The iemoto System and the Avant-Gardes in the Japanese Artistic Field: Bourdieu's Field Theory in Comparative Perspective

2006 ◽  
Vol 54 (2) ◽  
pp. 283-302
Author(s):  
Masaaki Morishita

The conceptual framework of ‘field’ proposed by Pierre Bourdieu and his model of the literary and artistic fields in nineteenth-century France are widely applied to studies of the development of the literary and artistic fields in other regions and the fields of other cultural practices. These researches, while showing similarities to Bourdieu's model, reveal the distinct forms of nomos which those different fields developed through localised contingencies. In other words, their findings highlight the cultural specificity of the cases on which Bourdieu's field theory is based. The main purpose of this paper is to argue that the field theory can be beneficially applied to cross-cultural cases provided that its culturally specific elements are clearly identified. For this purpose, I focus on one particular aspect associated with the nomos of Bourdieu's model – the orientation toward autonomy – to argue for its cultural specificity, which becomes clearer when it is compared to a distinct case of the artistic field in early-twentieth-century Japan. My case study shows that the Japanese artistic field did not develop the same form of autonomy as Bourdieu's model, but it also discloses the processes in which a certain form of nomos was shaped through the struggles between the artistic field and other fields.

2021 ◽  
Vol 10 (2) ◽  
pp. 226-242
Author(s):  
Isabelle Richet

This paper discusses the symbiotic relationship that developed between English-language periodicals published in Italy and major reading rooms in Rome and Florence. This relationship took various configurations – from Luigi Piale in Rome, who opened a reading room and published the weekly The Roman Advertiser, to the Gabinetto Vieusseux in Florence that provided access to the many English-language periodicals published in Italy – and created important spaces of transnational cultural interaction. The paper looks at the cultural practices and the forms of sociability represented by the reading of periodicals and the patronizing of reading rooms as ‘imported traditions’ brought to Italy by the many British cultured travellers and residents in the nineteenth century. It identifies the actors who promoted these cultural practices (editors, librarians, cosmopolitan intellectuals) and analyses their role as mediating figures who created in-between spaces where cross-cultural exchanges unfolded. The paper also discusses the broader transnational cultural dynamic at work as those cultural practices imported from England favoured a greater engagement of British visitors and expatriates with the Italian political and cultural environment.


Author(s):  
Thomas A. Hose

Many of the stakeholders involved in modern geotourism provision lack awareness of how the concept essentially ermeged, developed and was defined in Europe. Such stakeholders are unaware of how many of the modern approaches to landscape promotion and interpretation actually have nineteeth century antecedents. Similarly, many of the apparently modern threats to, and issues around, the protection of wild and fragile landscapes and geoconservation of specific geosites also first emerged in the ninetheeth century; the solutions that were developed to address those threats and issues were first applied in the early twentieth century and were subsequently much refined by the opening of the twenty-first century. However, the European engagement with wild and fragile landscapes as places to be appreciated and explored began much earlier than the nineteenth century and can be traced back to Renaissance times. The purpose of this chapter is to provide a summary consideration of this rather neglected aspect of geotourism, initially by considering its modern recognition and definitions and then by examining the English Lake District (with further examples from Britain and Australia available at the website) as a particular case study along with examples.


Author(s):  
Brianna Theobald

This chapter lays the groundwork for the book’s use of the Crow Reservation in Montana as an extended case study. After providing an overview of Crow history to the late nineteenth century, the chapter sketches the parameters of a Crow birthing culture that prevailed in the decades surrounding the turn of the twentieth century. Crow women navigated pregnancy and childbirth within female generational networks; viewed childbirth as a sex-segregated social process; and placed their trust in the midwifery services of older women. The chapter further explores government employees’ attitudes toward and interventions in Indigenous pregnancy, childbirth, and especially family life in these years, as these ostensibly private domains emerged as touchstones in the federal government’s ongoing assimilation efforts.


Author(s):  
John Evelev

The discourse of the picturesque reshaped how Americans understood their landscape, but it largely ended in the mid-1870s. The decline of the picturesque can be illustrated in two emblematic works: Constance Fenimore Woolson’s 1872 short story “In Search of the Picturesque” and William Cullen Bryant’s enormous 1874 scenery book Picturesque America. Woolson’s fictional story is a satire of travel in which a young urban woman accompanies her grandfather to the countryside “in search of the picturesque” and instead only finds development. This story signals the shift in literary interest in rural subjects toward regionalism. Regionalism disavowed the earlier focus on picturesque landscapes, instead featuring distinctive regional dialects and cultural practices that reflected the newly created social sciences. Bryant’s Picturesque America was a Reconstruction-era project aimed at reconnecting the divided nation through a nonhierarchical unification under the sign of “picturesque.” Adding not only the West but also the South to the compendium of American scenery, Picturesque America imagined the entire nation as picturesque. In this formulation, the picturesque became synonymous with landscape in general. Although the picturesque lost its appeal as an authoritative discourse for shaping the American landscape in the latter third of the nineteenth century, this book demonstrates that the spaces that dominated American life in the twentieth century and beyond are owed almost entirely to the transformative project of the mid-nineteenth-century picturesque.


2020 ◽  
pp. 162-168
Author(s):  
Kevin Duong

This conclusion reviews the importance of studying redemptive violence in nineteenth century France in light of the political history of the twentieth century. It argues that, despite the increased intensity of violence in the twentieth century, a study of redemptive violence in the nineteenth century is still important for us today. That is because it emphasizes that all democratic revolutions are social revolutions. All democratic revolutions pose the problem of reconstructing democratic social bonds. Redemptive violence’s history underscores that fraternité was always as important as liberty and equality in the French tradition. Critics of fraternité today ignore the importance of democratic solidarity at their peril.


2008 ◽  
Vol 52 (4) ◽  
pp. 744-762 ◽  
Author(s):  
Anthony Pym

Abstract A network of small literary periodicals distributed the principles of Paris-based Aestheticism throughout the industrialized world at the end of the nineteenth century. These publications formed clear links across national borders, and those links were often manifested as translations that helped disseminate knowledge and form a sense of artistic belonging. However, the relations within the network could also be actively negative, as various receptive strategies used translations and commentaries to defend national rather than international aesthetics. In periods of political tension between France and Germany, such relations were further complicated by use of a wider intercultural space. From 1871, cross-cultural links in the network significantly drew on intermediaries from Belgium, Holland, Alsace and Switzerland, cultural spaces between the main centers of the French-German network. A more centralized desire for intercultural space was nevertheless manifested in 1895, when the Mercure de France and the Neue deutsche Rundschau jointly organized questionnaire surveys of the cultural relations between France and Germany. The strategic use of intercultural space in these circumstances can be shown by following the translations into French of Wagner and Nietzsche, which could have extended the network and increased cross-cultural understanding. By the end of the century, however, most of the potentially affirmative relations had unraveled and intermediaries began to take sides. The points of contact in the network, including the translators and translations, began to mark out differences rather than extensions, as Europe tilted toward the wars of the twentieth century.


1959 ◽  
Vol 4 (2) ◽  
pp. 261-284 ◽  
Author(s):  
J. E. S. Hayward

The survival of a concept is generally only secured at the price of an intellectual odyssey in the course of which it is transformed out of all recognition. The nineteenth century fortunes of the idea of solidarity exemplify this axiom only too strictly. It became the victim of a multiplicity of ingenious puns and metaphors as well as outright malicious distortions that rendered a simple, technical word, drawn from the sphere of jurisprudence, at once emotive and obscure, influential and diffuse. As the eminent and caustic critic of the twentieth century, Julien Benda, formulated this vital problem of the fate of concepts, “pour l'historien des idées des hommes, la réalité ce n'est point ce qu'ont été les idées dans l'esprit de ceux qui les ont inventées, mais ce qu'elles ont été dans l'esprit de ceux qui les ont trahies… car il est clair qu'une doctrine se propage d'autant plus largement qu'elle est apte à satisfaire un plus grand nombre de sentiments divers.” This pessimistic view has been all too frequently verified in human history.


Author(s):  
Ruth A. Miller

This chapter takes the Turkish Republican decision in 1928 to replace its official Arabic script with Latin script—the Alphabet Revolution—as a second case study in nonhuman biopolitical nostalgia. Comparing Turkey’s demolition of its alphabet to similar twentieth-century moments in other modernist states, and contextualizing this history within a reading of nineteenth-century proselytizing on so-called phonetic logic, the chapter explores the varied lives of both the “new” and the “old” alphabet. It concludes that a dead alphabet is, like embryonic matter, also a reproducing, thinking, and nostalgic assemblage. As such, it remains, as other data hoards have and do, very much alive and political, even when it is seemingly put to rest.


2015 ◽  
Vol 46 (3) ◽  
pp. 393-419 ◽  
Author(s):  
Stijn Ronsse ◽  
Glenn Rayp

Belgium was one of the first continental countries to undergo industrialization and develop an extensive transportation infrastructure during the nineteenth century, completing the integration of its internal market by the early twentieth century. As such, the country is an ideal case study of the driving forces behind the decisions that industries made about where to locate. An analysis of factors embedded in both the Heckscher-Ohlin model and the new economic geography indicates that the main determinant of Belgium’s industrial locational pattern between 1896 and 1961 was proximity to regions with a high market potential.


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