scholarly journals Gain of An Auto-regulatory Site Led to Divergence of the Arabidopsis APETALA1 and CAULIFLOWER Duplicate Genes in the Time, Space and Level of Expression and Regulation of One Paralog by the Other

2016 ◽  
pp. pp.00320.2016 ◽  
Author(s):  
Lingling Ye ◽  
Bin Wang ◽  
Wen-Gen Zhang ◽  
Hongyan Shan ◽  
Hongzhi Kong
Keyword(s):  
The Other ◽  
Duplicate Genes ◽  
Regulatory Site ◽  
Time Space

Milesian Measures: Time, Space, and Matter

2009 ◽  
Author(s):  
Stephen A. White
Keyword(s):  
Fourth Century ◽  
Natural World ◽  
The Other ◽  
Sixth Century ◽  
Greek Philosophy ◽  
Time Space ◽  
Complementary Problems

Any attempt to trace the origin of Greek philosophy faces two complementary problems. One is the fact that evidence for the early philosophers is woefully meager. The other problem raises a question of what is to be counted as philosophy. Yet neither problem is insuperable. This article proposes to reorient the search for origins in two ways, corresponding to these two problems. First, rather than trying to reconstruct vanished work directly, this article focuses on a crucial stage in its ancient reception, in particular, the efforts by Aristotle and his colleagues in the latter half of the fourth century to collect, analyze, and assess the evidence then available for earlier attempts to understand the natural world. The other shift in focus this article makes is from philosophy to science; or rather, it focuses on evidence for the interplay between observation, measurement, and explanation in the work of three sixth-century Milesians.

Improved Apriori Algorithm in the Power System Fault

2014 ◽  
Vol 556-562 ◽  
pp. 1510-1514
Author(s):  
Li Qiang Lin ◽  
Hong Wen Yan
Keyword(s):  
Power System ◽  
Association Rules ◽  
Fault Analysis ◽  
The Other ◽  
Apriori Algorithm ◽  
Extreme Climate ◽  
Time Space ◽  
Low Efficiency ◽  
Candidate Item ◽  
Improved Algorithm

For the low efficiency in generating candidate item sets of apriori algorithm, this paper presents a method based on property division to improve generating candidate item sets. Comparing the improved apriori algorithm with the other algorithm and the improved algorithm is applied to the power system accident cases in extreme climate. The experiment results show that the improved algorithm significantly improves the time efficiency of generating candidate item sets. And it can find the association rules among time, space, disasters and fault facilities in the power system accident cases in extreme climate. That is very useful in power system fault analysis.

scholarly journals Re-semantization of A. Pushkin’s poetry in the creative work of V. Kosenko (on the example of “The Five Romances”, op. 20)

2018 ◽  
Vol 50 (50) ◽  
pp. 89-102
Author(s):  
Duangui Wang
Keyword(s):  
Slow Motion ◽  
The Other ◽  
Literary Translation ◽  
Time Space ◽  
Free Translation ◽  
The One ◽  
The Individual ◽  
Two Parameters ◽  
Love Language ◽  
Poetic Composition

Formulation of the problem. In the chamber-vocal genre, the composer exists in two images: he is both the interpreter of the poetic composition and the author of a new synthetic music and poetic composition. The experience of the style analysis of one of the best examples of Ukrainian vocal lyrics of the first third of the 20th century shows that the cycle op. 20 characterizes the mature style of the composer, which was formed, on the one hand, under the influence of European Romanticism. On the other hand, the essence of the Ukrainian “branch” of the Western European song-romance (“solo-singing”) is revealed by the prominent national song-romance intonation, filled with not only a romantic worldview, but also with some personal sincerity, chastity, intimate involvement with the great in depth and simplicity poetry line, read from the individual position of the musician. The paradox is as follows. Although Pushkin’s poetry is embodied in a “holistic adequacy” (A. Khutorskaya), and the composer found the fullest semantic analogue of the poetic source, however, in terms of translating the text into the Ukrainian language, the musical semantics changes its intonation immanence, which naturally leads to inconsistency of the listeners’ position and ideas about the style of Russian romance. We are dealing with inter-specific literary translation: Pushkin’s discourse creates the Ukrainian romance style and system of figurative thinking. The purpose of the article is to reveal the principle of re-semantization of the intonation-figurative concept of the vocal composition by V. Kosenko (in the context of translating Pushkin’s poetry into the Ukrainian language) in light of the theory of interspecific art translation. Analysis of recent publications on the topic. Among the most recent studies of Ukrainian musicology, one should point out the dissertation by G. Khafizova (Kyiv, 2017), in which the theory of modelling of the stylistic system of the vocal composition as an expression of Pushkin’s discourse is described. The basis for the further stylistic analysis of V. Kosenko’s compositions is the points from A. Hutorska’s candidate’s thesis; she develops the theory of interspecific art translation. The types of translation of poetry into music are classified according to two parameters. The exact translation creates integral adequacy, which involves the composer’s finding a maximally full semantic analogue of the poetic source. The free translation is characterized by compensatory, fragmentary, generalized-genre adequacy. Presenting the main material. The Zhitomir period for Viktor Kosenko was the time of the formation of his creative style. Alongside the lyrical imagery line, the composer acquired one more – dramatic, after his mother’s death. It is possible that the romances on the poems of A. Pushkin are more late reflection of this tragic experience (op. 20 was created in 1930). “I Loved You” opens the vocal cycle and has been dedicated by A. V. Kosenko. The short piano introduction contains the intonation emblem of the love-feeling wave. The form of the composition is a two part reprising (А А1) with the piano Introduction and Postlude. The semantic culmination is emphasized by the change of metro-rhythmic organization 5/4 (instead of 4) and the plastic phrase “as I wish, that the other will love you” sounding in the text. Due to these melodies (with national segments in melo-types, rhythm formulas and harmony) V. Kosenko should be considered as “Ukrainian Glinka”, the composer who introduced new forms and “figures” of the love language into the romantic “intonation dictionary”. In general, V. Kosenko’s solo-singing represents the Ukrainian analogue of Pushkin’s discourse – the theme of love. The melos of vocal piece “I Lived through My Desires” is remembered by the broad breath, bright expression of the syntactic deployment of emotion. On the background of bass ostinato, the song intonation acquires a noble courage. This solo-singing most intermediately appeal to the typical examples of the urban romance of Russian culture of the 19th century. “The Raven to the Raven” – a Scottish folk ballad in the translation by A. Pushkin. V. Kosenko as a profound psychologist, delicately transmits the techniques of versification, following each movement of a poetic phrase, builds stages of the musical drama by purely intonation means. The semantics of a death is embodied through the sound imaging of a black bird: a marching-like tempo and rhythm of the accompaniment, with a characteristic dotted pattern in a descending motion (like a raven is beating its wings). The middle section is dominated by a slow-motion perception of time space (Andante), meditative “freeze” (size 6/4). The melody contrasts with the previous section, its profile is built on the principle of descending move: from “h1” to “h” of the small octave (with a stop on S-harmony), which creates a psychologically immersed state, filled by premonition of an unexpected tragedy. In general, the Ukrainian melodic intonation intensified the tragic content of the ballad by Pushkin. The musical semantics of V. Kosenko’s romances is marked by the dependence on the romantic “musical vocabulary”, however, it is possible to indicate and national characteristics (ascending little-sixth and fifth intervals, which is filled with a gradual anti-movement; syllabic tonic versification, and other). Conclusion. The romances (“solo-singings”) by V. Kosenko belongs to the type of a free art translation with generalized-genre adequacy. There is a re-semantization of poetic images due to the national-mental intonation. Melos, rhythm, textural presentation (repetitions), stylization of different genre formulas testify to the rare beauty of Kosenko’s vocal style, spiritual strength and maturity of the master of Ukrainian vocal culture. Entering the “Slavic song area”, the style of Ukrainian romance, however, is differenced from the Russian and common European style system of figurative and intonation thinking (the picture of the world).

A Reality Based on Consciousness

DIALOGO ◽  
2021 ◽  
Vol 8 (1) ◽  
pp. 205-217
Author(s):  
Stephan A Schwartz
Keyword(s):  
World View ◽  
Physical Reality ◽  
The Other ◽  
Human Consciousness ◽  
New Paradigm ◽  
Central Idea ◽  
Time Space ◽  
Early Humans ◽  
The Individual ◽  
The Mind

"This paper addresses the central idea of nonlocal consciousness: that all life is interconnected and interdependent, that we are part of a matrix of life, but even more fundamentally than spacetime itself arises from consciousness, not consciousness from spacetime. It is not a new idea. The excavation of burials dating to the Neolithic (≈ 10,200-2,000 BCE) has revealed that early humans had a sense of spirituality and some concept about the nature of human consciousness. It discusses the bargain made between the Roman Church, and the emerging discipline of science in the 16th century, one taking consciousness (packaged as “spirit”), the other spacetime, and how this led to physicalism taking root as a world view and becoming the prevailing materialist paradigm. It describes the emergence of a new paradigm that incorporates consciousness and lays out the four relevant descriptors helping to define what this new paradigm will look like. They are: • Only certain aspects of the mind are the result of physiologic processes. • Consciousness is causal, and physical reality is its manifestation. • All consciousnesses, regardless of their physical manifestations, are part of a network of life which they both inform and influence and are informed and influenced by; there is a passage back and forth between the individual and the collective. • Some aspects of consciousness are not limited by the time/space continuum and do not originate entirely within an organism’s neuroanatomy. "

The Context of Competition

2016 ◽  
Author(s):  
Martin Shubik ◽  
Eric Smith
Keyword(s):  
Simple Model ◽  
Social Organization ◽  
The Other ◽  
Historical Contingency ◽  
Organic System ◽  
Material Content ◽  
Economic Behaviour ◽  
Time Space ◽  
The Social ◽  
Great Complexity

This chapter sets the context for the book. We note the purpose of economics should be to describe concepts and models that can be made consistent with sound scientific understanding of the other aspects of life. At a minimum economic behaviour is embedded within the organic system we call the society: it affects extraction, production, utilization, exchange, consumption and disposal of physical entities and services. We consider the main questions about how to contextualize economics. It can be argued that the economy is a mechanism to organize a subset of decisions in a larger highly distributed society. The social organization obeys no simple model of control; its dynamics is often evolutionary at many scales of time, space and material content; and with these it is subject to both historical contingency and great complexity.

Digital nomads in siliconising Cluj: Material and allegorical double dispossession

Urban Studies ◽  
2019 ◽  
Vol 57 (15) ◽  
pp. 3078-3094 ◽  
Author(s):  
Erin McElroy
Keyword(s):  
19Th Century ◽  
The Other ◽  
Comparative Approach ◽  
Literary Genre ◽  
Time Space ◽  
Western European

This paper studies the arrival of digital nomads in Cluj, Romania. I focus upon double dispossession, in which ‘digital nomads’ allegorise technocapitalist fantasies by appropriating Roma identity on one hand, and in which Roma are evicted to make way for the arrival of Western digital nomads and tech firms on the other. While Roma are materially dispossessed as Cluj siliconises, they are doubly dispossessed by the conjuration of the deracinated digital nomad/Gypsy. As I suggest, this figure discursively drags with it onto-epistemological residues of 19th-century Orientalism – a literary genre that emerged within the heart of Western European empires. The recoding of the nomad today, I argue, indexes the imperiality of technocapitalism, or techno-imperialism. Double dispossession, as a phenomenon, illuminates that prior histories bolster, and are consumed by, globalising techno-imperialism. Postcolonial and postsocialist studies offer frameworks for understanding this update, as well as the accumulative and multifaceted dispossession that siliconisation inheres. I thus argue for a connected rather than comparative approach in understanding double dispossession, one focused upon connections across time, space and genre. A connected approach remains rooted in community organising and housing justice struggles.

Ghosted subjectivities in Margo Lanagan’s ‘The Point of Roses’

2020 ◽  
Vol 10 (1) ◽  
pp. 57-72 ◽  
Author(s):  
Karima Thomas
Keyword(s):  
The Other ◽  
Dual Nature ◽  
Disturbing Force ◽  
Construction Of Identity ◽  
The Uncanny ◽  
Other Hand ◽  
Time Space ◽  
The One ◽  
Opening Up

This article examines the tropes of ghosting in Margo Lanagan’s ‘The Point of Roses’ in relation to Judith Butler’s theory of the performative construction of identity through reiteration and foreclosure. The story illustrates the ghosting effect of normative subjectivities and the spectral, disruptive return of the contingent, socially erased subjectivities. Ghosting is considered in the light of the dual nature of the spectral as ‘a dispossessing erasure or disappearance’, and also a ‘powerful ability to rematerialize as a disturbing force’ (Maria del Pilar Blanco and Ester Peeren). In this sense, the ghost is that which is ontologically invisible because of absence/erasure; but which is also visible because it is haunting those who try to erase it. The article examines the role of the uncanny in disrupting the ontological conditions of time, space, character, substance and language. Then, it focuses on the traces of invisibility as signs of erasure and foreclosure that are meant to institute and suture an identity, while relegating other layers of subjectivity to oblivion. Finally, the article studies the disruptive return of the excluded and its dual consequences on the haunted subject, on the one hand by establishing a liminal condition of unknowing and, on the other hand, by opening up to a condition of ‘transformative recognition’ (Avery Gordon).

scholarly journals Modernitetens modsigelser. Konfigurationskonflikter og samfundstænkning i Grundtvigs »Om Mennesket i Verden«

1998 ◽  
Vol 49 (1) ◽  
pp. 142-156
Author(s):  
Henning Eichberg
Keyword(s):  
Civil Society ◽  
Social Relations ◽  
Social Life ◽  
The Body ◽  
The Other ◽  
Human Being ◽  
Human Beings ◽  
Time Space ◽  
The World ◽  
The One

Contradictions of Modernity. Conflicting Configurations and Societal Thinking in Grundtvig's »The Human Being in the World«A Worm - a God. About the Human Being in the World. Ove Korsgaard (ed.). With contributions of Niels Buur Hansen, Hans Hauge, Bosse Bergstedt, Uffe Jonas and Knud Bjarne Gjesing. Odense Universitetsforlag 1997.By Henning EichbergIn 1817, Grundtvig wrote »Om Mennesket i Verden« which can be regarded as a key to the understanding of his philosophy and psychology, but which is difficult to place in relation to his later folkelig, societal engagement. A recent reedition of this text together with some actual comments by Grundtvig researchers is an occasion to quest deeper about this relation.However, it is not enough to ask - as Grundtvig research has done for a long time - what Grundtvig wanted to say, but his text can be regarded as a document of how modem orientation in the world is characterized by conflicting linguistic and metaphorical patterns, which sometimes may tell another story than intended.On the one hand, Grundtvig's text speaks of a lot of dualistic contradictions such as life vs. death, light vs. darkness, truth vs. lie, God vs. devil, human fall vs. resurrection, body vs. spirit, nature vs. history and time vs. eternity. In contrast to the author's intention to produce clarity and lucidity - whether in the spirit of Christianity or of modem rationality - the binary constructions give rather a confusing picture of systematical disorder where polarity and polemics are mixed, antagonism and gradual order, dichotomy and exclusive either-or, paradoxes and dialectical contradictions. On the other hand,Grundtvig tries again and again to build up three-pole imaginations as for instance the threefold human relation to time, space and truth and the three ages of spiritual seeing, feeling and conceptualization resp. of mythology (childhood), theology (youth) and history (adult age). The main history, Grundtvig wants to tell in his text, is built up around the trialectic relation of the human being to the body, to the spirit and to itself, to the living soul.The most difficult to understand in this relation seems to be what Grundtvig calls the spirit, Aanden. Grundtvig describes it as Aandigt Samfund mellem Menneske og Sandhed, »the spiritual community between the human being and the truth«, and this may direct our attention towards samfund, meaning at the same time association, togetherness and society. Aanden is described by threefold effects - will, conscience and faith, all of them describing social relations between human beings resp. their psychological correlate. The same social undertone is true when Grundtvig characterizes three Aande-Livets Spor (»traces of spiritual life«): the word, the history and love. If »the spirit« represents what is larger or »higher« than the single human being and what cannot be touched by his or her hand, then this definition fits exactly to society or the sociality of the human being. Social life - whether understood as culture, social identity or folk (people) - is not only a quantitative sum of human individuals, but represents another quality of natural order. Thus it has its logic that Grundtvig places the human being in between the realms of minerals, plant and animal life on the one hand and the »higher« order on the other, which can be understood as the social existence.In this respect, the societal dimension is not at all absent in his philosophy of 1817. However, it is not enough to state the implicite presence of sociality as such in the earlier Grundtvigian thinking before his folkelig break-through. What was the sociality, more concretely, which Grundtvig experienced during the early modernity? In general, highly dichotomous concepts are dominating the modem discourse as capitalism vs. feudalism, materialism vs. idealism, modernity vs. premodemity, democracy vs. absolutism or revolution vs. restoration; Grundtvig was always difficult to place into these patterns. Again, it might be helpful to try a trialectical approach, transcending the dualism of state and market by civil society as a third field of social action. Indeed, it was civil society with its farmers' anarchist undertones which became the contents of Grundtvig's later folk engagement.

scholarly journals Huellas del vicio redhibitorio romano en el Código Civil español

2020 ◽  
pp. 227
Author(s):  
Teresa González Herrero
Keyword(s):  
Civil Code ◽  
The Other ◽  
Roman Law ◽  
Time Space ◽  
The One

En la regulación normativa del contrato de compraventa de nuestro Código Civil puede constatarse una clara huella y supervivencia del Derecho romano. En particular, la protección prevista por razón de los vicios ocultos reproduce, casi literalmente, la contemplada en Roma, donde la noción de vicio redhibitorio se origina y evoluciona en el seno del Derecho edilicio. Tal concepto, se forma en correspondencia al contexto espaciotemporal y socioeconómico en el que se desarrolla y evoluciona el Derecho edilicio en relación con las demás fuentes. Todo ello condicionó las acciones procesales ofrecidas por los Ediles, su naturaleza y finalidad, así como el régimen de responsabilidad del vendedor. Teniendo en cuenta pues, tales variables, el estudio pretende profundizar en la casuística romana para, desde la misma, extraer los principales rasgos del concepto de vicio en nuestro Código Civil.In the normative regulation of our Civil Code we can verify the echo and survival of the Roman Law. Specifically, the protection provided by reason of latent defect, reproduces, almost literally, that reproduces the one contemplated in Rome, where the notion of redhibitory vice that was originated and evolved within the aedilitian Law. That same concept was formed depending on the socioeconomic and time-space context in which the aedilitian Law developed and evolved in relation to the other sources. All of that, influenced the procedural actions offered by these magistrates, its nature and goal, as well as the responsibility of the seller. Bearing these variables in mind, as it was said, the study intends to delve the Roma casuistry to, from itself, to extract the main features of the concept of vice in our Civil Code.

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