THE GREAT WAR FROM THE CONFUCIAN POINT OF VIEW

Author(s):  
Thomas Grillot

This chapter looks at these interracial interactions from the point of view of Indians in an effort at writing a historical anthropology of Indian patriotism. At the core of Indians' military participation and commemoration of the Great War, the practice of giving, to non-Indians or to Indians, to outsiders or to insiders, to family members or to complete strangers, structured the expression of patriotism in Indian communities. Examining Memorial and Armistice Days, in particular, this chapter looks at the role these holidays played in allowing Indians to maintain boundaries with their white neighbors and develop a series of adaptations of patriotic symbols and ceremonies that acclimatized patriotism for reservation life on an unprecedented scale.


1932 ◽  
Vol 26 (2) ◽  
pp. 241-255 ◽  
Author(s):  
Henry S. Dennison

In the early days of factory management, when the problems and conditions were relatively simple, it fell to the lot of all sorts of human folk to manage the various jobs involved. Each used his own peculiar method and, naturally enough, it came into general belief that ability in management was an instinctive knack, that managers were born, not made, that few if any rules could be laid down, and that little could be learned by one from another. Even in the earliest days, a small handful of men called attention to the fact that management measures and forms of organization could be better or worse adapted to their uses; but for generations the suggestion passed unheeded.As the problems and conditions of factory management grew more complex and exacting, more men came to believe that the art of management was something more than an intuitive and highly personal knack. Before the Great War, a fair nucleus was beginning to study the art from the point of view of the forces involved, and with an eye to causes and effects. And the war experience of manufacturing strange materials, shifting conditions upside down, built up this nucleus into a very fair working minority.


2021 ◽  
pp. 361-368
Author(s):  
Michael Llewellyn-Smith

King George, who had stayed in Salonika as a symbol of Greek sovereignty, was assassinated there in early March 1913. He deserved the eloquent tribute Venizelos gave him in parliament. His son Constantine, who became king, was a more difficult customer. The main persisting difficulty facing the Greek government and military authorities was over Bulgaria, where Venizelos's policy was regarded by colleagues (Streit and Skouloudis) as too conciliatory. However, on the question of sovereignty Venizelos was firm, while continuing to persuade the new Bulgarian prime minister Danev to his point of view, which was that if no agreement was possible there should be recourse to arbitration or mediation by friendly countries. Meanwhile a blockage of the London negotiations was resolved by Grey, ambassador Elliot and Venizelos, and the London treaty was signed in May. The Bulgarian issue threatened war in early summer, prompting Greece to conclude a defensive treaty with Serbia in May/June, following a dispute between Venizelos and the King as to the extent of Greece's commitments under it (specifically, whether in the event of war between Austria and Serbia Greece would be obliged to help the latter). This issue was to return during the Great War.


2021 ◽  
pp. 60-87
Author(s):  
Ron J. Popenhagen

In ‘Marionettes Unmasked’, King Ubu is analysed as a masquerade and architectural construction. Jarry’s oversized body mask is distinguished from the art of the puppet and from Edward Gordon Craig’s Übermarionette. The masquerading actor in movement is situated and theorised, with consideration of Heinrich von Kleist’s commentary, and analyses from Schumacher, States and Taxidou. The chapter also includes thoughts on the performances of Isadora Duncan, Mary Wigman and Sadda Yakko. Head and body masks created by Marcel Janco and Rudolf Laban and presented at the Cabaret Voltaire in Zürich or at the Monte Verità in Ascona, Switzerland contribute to the discussion on disguise and camouflage in the era of Dada and Cubism. Masquerading and ‘Pirouettes on Eastern Fronts’ extend modernist responses to the Great War to Germany, Romania and Russia while citing the work of sculptors and other visual artists like Ernst Barlach, Constantin Brancuşi, Emmy Hennings and Käthe Kollwitz. Commedia dell’arte treatments in ‘Pierrot and Harlequin Disguised’ feature Picasso images and others created by Heinrick Campendonk, André Derain, Juan Gris and August Macke. Arnold Schönberg’s texts, images and music further complicate the role of Pierrot from Viennese point of view.


Author(s):  
Jaime Francisco Jiménez Fernández

The telling of the Great War (1914-1918), mainly through the point of view of combatants, is one of the best scenarios exemplifying how women have been obviated and censored throughout history. Moreover, the engagement of pacifist women in the conflict has been doubly belittled due to a misinterpretation of the term ‘pacifism’. Consequently, this paper aims at re-examining the origins and values of pacifism from a western perspective and giving visibility to pacifists Jane Addams, Mabel St Clair Stobart and Rose Macaulay and their efforts during the event.


2022 ◽  
Vol 124 ◽  
pp. 35-70
Author(s):  
Aleksandra Julia Leinwand

In 1919–20, a war took place between two states that had emerged at the end of the Great War: Soviet Russia and the reborn Republic of Poland. It was a clash of widely different legal, political, and ideological systems. The conflict took place not only on the military and diplomatic planes but also within propaganda. Upon taking power in Russia, the Bolsheviks, in their official speeches, presented themselves to the world as the defenders of peace and the sovereignty of all nations; the imperial aspirations of Soviet Russia were hidden under the slogans of a world revolution that would liberate oppressed peoples. The military and ideological conquest began with a concentrated focus on neighbouring countries, including Poland. At the same time, a suggestive propaganda message was sent to the West, setting out the course of events from Moscow’s point of view.


2020 ◽  
Vol 1 (22) ◽  
pp. 71-86
Author(s):  
Levente Szilágyi

In my study, I focus on the events that took place in the short period after the Great War ended (1918) and before the consolidation of Romanian power in the Hungarian-Romanian Border Commission (1922) from the point of view of the artificially created ethnic category: the Satu Mare Swabians or Sathmar Swabians. The historiography related to the “ethnographic” aspects of these events have appeared multiple times and in several contexts and forms in the years since. However, the question of ethnicity has not arisen in relation to the population of German descent, but rather in relation to the Hungarian-speaking Greek Catholic communities of Romanian and Rusyn/Ruthenian origin who were treated by the Romanian side as Magyarized Romanians. Following this example, the Romanians later began to collect data on the Magyarized Germans, which they then presented to the Border Commission. Germans living in the territory witnessed a strong competition between identity politics and discourse supported by rival Hungarian and Romanian states. One of the key features of this rivalry was the intensive propaganda activity promoted by both the Romanian and the Hungarian authorities to gain territories to the detriment of the other.


2020 ◽  
Author(s):  
Jay Winter ◽  
Antoine Prost
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