English-Language Periodicals and Reading Rooms in Nineteenth-Century Italy as Spaces of Intercultural Contact and Exchange

2021 ◽  
Vol 10 (2) ◽  
pp. 226-242
Author(s):  
Isabelle Richet

This paper discusses the symbiotic relationship that developed between English-language periodicals published in Italy and major reading rooms in Rome and Florence. This relationship took various configurations – from Luigi Piale in Rome, who opened a reading room and published the weekly The Roman Advertiser, to the Gabinetto Vieusseux in Florence that provided access to the many English-language periodicals published in Italy – and created important spaces of transnational cultural interaction. The paper looks at the cultural practices and the forms of sociability represented by the reading of periodicals and the patronizing of reading rooms as ‘imported traditions’ brought to Italy by the many British cultured travellers and residents in the nineteenth century. It identifies the actors who promoted these cultural practices (editors, librarians, cosmopolitan intellectuals) and analyses their role as mediating figures who created in-between spaces where cross-cultural exchanges unfolded. The paper also discusses the broader transnational cultural dynamic at work as those cultural practices imported from England favoured a greater engagement of British visitors and expatriates with the Italian political and cultural environment.

PMLA ◽  
2020 ◽  
Vol 135 (1) ◽  
pp. 159-164
Author(s):  
Élika Ortega

In this Essay, I Propose Taking Media-Cultural Hybridity as a Framework for Theorizing the Many Praxes of the Digital Humanities. Media-cultural hybridity, characterized by systemic media changes that have fostered cross-cultural exchanges, can usefully frame the varieties of DH and their concomitant global-cultural implications. Most DH practitioners will agree that media changes have already altered aspects of our reflections about, and everyday work in, the humanities; the field has examined the effects of these changes frequently and in depth in the last decade. But if, as I suggest in the following paragraphs, systemic media changes are accompanied by parallel systemic cultural changes, then DH could surpass the rhetoric of collaboration and make way not just for trans- or interdisciplinarity but also, crucially, for cross-cultural practices. In these pages I can only begin to sketch this framework, which itself is just one part of a larger investigation, but the questions I raise here will, I hope, be intriguing enough to spark further discussion. Now that DH has carved some niches, big and small, in academies around the world, highlighted the importance of local academic and cultural specificities, and established a praxis that negotiates the print and digital cultural records, is it possible to work toward topological understandings of the various emergences of the field? That is, can we develop understandings not just of the many local and disciplinary DH praxes but also of the encounters between them as indicators of the continuities and ruptures in the field? And, ultimately, can those understandings force us to rethink our epistemology so that it incorporates the cross-cultural exchanges at play?


2016 ◽  
Vol 7 (1) ◽  
pp. 10
Author(s):  
Thisaranie Herath

The inaccessibility of the Ottoman harems to European males helped perpetuate the image of the harem as purely sexual in nature and contributed to imperialistic discourse that positioned the East as inferior to the West. It was only with the emergence of female travellers and artists that Europe was afforded a brief glimpse into the source of their fantasies; however, whether these accounts catered to or challenged the normative imperialist discourse of the day remains controversial. Emerging scholarship also highlights the way in which harem women themselves were able to control the depiction of their private spaces to suit their own needs, serving to highlight how nineteenth century depictions of the harem were a series of cross-cultural exchanges and negotiations between male Orientalists, female European travellers, and shrewd Ottoman women. 


Author(s):  
Ulrike Matthies Green ◽  
Kirk E. Costion

This chapter introduces the Cross-Cultural Interaction Model (CCIM), which was designed to more clearly expose the processes that occur in the multicultural contexts of colonization, frontiers, and ancient borderlands. The model can visually represent simultaneous interactions by numerous participants and explores the various ways in which people interact and what motivates their participation in cultural exchanges. This chapter reviews the theoretical origins of the CCIM, describes how it works, and how it has changed since its inception. Second, the chapter briefly introduces each of the case studies in this volume which serve to showcase the versatility of the CCIM.


2006 ◽  
Vol 54 (2) ◽  
pp. 283-302
Author(s):  
Masaaki Morishita

The conceptual framework of ‘field’ proposed by Pierre Bourdieu and his model of the literary and artistic fields in nineteenth-century France are widely applied to studies of the development of the literary and artistic fields in other regions and the fields of other cultural practices. These researches, while showing similarities to Bourdieu's model, reveal the distinct forms of nomos which those different fields developed through localised contingencies. In other words, their findings highlight the cultural specificity of the cases on which Bourdieu's field theory is based. The main purpose of this paper is to argue that the field theory can be beneficially applied to cross-cultural cases provided that its culturally specific elements are clearly identified. For this purpose, I focus on one particular aspect associated with the nomos of Bourdieu's model – the orientation toward autonomy – to argue for its cultural specificity, which becomes clearer when it is compared to a distinct case of the artistic field in early-twentieth-century Japan. My case study shows that the Japanese artistic field did not develop the same form of autonomy as Bourdieu's model, but it also discloses the processes in which a certain form of nomos was shaped through the struggles between the artistic field and other fields.


Author(s):  
Vitaliy Fyodorov ◽  

The article envisages the content and cultural specifics of contemporary Eastern-Asiatic press in the English language to differentiate its place in socio-political life of China, Japan and Korea in the situation of cross-cultural interaction with Anglophone societies.


2014 ◽  
Vol 14 (1) ◽  
pp. 22-26 ◽  
Author(s):  
Linda Mulcahy

AbstractAccounts of the interface between law, gender and modernity have tended to stress the many ways in which women experienced the metropolis differently from men in the nineteenth century. Considerable attention has been paid to the notion of separate spheres and to the ways in which the public realm came to be closely associated with the masculine worlds of productive labour, politics, law and public service. Much art of the period draws our attention to the symbiotic relationship between representations of gender and prevailing notions of their place. Drawing on well known depictions of women onlookers in the trial in fine art, this essay by Linda Mulcahy explores the ways in which this genre contributed to the disciplining of women in the public sphere and encouraged them to go no further than the margins of the law court.


Archaeologists who study cross-cultural interaction face the challenge of carefully untangling the web of complex relationships between people, landscapes, and material cultures. Over time the debate on describing cultural interaction scenarios centered on changing definitions of colonialism and frontier and at times obscured the in-depth analysis of complex social processes that take place in these contexts. In an attempt to bridge this gap, this book introduces the Cross-Cultural Interaction Model (CCIM) as a tool to visually display and organize the inherent complexity of the social, economic, and political interactions that take place in multicultural borderlands or across long distances. Through the CCIM, scholars are able to explore a wide spectrum of cultural interactions, expose what motivates participation in cultural exchanges, or highlight what people reject in these interactions. Throughout the book the CCIM is adapted by various scholars to specific datasets from a wide variety of geographical and temporal contexts around the world. The adaption of the CCIM in these and other case studies demonstrates not only the versatility of the model in multicultural contexts but also highlights its usefulness as an analytical tool. The process of graphically modelling cross-cultural interactions compels scholars to think about them in a different light and can be applicable not just in archaeological, but also historical and contemporary scenarios.


2018 ◽  
Vol 51 (4) ◽  
pp. 541-558 ◽  
Author(s):  
SEBESTIAN KROUPA ◽  
STEPHANIE J. MAWSON ◽  
DORIT BRIXIUS

AbstractThis Introduction offers a conceptualization of the Indo-Pacific, its islands and their place within the history of science. We argue that Indo-Pacific islands present a remarkable combination of social, political and spatial circumstances, which speak to themes that are central to the history of science. Having driven movements of people and represented staging grounds for explorations, expansions and cross-cultural exchanges, these spaces have been at the forefront of historical change. The historiographies of the two oceans have traditionally emphasized indigenous agency while downplaying European historical trajectories, and therefore they provide historians of science with materials and methodologies that promise nuanced portrayals of knowledge production in cross-cultural settings. Rather than unifying the oceans into a cohesive narrative, we seek to uncover the many horizons of Indo-Pacific worlds and pluralize the spaces within which knowledge travelled at specific times, but not at others. Offering a middle plane between the globe and the region, islands are particularly productive sites for such analyses, as they bring to attention both localized kinds of agency and the impacts of colonialism and globalization. This special issue investigates what happens to knowledge within island spaces and demonstrates that even as small strips of land, islands can significantly enhance our understanding of the practices of knowledge making within the broader contours of world history. In bringing to the fore the contributions of actors from across the wider social spectrum and, especially, the interacting roles of indigenous agents and their traditions, Indo-Pacific worlds thus offer exciting new directions for a field which has often been dominated by a focus on European institutions.


Author(s):  
Pin-Hsiang Wu ◽  
Michael Marek

This study used MALL technology to mediate a collaborative learning environment focused on cross-cultural understanding. Research questions addressed the participants' perceptions about the role of the English language today, the use of technology to assist language learning, their attitudes about studying English via cross-cultural interaction, and their perceptions leading to instructional technology design best practices for English learning activities using LINE. Students from Japan and Taiwan wrote collaborative 700 word essays, collaborating via the LINE smartphone app. Data collection used a survey, open-ended questions at the conclusion of the study, and analysis of the actual essays. The instructional design was shown to be successful in fostering beneficial responses by the participants and a strong willingness to engage in future international communication. The affordances provided by LINE are analyzed, and best practices offered for using LINE as a platform for learning.


Author(s):  
Ralph Keyes

More than a few of the many new words coined by exuberant Americans were created as insults. Like their counterparts abroad these terms lost their sting over time and became mainstream terminology. Gerrymander is one. By combining the last syllable of “salamander” with the surname of Massachusetts governor Elbridge Gerry gerrymander was meant to make fun of the convoluted Congressional districts drawn in 1812 while Gerry was the governor of Massachusetts. Hoosier was used to ridicule backwoods immigrants new to the new state of Indiana, but in time became the official, non-pejorative way to refer to Indianans. Before it became a name for underwear bloomer was introduced to deride American feminists such as Amelia Bloomer who, during the mid-nineteenth century, wore a type of garb that featured loose trousers worn beneath a billowy skirt. Hurling such insults inadvertently added words to the English language.


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