A Reality Based on Consciousness

DIALOGO ◽  
2021 ◽  
Vol 8 (1) ◽  
pp. 205-217
Author(s):  
Stephan A Schwartz

"This paper addresses the central idea of nonlocal consciousness: that all life is interconnected and interdependent, that we are part of a matrix of life, but even more fundamentally than spacetime itself arises from consciousness, not consciousness from spacetime. It is not a new idea. The excavation of burials dating to the Neolithic (≈ 10,200-2,000 BCE) has revealed that early humans had a sense of spirituality and some concept about the nature of human consciousness. It discusses the bargain made between the Roman Church, and the emerging discipline of science in the 16th century, one taking consciousness (packaged as “spirit”), the other spacetime, and how this led to physicalism taking root as a world view and becoming the prevailing materialist paradigm. It describes the emergence of a new paradigm that incorporates consciousness and lays out the four relevant descriptors helping to define what this new paradigm will look like. They are: • Only certain aspects of the mind are the result of physiologic processes. • Consciousness is causal, and physical reality is its manifestation. • All consciousnesses, regardless of their physical manifestations, are part of a network of life which they both inform and influence and are informed and influenced by; there is a passage back and forth between the individual and the collective. • Some aspects of consciousness are not limited by the time/space continuum and do not originate entirely within an organism’s neuroanatomy. "

Author(s):  
Duangui Wang

Formulation of the problem. In the chamber-vocal genre, the composer exists in two images: he is both the interpreter of the poetic composition and the author of a new synthetic music and poetic composition. The experience of the style analysis of one of the best examples of Ukrainian vocal lyrics of the first third of the 20th century shows that the cycle op. 20 characterizes the mature style of the composer, which was formed, on the one hand, under the influence of European Romanticism. On the other hand, the essence of the Ukrainian “branch” of the Western European song-romance (“solo-singing”) is revealed by the prominent national song-romance intonation, filled with not only a romantic worldview, but also with some personal sincerity, chastity, intimate involvement with the great in depth and simplicity poetry line, read from the individual position of the musician. The paradox is as follows. Although Pushkin’s poetry is embodied in a “holistic adequacy” (A. Khutorskaya), and the composer found the fullest semantic analogue of the poetic source, however, in terms of translating the text into the Ukrainian language, the musical semantics changes its intonation immanence, which naturally leads to inconsistency of the listeners’ position and ideas about the style of Russian romance. We are dealing with inter-specific literary translation: Pushkin’s discourse creates the Ukrainian romance style and system of figurative thinking. The purpose of the article is to reveal the principle of re-semantization of the intonation-figurative concept of the vocal composition by V. Kosenko (in the context of translating Pushkin’s poetry into the Ukrainian language) in light of the theory of interspecific art translation. Analysis of recent publications on the topic. Among the most recent studies of Ukrainian musicology, one should point out the dissertation by G. Khafizova (Kyiv, 2017), in which the theory of modelling of the stylistic system of the vocal composition as an expression of Pushkin’s discourse is described. The basis for the further stylistic analysis of V. Kosenko’s compositions is the points from A. Hutorska’s candidate’s thesis; she develops the theory of interspecific art translation. The types of translation of poetry into music are classified according to two parameters. The exact translation creates integral adequacy, which involves the composer’s finding a maximally full semantic analogue of the poetic source. The free translation is characterized by compensatory, fragmentary, generalized-genre adequacy. Presenting the main material. The Zhitomir period for Viktor Kosenko was the time of the formation of his creative style. Alongside the lyrical imagery line, the composer acquired one more – dramatic, after his mother’s death. It is possible that the romances on the poems of A. Pushkin are more late reflection of this tragic experience (op. 20 was created in 1930). “I Loved You” opens the vocal cycle and has been dedicated by A. V. Kosenko. The short piano introduction contains the intonation emblem of the love-feeling wave. The form of the composition is a two part reprising (А А1) with the piano Introduction and Postlude. The semantic culmination is emphasized by the change of metro-rhythmic organization 5/4 (instead of 4) and the plastic phrase “as I wish, that the other will love you” sounding in the text. Due to these melodies (with national segments in melo-types, rhythm formulas and harmony) V. Kosenko should be considered as “Ukrainian Glinka”, the composer who introduced new forms and “figures” of the love language into the romantic “intonation dictionary”. In general, V. Kosenko’s solo-singing represents the Ukrainian analogue of Pushkin’s discourse – the theme of love. The melos of vocal piece “I Lived through My Desires” is remembered by the broad breath, bright expression of the syntactic deployment of emotion. On the background of bass ostinato, the song intonation acquires a noble courage. This solo-singing most intermediately appeal to the typical examples of the urban romance of Russian culture of the 19th century. “The Raven to the Raven” – a Scottish folk ballad in the translation by A. Pushkin. V. Kosenko as a profound psychologist, delicately transmits the techniques of versification, following each movement of a poetic phrase, builds stages of the musical drama by purely intonation means. The semantics of a death is embodied through the sound imaging of a black bird: a marching-like tempo and rhythm of the accompaniment, with a characteristic dotted pattern in a descending motion (like a raven is beating its wings). The middle section is dominated by a slow-motion perception of time space (Andante), meditative “freeze” (size 6/4). The melody contrasts with the previous section, its profile is built on the principle of descending move: from “h1” to “h” of the small octave (with a stop on S-harmony), which creates a psychologically immersed state, filled by premonition of an unexpected tragedy. In general, the Ukrainian melodic intonation intensified the tragic content of the ballad by Pushkin. The musical semantics of V. Kosenko’s romances is marked by the dependence on the romantic “musical vocabulary”, however, it is possible to indicate and national characteristics (ascending little-sixth and fifth intervals, which is filled with a gradual anti-movement; syllabic tonic versification, and other). Conclusion. The romances (“solo-singings”) by V. Kosenko belongs to the type of a free art translation with generalized-genre adequacy. There is a re-semantization of poetic images due to the national-mental intonation. Melos, rhythm, textural presentation (repetitions), stylization of different genre formulas testify to the rare beauty of Kosenko’s vocal style, spiritual strength and maturity of the master of Ukrainian vocal culture. Entering the “Slavic song area”, the style of Ukrainian romance, however, is differenced from the Russian and common European style system of figurative and intonation thinking (the picture of the world).


2016 ◽  
Vol 23 (2) ◽  
pp. 179-213
Author(s):  
Karolina Krawczak

Subjectivity and intersubjectivity have long been recognized as central to the understanding of the relations between language, mind and society. They arise in an interactive world for the mind of the individual and shape his/her (inter)personal reality. In present-day linguistics, there are two major approaches to subjectivity. One is associated with Langacker and focuses on cognitive construal. The other framework, which was developed by Traugott, zooms in on diachronic changes on the conceptual level. Naturally, diachronic developments are intimately related to synchronic variation and the conceptual content of an utterance hinges on its presentation and perspectivization. This paper, therefore, argues that, rather than being discrepant and treating distinct phenomena, as is widely suggested (e.g. Brisard 2006; Nuyts 2001, 2012), the two frameworks can be reconciled. By so doing, the ensuing discussion yields an integrated view on objectivity and (inter)subjectivity, a view that will be organized around four main arguments.


1863 ◽  
Vol 8 (44) ◽  
pp. 535-545
Author(s):  
J. Crichton Browne

At the close of our last paper on personal identity we had just turned to the consideration of those apparent morbid divisions of the unity of consciousness which are sometimes, though happily rarely, brought under the notice of medical psychologists. Double consciousness, as we have already hinted, is essentially a result of diseased action, and comprehends a variety of conditions, distinguished from each other by differences in the mental symptoms, and by the relations to each other of the lucid and insane or of the two insane “oscillations.” In all of them, however, there is, for the time, a change, a perversion, or an exaltation, of the mental identity of the individual, of that principle which is, as it were, a centre round which the other faculties of mind revolve, and about which memories cluster. In the intensest forms of double consciousness, so called, mental identity is separated or multiplied into two distinct parts, so that two identities reside in the same individual, while in the milder manifestations of this condition there is a partial division of the same principle, a confusion of two natures in the same person. Where two alternating, though altogether unconnected, lives are lived by the same being, there is afforded, we think, a proof that mental identity is something more than consciousness, and so far independent in its affections. Indeed, it appears to us that the morbid states at present under examination would have been more aptly described as instances of double identity rather than of double consciousness. The phrase double consciousness is a contradiction in terms, for it is manifestly absurd to suppose that the mind can exist in two different states at the same moment. It is also a misleading expression, for this is not, of course, the meaning which it is intended to convey, nor is it at all descriptive of the conditions to which it is applied. These conditions are not necessarily characterised by any alteration of consciousness; that is to say, if consciousness is regarded as having reference simply to the present existing operation of the mind, for the man who inhabits alternately two distinct mental spheres may be perfectly conscious in both of them. In both of them his eyes, his ears, and all his organs of sense, may be normally active. In both of them, with equal accuracy, he may appreciate his surroundings, govern his movements, and express his ideas. In both of them he may be equally conscious, but he is not similarly conscious. The same world is inspected from different points of view in each. In the one it may be the real world, as it is to the perceptions of ordinary people; in the other, the world clad in the unsubstantial figments of a feverish fancy; or in both, a shadowy world, made up of metamorphosed realities. But whatever the metamorphoses may be, they arise, not from errors of perception, but of the personality—perceiving. A man who has passed into the abnormal phase of double consciousness sees all the familiar faces that surround him, but he does not recognise them; he hears loved and well-known voices, but they fall upon his ears as strange sounds; he beholds his household gods, but these do not, as they were wont, awaken emotion in his mind; in short, he regards everything in a new light and apart from former associations. The mind, shorn of its past, begins to learn the lessons of life anew, and perceives every object in relation to its new condition, the result of internal changes. The outward creation becomes subordinate to the inward idea, and is regarded only as it harmonises with the reigning delusion.


Author(s):  
Edward Slingerland

The xin is most commonly characterized in pre-Qin texts as a locus of thought and decision making, sometimes linked to cognition or moral emotions like worry or compassion, but primarily concerned with what we could very well call “reason.” Especially once we enter the Warring States, it is represented as at most only vaguely located in the body, with an extremely tenuous relationship to both the body itself and other bodily parts. It is reasonable to describe the xin as metaphysical, somehow free of the limitations of the physical world. Focusing on the term xin (heart, heart-mind, mind), this chapter uses qualitative textual analysis to make the case that early Chinese texts were written by people who embraced, at least implicitly, a “weak” form of mind-body dualism. This includes the idea that the mind is at least somewhat immaterial, qualitatively different from the other organs, and the seat of reason, free will, and the individual self.


2008 ◽  
Vol 32 (2) ◽  
pp. 305
Author(s):  
Mark Loane

?MUSCULAR CHRISTIANITY? was a system which relied upon sport to allow people to grow in a moral and spiritual way along with their physical development. It was thought that . . . in the playing field boys acquire virtues which no books can give them; not merely daring and endurance, but, better still temper, self restraint, fairness, honor, unenvious approbation of another?s success, and all that ?give and take? of life which stand a man in good stead when he goes forth into the world, and without which, indeed, his success is always maimed and partial [Kingsley cited from Haley, in Watson et al].1 This system of thought held that a man?s body is given him to be trained and brought into subjection and then used for the protection of the weak, the advancement of all righteous causes [Hughes, cited in Watson et al].1 The body . . . [is] . . . a vehicle by which through gesture the soul could speak [Blooomfield, cited in Watson et al].1 In the 1800s there was a strong alignment of Muscular Christianity and the game of Rugby: If the Muscular Christians and their disciples in the public schools, given sufficient wit, had been asked to invent a game that exhausted boys before they could fall victims to vice and idleness, which at the same time instilled the manly virtues of absorbing and inflicting pain in about equal proportions, which elevated the team above the individual, which bred courage, loyalty and discipline, which as yet had no taint of professionalism and which, as an added bonus, occupied 30 boys at a time instead of a mere twenty two, it is probably something like rugby that they would have devised. [Dobbs, cited in Watson et al]1 The idea of Muscular Christianity came from the Greek ideals of athleticism that comprise the development of an excellent mind contained within an excellent body. Plato stated that one must avoid exercising either the mind or body without the other to preserve an equal and healthy balance between the two.


2017 ◽  
Vol 66 (5) ◽  
pp. 603-615
Author(s):  
Maria Vita Romero

Descartes considera la medicina e la morale come due discipline accomunate dal conseguimento – ciascuna con mezzi e metodi propri – di un fine comune: la salute psicofisica sia come valore in sé, sia come indispensabile premessa per cogliere la felicità in questo mondo. Infatti, se l’uomo non è una “macchina animale”, ma un “composto umano” di anima e di corpo, allora bisogna riconoscere che la medicina e la morale mirano entrambe all’integrità di questo composé humain: l’una guardando al corpo unito alla mente, l’altra alla mente unita al corpo. Sulla scia degli studi condotti sulla machine animale, Descartes aveva tentato di elaborare una medicina anti-animista fondata sui princìpi della meccanica animale; ma, se è vero che tutto si spiega meccanicisticamente nell’organismo, è anche vero però che i princìpi meccanicistici non sono in grado di spiegare la totalità del composé humain, ossia dell’individuo composto di anima e corpo. Da qui la necessità di passare da una medicina basata sulla fisica pura ad una medicina basata sul composto sostanziale, e quindi dall’assoluto meccanicismo fisico al teleologismo psicofisico. Su queste premesse Descartes elabora un particolare concetto di natura su una duplice direttrice di pensiero: da un canto, egli si riallaccia a Ippocrate in merito alla natura intesa come medico delle malattie; dall’altro, apre la strada a certe suggestioni sulla medicina naturale, che invita l’uomo ad ascoltare la natura, quale fonte di rimedi ai suoi mali. ---------- Descartes considers medicine and ethics as two disciplines connected by the achievement – each with different means and methods – of a common goal: psychophysical health, both as a value in itself and as an essential condition to experience happiness in this world. Indeed, if man is not an “animal machine”, but a “human mixture” of soul and body, then it has to be recognised the medicine and ethics both target the integrity of this composé humain: one seeing the body linked to the mind, the other looking at the mind linker to the body. In line with the contribution on the machine animale, Descartes had attempted to develop an anti-animist medicine based on the principles of animal mechanics; however, if it is true that everything can be explained mechanistically in the body, it is also true that mechanistic principles cannot explain the entirety of the composé humain, i.e. the individual made of soul and body. Thus the necessity to move from a medicine purely based on physics to a medicine based on a substantial mixture; therefore, from the absolute physical mechanism to psychophysical teleology. On these conditions Descartes develops a specific concept of nature based on two ideas: on one hand, he looks at Hippocrates regarding the concept of nature seen as a healer of illness; on the other, opens the door to various intuitions of natural medicine that suggests that man should look at nature for remedies to his problems.


2018 ◽  
pp. 78-122
Author(s):  
Arthur S. Reber

Two strategies are used to review the many efforts to solve (or resolve or dissolve) the Hard Problem. One searches for the neurocorrelates of consciousness, the effort to answer the question: “How does the brain make the mind?” The other looks for the first appearance of true consciousness in phylogenesis. Both approaches are reviewed and found wanting. The reason is they all begin with human consciousness and use it as the basis for the explorations. This, it is argued, has lead to a “category error” where the H. sap. mind is treated as a distinct type and not as a token on the same existential continuum as other minds. It also reveals the existence of the “emergentist’s dilemma” or the difficulty of determining how consciousness could spring into existence when one cosmic moment before, it didn’t exist. The chapter ends by anticipating criticism of these arguments and of the CBC and providing prophylactic arguments.


SATS ◽  
2015 ◽  
Vol 16 (1) ◽  
Author(s):  
Ståle Gundersen

AbstractRussellian monism is any view that proposes that we cannot solve the mind-body problem because natural science cannot tell us about the aspects of physical reality that are necessary to know to explain consciousness. I argue that Russellian monism should be combined with the Heil-Martin theory about dispositions. However, this combination becomes a theory with some profound epistemic pessimistic consequences, namely that we cannot bridge the explanatory gap between physical and conscious states and that we cannot solve the other minds problem. However, this epistemic pessimism does not constitute an unacceptable kind of “mystery-mongering” because we can also find analogous results in the well-established sciences. This may make it easier to accept Russellian monism’s epistemic pessimism.


2016 ◽  
Vol 15 (2) ◽  
pp. 117-126
Author(s):  
Asep Solikin

Guidance and counseling is a proactive and systemic effort in facilitating individual to achieve his/her optimal development, the development of effective behavioral, the development of environmental development, and the enhancement of the functioning of the individual in his/her environment. Currently, it has occurred the change of the approach of paradigm in guiding and counseling, that is from the approach that oriented to the traditional, remedial, clinical, and centered on the counselor to the development and preventive oriented approach, namely Developmental Guidance and Counseling, or Comprehensive Guidance and Counseling. This study on paradigm of guidance and independent counseling used descriptive approach or describing a problem based on a literature review of existing literature or guiding books that related to the current study. In the implementation of this writing focused on the study of literature by using historical study, which is trying to explore the concepts and paradigm of guidance and independent counseling (which is trying to explore the concepts and paradigm of independent guidance and counseling), through studies and book sources that are relevant to the discussion of this study. The new paradigm of the re-concept of guidance and counseling can be done in a systematic and programmed to be more independent in a counselor. There are two inevitability that should be prioritized in the re-concept processes, namely; Tawhid education as a center of education and teaching that will give the philosophy of the other elements and moral education as the mission of the educational objectives.


Author(s):  
Javier Hirose López

Para los médicos tradicionales mayas de la región de los Chenes, en el estado de Campeche, winik, el término que designa a la persona, hombre o individuo (Barrera Vázquez 2001), está estrechamente ligado al simbolismo de los rituales de sanación y los principios de la cosmovisión maya. En contraste con la visión cartesiana del mundo, propia de la mente occidental, que separa el cuerpo de la mente y el espíritu, para los mayas la persona se manifiesta en su forma material, el cuerpo, kukut, como reflejo del cosmos, con cuatro rumbos y un centro, y se conforma por los elementos de la naturaleza: tierra, agua, fuego, viento y luz. Simultáneamente, los mismos componentes que conforman su materialidad se manifiestan como entidades sutiles a través de las cuales el individuo se interrelaciona con los diferentes niveles del cosmos. Dicha interacción se da en un espacio delimitado por cuatro lados, cuyo movimiento —en contrasentido al giro de las manecillas del reloj— lo liga con el tiempo.   ABSTRACT For the mayan traditional healers of the Chenes region in Campeche, winik, the term used to designate a “person”, “man” or “individual”(Barrera-Vázquez 2001), is closely linked to the healing rituals and the principles of mayan cosmology. The Cartesian world view, proper to the occidental mind, separates the body from the mind and the spirit. In contrast, for the mayan, the person has a material aspect, the body, kukut, which resembles the cosmos, with four orientations and a center, and is the manifestation of the elements present in nature: earth, water, fire, wind and light. Simultaneously, the same components that conform its materiality, are manifest as subtle entities that let the individual interact with the different levels of the cosmos. This interaction takes place in a dimension defined by a four sided space which moves in the universe in a counter-clockwise direction.


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