some of its fecund hermeneutic significance, especially with regard to its characterization of Sprache/Language and its dynamics within human understanding. Secondly, I underscore the fact that Cheng (and the majority of other contemporary Chinese philosophers) have not understood the profound impact of Christian philosophical writings in Gadamer’s work, particularly in his claim that Christian ontology offers an alternative to ancient Greek ontologies that are “categorically significant.” Finally, I describe and analyze the development of a new theistic understanding of reality within Cheng’s post-dialogue publications, suggesting ways of critically advancing his claims in the light of Gadamer’s account of the “inner word” and the Christian ontological claims grounded in the logos-theology as presented in the prologue to the Gospel of John.

Al-Ghazali's Image in Al-Jabri's works

Muhammad Abed Al-Jabri (1935-2010) is a famous philosophical and scientific figure in contemporary Arab thought. He is the author of the philosophy of "the Arab mind" and "the criticism of the Arab mind." He tried to establish his theory of looking at the ancient Arab heritage and modern Arab thought. He also tried to view them according to the critical vision criteria, which he laid the methodological foundations for in his essential philosophical writings, especially in the critique of the Arab mind trilogy. In this study, I seek to analyze and study various aspects of his analytical and critical approach towards Al-Ghazali and his theoretical creativity. As well as revealing the specificity of his position on the intellectual path of Al-Ghazali himself, based on the sequence of his books, Al-Jabri considered Al-Ghazali's personality as a large and complex problem, so that It is challenging to define entirely and accurately. However, this does not exclude him from the possibility of defining the criteria of science in general and philosophy in particular. In this research, I tried to reveal that the position of Al-Jabri himself represents in some sense the continuation of the problematic and complexity of Al-Ghazali himself. Al-Jabri raised more problems than the answer to them. And the controversy remains and is getting stronger. The research into the personality and works of Al-Ghazali seems to have been and will remain for a long time due to the problematic character of Al-Ghazali himself, the diversity and differences of his intellectual, creative writing, and his tortuous nature. Hence, this study constitutes a contribution in this field.

Prayer and Physic in Seventeenth-Century England

Historians have often represented prayer as an instrumental response to illness. We argue instead that prayer, together with physic, was part of larger regimes to preserve health and prevent disease. We focus on early modern England, through the philosophical writings of the physician, Robert Fludd, and the medical records of the clergyman, Richard Napier. Fludd depicted health as a fortress and illness as an invasion by demons; the physician counsels the patient in maintaining and restoring moral and bodily order. Napier documented actual uses of prayer. As in Fludd’s trope, through prayer, Napier and his patients enacted their aspiration for health and their commitment to a Christian order in which medicine only worked if God so willed it. Prayer, like physic, was a key part of a regime that the wise practitioner aimed to provide for his patients, and that they expected to receive from him.

A difficult history of light. About metaphysical ideas of “light writing” formulated before the birth of photography

The reflections presented in this article are devoted to Junko Theresa Mikuriya’s book, A History of Light. The Idea of Photography. It is a unique view on the search for pre-photographic origins of photography in the field of philosophical writings ranging from Plato, through the neoplatonic philosopher Jamblich’s enquiry, to the texts by Philotheus of Batos and by an early Renaissance philosopher, Marsilio Ficino. When thinking about metaphysics present in (moving and still) images, one should not forget about the metaphysics of the image itself. The idea of photography – regardless of whether we are witnessing a fundamental change in an ontological transition from an analogue to a digital form of image recording – obliges us to discuss the “history of light”, as this is what Mikuriya does. While locating the discussed concepts in the context of the history and theory of photography, as well as the archaeology of media, the author of this essay engages in a dialogue with Mikuriya and polemically discusses many of her hypotheses. Key concepts such as chalepon, photagogia, triton genos, phôteinographeisthai are analysed in order to indicate inspiring moments in the Mikuriya’s reflections, but also a kind of interpretive abuse in the process of reading and analysing philosophical texts addressing the issues of light.

The Cambridge Companion to Cicero's Philosophy

Cicero is one of the most important and influential thinkers within the history of Western philosophy. For the last thirty years, his reputation as a philosopher has once again been on the rise after close to a century of very low esteem. This Companion introduces readers to 'Cicero the philosopher' and to his philosophical writings. It provides a handy port-of-call for those interested in Cicero's original contributions to a wide variety of topics such as epistemology, the emotions, determinism and responsibility, cosmopolitanism, republicanism, philosophical translation, dialogue, aging, friendship, and more. The international, interdisciplinary team of scholars represented in this volume highlights the historical significance and contemporary relevance of Cicero's writings, and suggests pathways for future scholarship on Cicero's philosophy as we move through the twenty-first century.

The Boundaries of Knowledge: The Unity of Rabbi Joseph B. Soloveitchik’s Jewish Philosophy in Light of His Doctoral Dissertation

Two philosophical positions adopted by Soloveitchik in his doctoral dissertation continued to inform his Jewish philosophical writings throughout his career. The first position, epistemological pluralism, stands behind Soloveitchik’s approach to the religious view of causality and repentance in his writings during the 1940s–1960s. It also grounds his consistent use of the dialectical method. The second position, the eternal mystery of the unknown, comes from the Marburg neo-Kantian Paul Natorp; this idea is a consistent thread throughout Soloveitchik’s writings and a foundation of his existentialist writings through the late 1970s. The conclusion suggests how these two positions might be related to one another.

Anschauung, Anschauen (Intuition)

Since Plato’s metaphor of the light of knowledge used in the “Allegory of the Cave” from his dialogue Politeia, the concepts of Anschauen or Anschauung (intuition) and their corresponding lexical field, including the terms light, sun, and eye, represent key notions and much-debated issues in philosophical thinking. In his literary, scientific, and philosophical writings, Goethe does not articulate a systematic and explicit theory of these concepts; on the contrary, most of his remarks on the topic of “intuition” are aphoristic or tacitly integrated into his poetic and scientific works. One of his main contributions to the philosophical debates surrounding Anschauen and Anschauung is that he developed and integrated into his works different modes of a specifically creative and productive—as opposed to a merely receptive and sensory—form of Anschauen. This productive form of Anschauen, for which he also uses the terms “Phantasie” (phantasy), “Einbildungskraft” (imagination), “exakte sinnliche Phantasie” (exact sensory phantasy or imagination) or “anschauende Urteilskraft” (intuitive power of judgment) in various contexts, can serve as both a creative faculty in his poetry and a precise scientific or philosophical instrument of cognition. Within the context of the philosophical tradition, and apart from the heritage of Plato and Platonism, Goethe’s notion of Anschauen can be understood, on the one hand, in the context of classical German philosophy and its debates on “anschauender Verstand” (intuitive understanding) and “intellektuelle” or “intellektuale Anschauung” (intellectual intuition). On the other hand, it is also phenomenologically grounded and anticipates the main insights of Edmund Husserl (1859–1938) and the phenomenological movement in the 20th century, one of the most important of which is the so-called phenomenological Wesensschau (eidetic intuition).

Problems of time and space in the philosophy of Shūzō Kuki (1888 – 1941)

The subject of this research is the philosophy of Shūzō Kuki, which is usually associated with his original concept, built around the concept of iki that simultaneously denotes taste, wealth, sensibility, dignity, reserve, and spontaneity, as well as embodies the aesthetic ideal formed in urban culture of the Edo period (1603 – 1868). The Japanese philosopher is also notable for a number of other intellectual insights. For depicting a holistic image on the philosophical views of Shūzō Kuki, a more extensive array of his works is introduced into the scientific discourse. A significant part of these work have not been translated into the Russian or other foreign languages. This article explores the problems of time and space, which are cross-cutting in the works of Shūzō Kuki  using examples of such philosophical writings as the “Theory of Time”, “What is Anthropology?”, “Problems of Time. Bergson and Heidegger”, “Metaphysical Time”, "Problems of Casualty”. The research employs the method of historical-philosophical reconstruction and sequential textual analysis of sources. Special attention is given to the problems of cyclical time, correlation between the infinite and the finite, and its reflection in the literary or art works, existential-anthropological landscape of space and time, spatial-temporal aspect of casualty and relevance. The conclusion is made on the contribution of Shūzō Kuki to elaboration of the problems of space and time, namely his cross-cultural approach that allows viewing the general philosophical problems from the perspective of both Western and Eastern thought, as well as a distinct  “interdisciplinary” approach towards analysis of the phenomena of space and time, which are viewed from different perspective and acquire different characteristics depending on the angle and aspect of reality of the corresponding context. Thus, there is a variety of concepts of time, which do not eliminate, but complement each other.

Carnal Compassion

Abelard addresses the cognitive-affective concept of empathy (compassio) across a range of his writings. He questions its ethics in his philosophical writings, taking his lead from Seneca’s De clementia in viewing empathy as a femininized emotional response lacking in judgment. This Stoic-inspired understanding of empathy becomes more personal in his first-person life writing, the Historia calamitatum, where Abelard explores the negative impact of empathy on his own life as both feeling subject and recipient. Then in seeking to displace himself as the subject of Heloise’s sympathetic identification of suffering in favor of Christ and his Passio, Abelard conceptualizes the redemptive love of Christ that will infuse his theological writings, leading to a rejection of the ransom theory of the Crucifixion and presaging the affective piety of the later Middle Ages.