scholarly journals In loving memory of ‘us’: facing grief during the time of COVID-19 through redirecting perception of life’s realities

2021 ◽  
Author(s):  
Dalmacito A Cordero
Keyword(s):  
Family Members ◽  
Complicated Process ◽  
The Dead ◽  
The One

Abstract Recent correspondence highlighted the complicated process of grief in the time of COVID-19 where some family members and the dying person too are undergoing distress. New rituals can lighten the process of coping with grief or death, one may find it difficult to hurdle such situation and move on without first redirecting one’s perception on the different realities of life. There are things that we can control but at the same time, things that are beyond our reach. With these realities, acceptance plays a key role to handle the situation. Acceptance is a person’s assent to life’s realities. Creativity in accepting grief or death is finding ways to lighten the heavy emotion of the ‘ones left and the one leaving’ through a preservation of memory. This is done through safeguarding and reliving the memories of the dead with various programs and advocacies.

Lxxix: Conrad's Revision of “the Lighthouse” in Nostromo

PMLA ◽  
1937 ◽  
Vol 52 (4) ◽  
pp. 1183-1190
Author(s):  
George W. Whiting
Keyword(s):  
Dead Wood ◽  
The Other ◽  
Final Version ◽  
Fresh Material ◽  
The Dead ◽  
To Come ◽  
The One ◽  
Consummate Skill

To the student of writing and literature few inquiries are more interesting and valuable than that into an author's practices in revising his own work. To observe the various stages in the evolution of the final version, to note carefully an artist at his work of pruning the dead wood, adding fresh material, smoothing away harsh phrases, selecting just words, and letting light into obscure places—to do this is to come somewhat nearer to an understanding of what in spite of all analysis will remain essentially a mystery. Especially fascinating and instructive is the study of Conrad's revision, for here one sees a supreme artist at work. In his vigorous hewing and rebuilding there is conclusive proof of the artist's untiring industry and consummate skill. Conrad's revision of Nostromo is of particular interest, for this novel occupies a critical place in the evolution of Conrad's prose. Mr. Richard Curie has justly characterized the change that came over Conrad's prose—a change perceptible in the “Amy Foster” of Typhoon and fully marked in from Under Western Eyes onward. This evolution has smoothed away the cadence, has concentrated the manner, has toned down the style of Conrad's former exuberance. At first glance the later and the earlier Conrad appear two totally different men. The unruly splendor of the one has given way to the subtle and elastic suavity of the other … His earlier prose is sometimes uncertain, sometimes exaggerated, but his later prose has the uniform temper of absolute mastery.

THE ROLE OF THE OBITUARY PAGES IN FACSBOOK, IS IT FOR IMMORTALIZATION OR FOR CRYING OVER THE RUINS

2021 ◽  
Vol 3 (4) ◽  
pp. 119-126
Author(s):  
Hadeel EJMAIL
Keyword(s):  
Content Analysis ◽  
Social Interaction ◽  
Qualitative Approach ◽  
The Other ◽  
Dead Person ◽  
Screen Capture ◽  
The Dead ◽  
The One ◽  
Facebook Pages

Death is one of the most difficult topics a person can talk about. The human being is busy with how to continue his life and improve its conditions. This study aims is to explore the writing of Facebook pages of the dead. The research used the qualitative approach through a content analysis, where (50) publications were found on fifteen pages of a dead person with an intentional sample, and the results of the research showed that writing people in the pages of the dead included two directions, the first direction is a desire to immortalize the dead and a kind of preserving their roots Alive. As for the other direction, it was weeping over their ruins and showing the end of a person's death and his end life. Sometimes in the same post include both directions together, meaning "the use of the deceased’s account by his family by changing the profile picture of the dead, and at the same time inviting the deceased’s friends through his page to the memorial event. People write on the pages of the dead in order to weep over their ruins on the one hand, and to immortalize their memories on the other side. Facebook as a social platform and the interaction of people with the pages of the dead shows the great social interaction that takes place in this space, and research in this field is not consistent with one and only claim, as some posts are either temporary or permanent; Therefore, I have used screen capture technology to collect and retain information. The pages of the dead included referring to them, writing memorials and longing, etc. Facebook has become a social platform that allows those who lose a dear person to share their grief through it, and enables them to deal with death and relieve their pain

scholarly journals Los Austrias y las ceremonias alrededor de la muerte del rey, ritual y simbología // The Habsburg’s kings in Spain and the ceremonies around the king’s death, rites and symbols

2016 ◽  
Vol 3 (4) ◽  
pp. 251
Author(s):  
María Gómez Requejo
Keyword(s):  
Catholic Church ◽  
Roman Catholic ◽  
Roman Catholic Church ◽  
Audience Participation ◽  
Symbolic Language ◽  
Post Mortem ◽  
The Dead ◽  
The One ◽  
The Relationship

Las ceremonias que se tenían lugar cuando se producía el fallecimiento de un monarca de la casa de Austria, tanto las pre como las post mortem, eran el  vehículo de un lenguaje simbólico cargado de representaciones y emblemas que le recordaban al súbdito tanto el poder del rey muerto como el que iba a tener su sucesor y asimismo ponían de manifiesto la unión de la dinastía con la Iglesia Católica. Enfermedad, muerte y exequias se convierten, con estos monarcas, en un espectáculo fastuoso que requiere escenografía, actores, vestuario, guion  y un público –los súbditos- del que se busca una participación ya sea consciente y activa o pasiva, como mero espectador, pero en todo caso necesario para que el espectáculo cumpla su objetivo: persuadir del poder real. Abstract The ceremonies around the death of a Habsburg king in Spain, where the vehicle to a symbolic language, full of representations and emblems, used to remind to his loyal subjects not only the power of the dead king and the one his heir and successor was going to hold, but also the relationship between the dynasty and the Roman Catholic Church. With the Habsburg’s, the illness, death and exequies of the monarch were converted into a sumptuous show that needed: a set, actors, lavish costumes, script and audience –the loyal subjects- to which audience participation, whether it be active or passive, was essential to fulfill its objective: to be persuaded of the king’s power.

Time and the ancestors: landscape survey in the Andrantsay region of Madagascar

Antiquity ◽  
2001 ◽  
Vol 75 (290) ◽  
pp. 825-836 ◽  
Author(s):  
Zoë Crossland
Keyword(s):  
Intimate Relationship ◽  
Archaeological Research ◽  
Beliefs And Practices ◽  
The Everyday ◽  
The World ◽  
Everyday World ◽  
The Dead ◽  
Central Highlands ◽  
Landscape Survey ◽  
The One

The landscapes of the central highlands of Madagascar are inhabited by the spirits of the dead as well as by the living. The ancestors are a forceful presence in the everyday world, and the archaeology of the central highlands is intimately entwined with them. This is made manifest both in the on-the-ground experiences encountered during fieldwork, and in archaeological narratives, such as the one presented here. Tombs are a traditional focus of archaeological research, and those that dot the hills of the central highlands are part of a network of beliefs and practices which engage with the landscape as a whole and through which social identity is constructed and maintained. In the central highlands, and indeed elsewhere in Madagascar, there is an intimate relationship between peoples’ understandings of their social and physical location in the world and their understanding of their relationship to the dead.

‘Angels Seen Today’. The Theology of Modern Spiritualism and its Impact on Church of England Clergy, 1852–1939

2009 ◽  
Vol 45 ◽  
pp. 360-370 ◽  
Author(s):  
Georgina Byrne
Keyword(s):  
Twentieth Century ◽  
Church Of England ◽  
Family Members ◽  
Religious Traditions ◽  
The Dead ◽  
Geographical Locations

In 1852 an American medium, Maria Hayden, crossed the Atlantic, landed in London and began offering séances in fashionable salons. From this point on, and certainly well into the twentieth century, spiritualism proved attractive to many. What spiritualism offered was, primarily, an extravagant claim: that it was possible for the living to communicate with the departed. By various means, people from all classes, religious traditions and geographical locations ‘tried’ the spirits, seeking to make contact with famous characters from history or departed family members. Spiritualism offered, sometimes, spectacular signs and wonders: flying furniture, levitating mediums and ghostly presences, all of which attracted the attention of journalists. Fashions for such signs came and went; the claim to communicate with the dead, however, remained at the heart of spiritualism.

Greek Necromancy: Reality or Myth?

2021 ◽  
Vol 60 (1-2) ◽  
pp. 27-51
Author(s):  
Tomáš Vítek
Keyword(s):  
Historical Context ◽  
Roman Period ◽  
The Other ◽  
Classical Period ◽  
The Dead ◽  
The One ◽  
Source Ability

SummaryThe article investigates the extent to which Greek necromancy fits into the wider eschatological, cultic and historical context of an epoch demarcated on the one hand by Homer and on the other by the Classical period. The oldest purported necromantic ritual, with the help of which Odysseus descended into the underworld, is a literary construct inspired especially by the heroic tomb-cults. Scenes depicting funereal necromancy, written by dramatists of the Classical period, were also drawn from this source. Ability, behavior and appearance of heroes were additionally ascribed to the so-called restless spirits and revenants and later came to include all the dead. The main cause of this was a change in eschatological ideas and especially heroization, which in the Roman period spread nominally to all the dead. Reports about necromancy include a high percentage of mythical and literarily-dramatized elements that simply do not correspond with contemporary ideas about the soul, the dead, the underworld and chthonic deities. It therefore appears almost certain that, at least to the end of the period described, necromancy was not carried out in reality but remained only the literary surmise of the possibility indicated by Homer.

Neither Civilian nor Combatant: Weaponised Spaces and Spatialised Bodies in Cizre

2019 ◽  
pp. 71-94
Author(s):  
Haydar Darıcı ◽  
Serra Hakyemez
Keyword(s):  
Political Life ◽  
Right To Life ◽  
History Of ◽  
The Dead ◽  
The Government ◽  
Turkish State ◽  
The One ◽  
The Right ◽  
Kurdish Conflict ◽  
Self Defence

What kind of work does the categorical distinction between combatant and civilian do in the interplay of the necropolitics and biopower of the Turkish state? This paper focuses on a time period (2015-2016) in the history of the Kurdish conflict when that distinction was no longer operable as the war tactics of the Kurdish movement shifted from guerrilla attacks of hit and run in the mountains to the self-defence of residents in urban centres. It reveals the limit of inciting compassion through the figure of civilian who is assumed to entertain a pre-political life that is directed towards mere survival. It also shows how the government reconstructs the dead bodies using forensics and technoscience in order to portray what is considered by Kurdish human rights organizations civilians as combatants exercising necroresistance. As long as the civilian-combatant distinction remains and serves as the only episteme of war to defend the right to life, the state is enabled to entertain not only the right to kill, but also to turn the dead into the perpetrators of their own killing. Finally, this paper argues that law and violence, on the one hand, and the right to life and the act of killing on the other, are not two polar opposites but are mutually constitutive of each other in the remaking of state sovereignty put in crisis by the Kurdish movement's self-defence practices.

I Am Kelso

2021 ◽  
pp. 167-189
Author(s):  
Christopher Grasso
Keyword(s):  
Commanding Officer ◽  
Army Hospital ◽  
The Dead ◽  
The One ◽  
The Town

In January 1863, a large Confederate force swept up from Arkansas. Kelso and his men discovered the advance and were chased back to the fort at Beaver Station and then to the one at Ozark, both of which the Confederates destroyed as they marched north to their target, Springfield. The Battle of Springfield pitted about 2,300 Federals defending the town, including local men and boys in the militia and patients in the army hospital, against a like-sized Confederate force commanded by General John S. Marmaduke. The men fought all day with artillery shells flying overhead. Kelso went spying at night, creeping among the wounded and the dead. Unable to take the town, the Confederates withdrew the next morning. In the aftermath, Kelso’s conflict with his drunken commanding officer lead to court martial proceedings, but Kelso was acquitted.

sacrifice. [17] Philoneos’ concubine went along for the sacrifice. When they were in Peiraieus, Philoneos sacrificed, of course. And when he had completed the sacrifice, the female wondered how to administer the drug to them, before or after dinner. And as she considered the matter she concluded that after dinner was better; she was also acting on the instructions of this Klytaimestra, my brother’s mother. [18] The full account of the dinner would be too longwinded for me to tell and you to hear. I shall try to give as brief an account as I can of the rest, of how the poison was administered. After dinner, naturally, since one was sacrificing to Zeus of Possessions and entertaining the other, and one was about to go on a voyage and was dining with a close friend, they made a libation and offered incense for their future. [19] And while Philoneos’ concubine was pouring the libation for them – as they offered prayers which would never be fulfilled, gentlemen – she poured in the poison. Thinking she was being clever, she gave more to Philoneos in the belief perhaps that if she gave him more she would win more affection from him – she had no idea that she was my stepmother’s dupe until disaster struck – while she poured less in our father’s drink. [20] They for their part after pouring their libations took their final drink, holding in their hands their own killer. Philoneos died at once on the spot; our father was afflicted with a sickness from which he died after twenty days. For this the assistant who carried out the act has the reward she deserved, though she was not to blame – she was put on the wheel and then handed over to the public executioner; the guilty party, the one who planned it, will soon have hers, if you and the gods will it. [21] Note how much more just my plea is than my brother’s. I urge you to avenge the dead man, who is the victim of an irreparable wrong. For the dead man my brother will offer no request, though he deserves your pity and support and vengeance for having his life taken in a godless and inglorious manner before his time by the last people who should have done this. [22] His plea will be for the murderess, a plea which is unprincipled, unholy, which deserves neither fulfilment nor attention either from the gods or from you; he will seek with his plea (to induce you not to convict her for her crimes) though she could not induce herself not to devise them.* But you must give your support not to those who kill but to the victims of deliberate

2002 ◽  
pp. 47-48
Keyword(s):  
Close Friend ◽  
The Other ◽  
Full Account ◽  
The Public ◽  
The Dead ◽  
The One ◽  
Dead Man ◽  
The Sacrifice

The Celtic Chariot

Antiquity ◽  
1965 ◽  
Vol 39 (156) ◽  
pp. 259-265 ◽  
Author(s):  
I. M. Stead
Keyword(s):  
The Other ◽  
Accurate Representation ◽  
Wheeled Vehicle ◽  
Western Germany ◽  
La Tène ◽  
The Dead ◽  
La Tene ◽  
The One

Spectacular discoveries in Marnian in Marnian graves, an ambiguous reference by Caesar, and the attentions of modern scholars such as Fox and Piggott have led to a great deal of interest and speculation about the Celtic chariot. The discovery of a number of chariot fittings at Llyn Cerrig Bach prompted Sir Cyril Fox to attempt a reconstruction, and the result has been generally accepted as a fairly accurate representation [I]. The material used for the Llyn Cerrig model was drawn from all over Europe, and much of it came from socalled ‘chariot-burials’. But whether or not the vehicle buried in La Thne graves was identical with the war-chariot has never been seriously questioned and is worth considering.In Champagne and Western Germany, where the two-wheeled vehicle is found in La Tène graves together with weapons, there are two possible interpretations of its purpose. On the one hand it could be associated with the weapons, and regarded as the dead warrior's chariot; on the other, it might be linked rather with death and the corpse, thus being either a hearse or a vehicle from a funeral procession. In Yorkshire this choice is less open. Weapons are never found in the same grave as the wheels and other fittings, and it would be more reasonable to identify the vehicle with a funerary cart.

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