City as Performance

2014 ◽  
Vol 58 (3) ◽  
pp. 18-26 ◽  
Author(s):  
Imanuel Schipper
Keyword(s):  
Urban Space ◽  
Public Spaces ◽  
Urban Environments ◽  
Right To The City ◽  
The Public ◽  
Living Together ◽  
Artistic Interventions ◽  
The Public Sphere ◽  
The Right ◽  
The City

While artistic interventions in urban space multiply continuously, there seems to be a lack of knowledge about what is really happening in and with public spaces in such processes. David Harvey’s proposition that “the right to the city” means the “right to change ourselves” begs the question: Who is producing the city, and in turn, what new ways of living together are they producing? Artistic productions in urban environments produce new modes of engaging with public spaces and initiate a process in which a city’s inhabitants and users make and remake the public sphere.

scholarly journals The Right to the City and the public sphere: between political participation and the renewal of the legal urbanistic order

2021 ◽  
Vol 23 (51) ◽  
pp. 629-650
Author(s):  
Arthur Hirata Prist ◽  
Maria Paula Dallari Bucci
Keyword(s):  
Political Participation ◽  
Public Sphere ◽  
Sao Paulo ◽  
Right To The City ◽  
São Paulo ◽  
The Public ◽  
The Public Sphere ◽  
The Right ◽  
The City

Resumo Este artigo propõe uma análise dos aspectos políticos e jurídicos do Direito à Cidade sob a perspectiva do conceito de esfera pública. O Direito à Cidade é interpretado como um elo dinâmico entre a mobilização política, a democratização das relações sociais e do aparato institucional do Estado e a garantia de melhores condições materiais de existência no espaço urbano. A partir da revisão bibliográfica sobre o tema das lutas sociais urbanas no Brasil e na cidade de São Paulo, pretende-se demonstrar que o Direito à Cidade é exercido pela população a partir dos embates na esfera pública responsáveis por impulsionar a renovação da ordem jurídica e atribuir novos sentidos ao Direito existente.

Public Spaces, Private Spaces, and the Right to the City

2014 ◽  
Vol 3 (1) ◽  
pp. 51-65 ◽  
Author(s):  
Stefano Moroni ◽  
Francesco Chiodelli
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Theory And Practice ◽  
Right To The City ◽  
Political Debate ◽  
Public And Private ◽  
Private Spaces ◽  
The Public Sphere ◽  
The Right ◽  
The City

Two arguments have recently strongly influenced the theory and practice of planning: (i) public space is what basically characterises any city (the citizen's right to the city is first and foremost a claim on public space); (ii) public space is crucial because it provides the physical fulcrum for public interaction and political debate. This article takes a critical look at these two ideas, highlighting: (i) that private spaces have also crucially contributed (and continue to do so) to defining and determining what a city is – the city cannot be conceived without considering both public and private spaces and the crucial synergy between these two spheres; (ii) that the public sphere does not come into being solely in public spaces (as testified by the Internet); furthermore, public spaces perform other roles and functions (besides making debate and confrontation possible), and these various roles may at times clash with each other. All these aspects suggest a more balanced approach to the understanding of urban spaces and their importance.

scholarly journals The Artists Village: Openly Intervening in the Public Spaces of the City of Singapore

2019 ◽  
Vol 2 (1) ◽  
pp. 640-652
Author(s):  
Adrian Tan
Keyword(s):  
Public Spaces ◽  
Shopping Malls ◽  
Social Situations ◽  
The Public ◽  
Socially Engaged Art ◽  
National Monuments ◽  
Artistic Interventions ◽  
The Public Sphere ◽  
The Masses ◽  
The City

AbstractThis paper focuses on how the social, dialogical and collaborative strategies and practices of The Artists Village openly intervened in the public spaces of Singapore at various times in the city-state’s history from 1989 to 2015. The objective of this paper is to draw out how the artists collective used social situations to openly produce relational, participatory and socially engaged art in public spaces with specific functions, history and importance. These various forms of artistic interventions took place on a farm, in shopping malls, on public transport networks and at national monuments during different moments in Singapore’s rapid urban transformation. From these examples, one is able to understand why The Artists Village openly intervened in the public spaces of Singapore and how these interventions functioned in their limited scope. Through this study we are able to assess how the varying levels of collaboration, openness and criticality present in their public art projects enabled them to grow outside the centralised system of the nation-state in inserting their practice into the public sphere and engaging the masses.

scholarly journals Simulation, Control and Desire. Urban Commons and Semi-Public Space Resilience in the Age of Augmented Transductive Territorial Production

2019 ◽  
pp. 179-198 ◽  
Author(s):  
Manfredo Manfredini
Keyword(s):  
Public Space ◽  
Empirical Studies ◽  
Public Spaces ◽  
Theoretical Framework ◽  
External Control ◽  
The Public ◽  
Spatial Production ◽  
The Public Sphere ◽  
The Right ◽  
Urban Commons

Considering place-based participation a crucial factor for the development of sustainable and resilient cities in the post-digital turn age, this paper addresses the socio-spatial implications of the recent transformation of relationality networks. To understand the drivers of spatial claims emerged in conditions of digitally augmented spectacle and simulation, it focuses on changes occurring in key nodes of central urban public and semi-public spaces of rapidly developing cities. Firstly, it proposes a theoretical framework for the analysis of problems related to socio-spatial fragmentation, polarisation and segregation of urban commons subject to external control. Secondly, it discusses opportunities and criticalities emerging from a representational paradox depending on the ambivalence in the play of desire found in digitally augmented semi-public spaces. The discussion is structured to shed light on specific socio-spatial relational practices that counteract the dissipation of the “common worlds” caused by sustained processes of urban gentrification and homogenisation. The theoretical framework is developed from a comparative critical urbanism approach inspired by the right to the city and the right to difference, and elaborates on the discourse on sustainable development that informs the United Nations’ New Urban Agenda. The analysis focuses on how digitally augmented geographies reintroduce practices of participation and commoning that reassemble fragmented relational infrastructures and recombine translocal social, cultural and material elements. Empirical studies on the production of advanced simulative and transductive spatialities in places of enhanced consumption found in Auckland, New Zealand, ground the discussion. These provide evidence of the extent to which the agency of the augmented territorialisation forces reconstitutes inclusive and participatory systems of relationality. The concluding notes, speculating on the emancipatory potential found in these social laboratories, are a call for a radical redefinition of the approach to the problem of the urban commons. Such a change would improve the capacity of urbanism disciplines to adequately engage with the digital turn and efficaciously contribute to a maximally different spatial production that enhances and strengthens democracy and pluralism in the public sphere.

scholarly journals Lebanon Cities’ Public Spaces

2018 ◽  
Vol 3 (1) ◽  
pp. 119-152 ◽  
Author(s):  
Maryam Nazzal ◽  
Samer Chinder
Keyword(s):  
Green Space ◽  
Public Spaces ◽  
World Health ◽  
Right To The City ◽  
Social Connections ◽  
Land Prices ◽  
The Social ◽  
Health Organization ◽  
The Right ◽  
The City

In Lebanon, the social connections are undeniable and crucial. However, meeting places remain private such as houses, restaurants, malls, and beach resorts. This is mainly due to the shortage of public spaces in Lebanon resulting from lack of planning, regulations and awareness around the right to the city and the importance of public spaces. In main cities where land prices are so expensive, common practice has prioritized the use of land in real estate development, thus trumping other uses such as public and communal spaces.In the late 1990s, Lebanon saw the emergence of malls, which have arguably acted as alternatives to public spaces. Malls, with their wealth of food courts, restaurants, cinemas, and play areas, have become the new downtown for a portion of the Lebanese population. They are also considered safe, which is another important factor.In 2015, the percentage of green spaces in Lebanon has decreased to less than 13%. While the World Health Organization (WHO) recommends a minimum of 9m2 of green space per capita (UN-HABITAT, 2016), Beirut has only 0.8m2.

scholarly journals Formation of Subcultural Entity under the Influence of Public Sphere

2020 ◽  
Author(s):  
Yuliya Kuzovenkova ◽  
Keyword(s):  
Public Sphere ◽  
Urban Space ◽  
Symbolic Capital ◽  
The Public ◽  
Youth Subcultures ◽  
Long Time ◽  
New Space ◽  
The Public Sphere ◽  
Short Time ◽  
The City

The last two decades have been a time of serious transformation of youth subcultures. Researchers speak about the formation of the postmodernism paradigm of subculture and the virtualisation of sociocultural phenomena. The subcultural subject and the power that formed it continue to exist in the new realities, but are undergoing a transformation. Changes having occured to the public sphere were especially significant for a subcultural entity since it is the public sphere where a subcultural entity can present itself to authorities, thereby maintaining its social subsistence. Our research was aimed at studying how the transformation of the public sphere has affected the entity’s subculture. For the study, the authors employed the method of a qualitative half-structurated interview and draw on the disciplinary authority concept suggested by M. Foucault. The analysis was based on materials of interviewing some representatives of the graffiti subculture in the city of Samara (twenty-two people) from 2016 to 2018. The author has established that the subcultural subject is processual and dependent on the practices in use; a change in practices leads to a change in the subject. Changes of practices in the graffiti subculture were a result of the virtualisation of culture. The author has identified the changes that have taken place in the subcultural subject under the influence of the transformation of the public sphere (the ‘short time’ of instantaneous fame prevails over the ‘long time’ of the symbolic capital of the nickname, new space-time coordinates within which the entity exists, the ‘digital body’ of the subcultural entity becomes ever more informative rather than that which was created via sketches placed in urban space). Unlike the public sphere, the private sphere under the influence of a subculture ideology remains unchanged.

Analysis on Building Readable Image of Urban Public Spaces

2013 ◽  
Vol 409-410 ◽  
pp. 883-886
Author(s):  
Bo Xuan Zhao ◽  
Cong Ling Meng
Keyword(s):  
New York ◽  
Public Space ◽  
Urban Space ◽  
Public Spaces ◽  
Urban Life ◽  
Space Images ◽  
Urban Public Space ◽  
Good Image ◽  
The Public ◽  
The City

City, is consisting of a series continuous or intermittent public space images, and every image for each of our people living in the city is varied: may be as awesome as forbidden city Meridian Gate, like Piazza San Marco as a cordial and pleasant space and might also be like Manhattan district of New York, which makes people excited and enthusiastic. To see why, people have different feelings because the public urban space ultimately belongs to democratic public space, people live and have emotions in it. In such domain, people can not only be liberated, free to enjoy the pleasures of urban public space, but also enjoy urban life which is brought by the city's charm through highlighting the vitality of the city with humanism atmosphere. To a conclusion, no matter how ordinary the city is, a good image of urban space can also bring people pleasure.

Spatial Agency, Territory, and the Right to the City

2021 ◽  
pp. 257-286
Author(s):  
Quill R Kukla
Keyword(s):  
Public Spaces ◽  
Urban Life ◽  
Urban Spaces ◽  
Right To The City ◽  
Henri Lefebvre ◽  
Complex Relationships ◽  
The Right ◽  
The City

This chapter argues that inclusion in a city or neighborhood requires more than the right to physically reside in it; it requires what Henri LeFebvre, Don Mitchell, and others have called the “right to the city.” The right to the city is not just a formal right to be inside a city without being thrown out; it should be conceived, according to this chapter, as a right to inhabit the city. This requires that we have voice and authority within a city; that we be able to participate in tinkering with it and remaking it; and that we belong in it rather than just perching in it. The chapter explores the complex relationships between public spaces, inclusive spaces, and the right to the city. It examines what sorts of spaces city dwellers need in order to have a flourishing urban life and exercise their spatial agency. It explores some of the barriers that different kinds of bodies face to being included in urban spaces and speculates about what it would take to build a more just and inclusive city.

Signs and Meanings in the Representations of their Home City by the School Pupils of Daugavpils

2012 ◽  
pp. 17
Author(s):  
Mairita Folkmane ◽  
Ilva Skulte
Keyword(s):  
Ethnic Groups ◽  
Public Spaces ◽  
Semiotic Analysis ◽  
Cultural Traditions ◽  
The Public ◽  
Living Together ◽  
Ethnic Schools ◽  
The City ◽  
The Way

Daugavpils historically was the place where different ethnic groups are living together, interacting on the public spaces. The mixture of cultures is represented in the city landscape - home to every inhabitant, still having differents accents, figures and symbolical meanings. The following paper is based on the semiotic analysis of the pictures made by the pupils of different (ethnic) schools of Daugavpils, in order to understand what and how cildren "see" their city - what are the signs they use to construct the message about their city together and what do they mean - how different is a pictorial message. To do the analysis collection of the children drawings was made for an exhibition in the hall of the city munipality of Daugavpils - a material for our research. The findings show that besides of expected reference to different cultural traditions and some aestetical preferences, no difference exists between the way children represent their city. Diversity of cultural footprints in the landscape of the city and the pride for their city is present in the works of children coming from different ethnic, linguistic and cultural environments.

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