Elijah and the ‘Voice’ at Horeb (1 Kings 19): Narrative Sequence in the Masoretic Text and Josephus

2012 ◽  
Vol 62 (1) ◽  
pp. 88-94
Author(s):  
Max Rogland
Keyword(s):  
Hebrew Text ◽  
Masoretic Text ◽  
The Common ◽  
1 Kings ◽  
The Voice

Abstract This study examines the peculiar narrative sequence in the Masoretic Text of 1 Kgs 19.11-13, in which Elijah appears to delay obeying the “still small voice”. It examines Josephus’ version of the account, which presents a different narrative sequence, arguing that it represents a reading of the Hebrew text that is grammatically and exegetically superior to the common interpretation.

Interpersonal Communication

1988 ◽  
Vol 5 (2) ◽  
pp. 239-246
Author(s):  
Mohammad A. Siddiqui
Keyword(s):  
Interpersonal Communication ◽  
Mass Communication ◽  
Social Process ◽  
Political Scientist ◽  
Human Beings ◽  
Common Object ◽  
The Face ◽  
The Common ◽  
The Voice ◽  
Basic Social Process

IntroductionCommunication today is increasingly seen as a process through whichthe exchange and sharing of meaning is made possible. Commtinication asa subject of scientific inquiry is not unique to the field of mass communication.Mathematicians, engineers, sociologists, psychologists, political scientists,anthropologists, and speech communicators have been taking an interest inthe study of communication. This is not surprising because communicationis the basic social process of human beings. Although communication hasgrown into a well developed field of study, Muslim scholars have rdrely hcusedon the study of communication. Thus, a brief introduction to the widely usedcommunication concepts and a framework for the study of communicationwithin the context of this paper is provided.In 1909, Charles Cooley defined communication from a sociologicalperspective as:The mechanism through which human relations exist and develop -all the symbols of mind, together with the means of conveyingthem through space and preserving them in time. It includes theexpression of the face, attitude and gesture, the tones of the voice,words, writing, printing, railways, telegraph, and whatever elsemay be the latest achievement in the conquest of space and time.In 1949, two engineers, Claude Shannon and Warren Weaver, definedcommunication in a broader sense to include all procedures:By which one mind may affect another. This, of course, involvesnot only written and oral speeches, but also music, the pictorialarts, the theater, the ballet, and, in kct, all human behavior.Harold Lasswell, a political scientist, defines communication simply as:A convenient way to describe the act of communication is to answerthe following question: Who, says what, in which channel, towhom, with what effect?S.S. Stevens, a behavioral psychologist, defines the act of communication as:Communication occurs when some environmental disturbance (thestimulus) impinges on an organism and the organism doessomething about it (makes a discriminatory response) . . . Themessage that gets no response is not a commnication.Social psychologist Theodore Newcomb assumes that:In any communication situation, at least two persons will becommunicating about a common object or topic. A major functionof communication is to enable them to maintain simultaneousorientation toward one another and toward the common object ofcommunication.Wilbur Schramm, a pioneer in American mass communication research,provides this definition:When we communicate we are trying to share information, anidea, or an attitude. Communication always requires threeelements-the source, the message, and the destination (thereceiver).

Bathsheba in Contemporary Romance Novels

2020 ◽  
pp. 405-423
Author(s):  
Sara M. Koenig
Keyword(s):  
Hebrew Text ◽  
Reception History ◽  
First Century ◽  
Kings 1 ◽  
Romance Novels ◽  
Biblical Scholarship ◽  
Twenty First Century ◽  
Biblical Texts ◽  
1 Kings ◽  
2 Samuel

The biblical texts about Bathsheba have notorious gaps, even by the laconic standards of Hebrew narrative. Post-biblical receptions of the story flesh out the terse chapters of 2 Samuel 11–12 and 1 Kings 1–2, ascribing feelings and motives to Bathsheba and David that are not contained in the Hebrew text. This essay examines the intersection of reception history and feminist biblical scholarship by considering eleven novels about Bathsheba from the twentieth and twenty-first century. These novels expand Bathsheba’s character beyond the text, but in fairly gender stereotypical ways, such that feminist readers of the novels may be left wanting more.

scholarly journals Speaking for the People in Early Modern England*

2019 ◽  
Vol 244 (1) ◽  
pp. 51-88 ◽  
Author(s):  
David Coast
Keyword(s):  
Early Modern ◽  
Political Thought ◽  
Early Modern England ◽  
English Civil War ◽  
Common People ◽  
Wide Audience ◽  
The People ◽  
The Reformation ◽  
The Common ◽  
The Voice

Abstract The voice of the people is assumed to have carried little authority in early modern England. Elites often caricatured the common people as an ignorant multitude and demanded their obedience, deference and silence. Hostility to the popular voice was an important element of contemporary political thought. However, evidence for a very different set of views can be found in numerous polemical tracts written between the Reformation and the English Civil War. These tracts claimed to speak for the people, and sought to represent their alleged grievances to the monarch or parliament. They subverted the rules of petitioning by speaking for ‘the people’ as a whole and appealing to a wide audience, making demands for the redress of grievances that left little room for the royal prerogative. In doing so, they contradicted stereotypes about the multitude, arguing that the people were rational, patriotic and potentially better informed about the threats to the kingdom than the monarch themselves. ‘Public opinion’ was used to confer legitimacy on political and religious demands long before the mass subscription petitioning campaigns of the 1640s.

scholarly journals The Tyrian King in MT and LXX Ezekiel 28:12b–15

Religions ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 91
Author(s):  
Lydia Lee
Keyword(s):  
Late Antiquity ◽  
Historical Development ◽  
Hebrew Text ◽  
Second Temple ◽  
Critical Approach ◽  
Second Temple Period ◽  
Biblical Literature ◽  
Israelite Religion ◽  
Masoretic Text ◽  
Fluid Boundary

The biblical prophecy in Ezekiel 28:11–19 records a dirge against the king from Tyre. While the Hebrew Masoretic Text (MT) identifies the monarch as a cherub, the Greek Septuagint (LXX) distinguishes the royal from the cherub. Scholarly debates arise as to which edition represents the more original version of the prophecy. This article aims to contribute to the debates by adopting a text-critical approach to the two variant literary editions of the dirge, comparing and analyzing their differences, while incorporating insights gleaned from the extra-biblical literature originating from the ancient Near East, Second Temple Period, and Late Antiquity. The study reaches the conclusion that the current MT, with its presentation of a fluid boundary between the mortal and divine, likely builds on a more ancient interpretation of the Tyrian king. On the other hand, while the Hebrew Vorlage of LXX Ezekiel 28:12b–15 resembles the Hebrew text of the MT, the Greek translator modifies the text via literary allusions and syntactical rearrangement, so that the final result represents a later reception that suppresses any hints at the divinity of the Tyrian ruler. The result will contribute to our understanding of the historical development of the ancient Israelite religion.

The Books of Samuel

2021 ◽  
pp. 215-224
Author(s):  
Anneli Aejmelaeus
Keyword(s):  
Hebrew Text ◽  
Greek Text ◽  
Masoretic Text ◽  
Textual History ◽  
History Of ◽  
Books Of Samuel ◽  
Textual Research

The textual history of the books of Samuel, both in Greek and in Hebrew, is laden with problems that the researcher needs to be acquainted with, whatever the focus of textual research. The Septuagint translation shows a close word-for-word correspondence to its Hebrew Vorlage, however, not without occasional freedom of translation, especially in lexical choices and grammatical forms, as well as erroneous translation due to defective knowledge of Hebrew. The Hebrew Vorlage used by the translator differed at times substantially from the later Masoretic Text, used for comparison during the early textual history of the Septuagint text as well as in research today. Not only is the Masoretic Text corrupted but it underwent editorial changes until the turn of the era. Textual differences caused by both the translator and the editors of the Hebrew text must have occasioned the repeated revisions of the Greek text by Jewish and Christian scribes.

Voices of Spectators and Audience Power

Pólemos ◽  
2015 ◽  
Vol 9 (2) ◽  
Author(s):  
Christian Biet
Keyword(s):  
Social Relationship ◽  
The Other ◽  
Long Period ◽  
The Social ◽  
The Common ◽  
Dramatic Action ◽  
The Law ◽  
The Voice ◽  
The Way

AbstractTheatre and law are not so different. Generally, researchers work on the art of theatre, the rhetoric of the actors, or the dramaturgy built from law cases or from the questions that the law does not completely resolve. Trials, tragedies, even comedies are close: everybody can see the interpenetration of them on stage and in the courts. We know that, and we know that the dramas are made with/from/of law, we know that the art the actors are developing is not so far from the art of the lawyers, and conversely. In this paper, I would like to have a look at the action of the audience, at the session itself and at the way the spectators are here to evaluate and judge not only the dramatic action, not only the art of the actors, not only the text of the author, but also the other spectators, and themselves too. In particular, I will focus on the “common judgment” of the audience and on its judicial, aesthetic and social relationship. The spectators have been undisciplined, noisy, unruled, during such a long period that theatre still retains some prints of this behaviour, even if nowadays, the social and aesthetic rule is to be silent. But uncertainty, inattention, distraction, contradiction, heterogeneity are the notions which characterise the session, and the judgments of the spectators still depend on them. So, what was and what is the voice of the audience? And with what sort of voice do spectators give their judgments?

The Double Text of Jeremiah Revisited

2021 ◽  
pp. 113-128
Author(s):  
Alexander Rofé
Keyword(s):  
Hebrew Text ◽  
Church Fathers ◽  
Greek Translation ◽  
Masoretic Text ◽  
Book Of Jeremiah ◽  
The Church

From the time of the Church Fathers, it has been recognized that the Greek translation (LXX) of the book of Jeremiah is shorter than the received Hebrew text (MT). Modern assessments of this textual situation have viewed the LXX as between one-eighth and one-sixth shorter than the corresponding Masoretic text of the book of Jeremiah. Since manuscripts have been found at Qumran that seem to confirm the antiquity of the shorter LXX recension, many explanations for this editorial discrepancy have focused on the phenomenon of editorial expansion within the Masoretic tradition. This chapter presents a range of counter-evidence demonstrating that the LXX has been subjected to a sustained process of editorial concision.

On the Vorlage, Tendenz, and Scribal Negligence of AT Esth 1:10–15

2021 ◽  
pp. 1-31
Author(s):  
Lydia Lee
Keyword(s):  
Hebrew Text ◽  
Masoretic Text ◽  
Sitz Im Leben

Abstract In this article, a section of the Alpha-Text Esther story (1:10–15) is brought to the foreground to reveal the hitherto unrecognized hints that point to the Hebrew Vorlage, the literary Tendenz, and the scribal negligence unparalleled in either the Septuagint or the Masoretic text. All these literary phenomena suggest that the Alpha-Text and the Masoretic text versions reflect two variant archetypes of a Hebrew text, but this does not mean that both archetypes cannot overlap at places. When the archetypes do overlap, some of the unique readings in the Alpha-Text actually reflect later exegeses or misunderstandings that are dependent on the readings preserved in both the Masoretic text and the Septuagint. The later exegeses in particular help locate the Sitz im Leben of Alpha-Text Esth 1:10–15 in the Hasmonean period and thereafter when the Jewish-gentile relationship is strained.

Insiders, Outsiders, and Class Anxiety

2019 ◽  
pp. 150-170
Author(s):  
Adrienne Akins Warfield
Keyword(s):  
Regional Identity ◽  
Lower Class ◽  
Racial Consciousness ◽  
Southern Identity ◽  
The Common ◽  
Class Status ◽  
Class Anxiety ◽  
The Relationship ◽  
The Voice

This chapter compares Welty’s “Where Is the Voice Coming From?” with Bob Dylan’s “Only a Pawn in Their Game,” exploring the relationship between class, racist violence, and regional identity through examining the common assumptions both artists shared about Medgar Evers’ murderer and his motivations. The essay argues that class anxiety manifests itself both in acts of racist violence like Beckwith’s and in artistic conceptualizations of such violence as the exclusive domain of the white Southern underclass. The chapter also analyzes the ways in which the revisions that Welty made to the story after Beckwith’s arrest were connected to the class status, Southern identity, and racial consciousness of the killer. The resemblances between Dylan’s and Welty’s responses to the Evers murder show that the tendency to associate racist violence with the economic resentments of lower-class whites is evidenced among both Northern “outsiders” and Southern “insiders.”

A Forgotten Reference to Divine Procreation? Psalm 2:6 in Light of Egyptian Royal Ideology

2010 ◽  
Vol 60 (3) ◽  
pp. 323-336 ◽  
Author(s):  
Gard Granerød
Keyword(s):  
Hebrew Text ◽  
Legal Term ◽  
The Common ◽  
Royal Ideology ◽  
The One ◽  
Psalm 2

AbstractThe author discusses whether or not MT Ps 2:6 (in particular the verb ) reflects Egyptian royal ideology as the one evident in “Ptah’s Decree to Ramesses”. He tentatively concludes that the verse historically reflects a concept where the god procreates the human king. Semantically, the verb might originally have denoted the emission of semen, either after the model of or at least in a way comparable to “Ptah’s Decree to Ramesses” (c. 13th-11th centuries BCE). The common translation by means of a legal term “to install” etc. reflects the LXX. LXX Ps 2:6 might represent a theological correction of what the translators considered to be a case of an intolerable anthropomorphism in the Hebrew text.

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