The Ghetto Intern: Culture and Memory

2014 ◽  
Vol 45 (1) ◽  
pp. 61-71
Author(s):  
Heather Macdonald ◽  
David M. Goodman ◽  
Katie Howe

Abstract Many philosophers have argued that psychological time is a fundamental, inherent quality of consciousness that provides continuity and sequence to mental events—enabling memory. And, since memory is consciousness, psychological time enables the individual intentionality of consciousness. Levinas (1961), on the other hand, argues that an individual’s past, in the most original sense, is the past of other. The irreducible alterity of one’s past sets the stage for the other who co-determines the meaning of the past. This paper is about the exploration cultural memory within the context of a Caucasian doctoral student entering into an African-American community during an internship, who finds that cultural memories are remarkably more complicated than the propositional description of historic events. The paper further explores how cultural memory is not a record of “what happened” but a sociolinguistic creative meaning making process. Histories can be contested. Memory, on the other hand, never adheres to the strict true or false dichotomy. Memory is like searching for the Divine, it cannot be found, only revealed in mysterious and small details. Memory, is the intruding of the infinite, creating as an effect the idea of a finite (August, 2011), they are not “representations” of the past nor are they a kind of mnemonic system of subjectivism to mediate all of consciousness.

Author(s):  
Anastasius S. Moumtzoglou

The era of the science of individuality promises to fully recognize the uniqueness of the individual who needs to be seen and treated with utter respect for his or her individuality. It will not be long until digitizing a person unlocks the cause for what is wrong, creating valuable knowledge that can save a life or markedly improve the quality of life. On the other hand, emerging m-health technologies provide fundamentally different ways of looking at tailored communication technology. As a result, tailored communications research is poised at a crossroads. It needs to both build on and break away from existing frameworks into new territory, realizing the necessary commitment to theory-driven research at basic, methodological, clinical, and applied levels. The chapter envisions tailored m-health communication in the context of the science of individuality, emphasizing the variability, stability, and centrality of the individual.


Author(s):  
Anastasius S. Moumtzoglou

The era of the science of individuality promises to fully recognize the uniqueness of the individual who needs to be seen and treated with utter respect for his or her individuality. It will not be long until digitizing a person unlocks the cause for what is wrong, creating valuable knowledge that can save a life or markedly improve the quality of life. On the other hand, emerging m-health technologies provide fundamentally different ways of looking at tailored communication technology. As a result, tailored communications research is poised at a crossroads. It needs to both build on and break away from existing frameworks into new territory, realizing the necessary commitment to theory-driven research at basic, methodological, clinical, and applied levels. The chapter envisions tailored m-health communication in the context of the science of individuality, emphasizing the variability, stability, and centrality of the individual.


2017 ◽  
Vol 4 (1) ◽  
pp. 7-23 ◽  
Author(s):  
Randall K. Van Schepen

Abstract The present paper analyzes two artistic strategies employed by Gerhard Richter to deal with painful recent cultural memory. Two works in particular reveal the relative success of Richter’s varied artistic strategies addressing contemporary political events: 18. Oktober 1977 (1988) and War Cut (2004). In his series of paintings on the Baader-Meinhof terrorist group, Richter effectively employs his “photopainting” style to address the profoundly disturbing deaths of the Baader-Meinhof group in the 1970s. Richter chose mundane photographic sources for his imagery, denying a hierarchy of “correct” memories of the events and turning photographic indexicality against itself by employing a painterly medium, tinged with nostalgia, to represent it. Richter’s photopaintings of Baader-Meinhof thus use the “factual” nature of the photograph while also utilizing an elegiac painterly mist through which an indistinct emotional memory of the past seems to emerge. Richter’s blurring of images can thus be understood as a fulcrum on which the undecidability of history itself must be represented. Richter constructs War Cut (2004), on the other hand, as a work and aesthetic experience decidedly at odds with the iconicity of his Baader-Meinhof images by employing arbitrariness and conceptual abstraction.


Stylistyka ◽  
2020 ◽  
Vol 29 ◽  
pp. 79-92
Author(s):  
Marta Wójcicka

The memory genre as a model of text serves to memorize (shape) and remember (pass on) images of the past, which reproduces the picture of the past. The article is an attempt at providing typology of religious memory genres. In the first part of the article, the concept of the memory genre is presented and an attempt is made at typology of religious memory genres, making use of the conceptions of Jan Assmann who distinguished communicative and cultural kinds within collective memory. According to the author, the religious genres of cultural memory include the liturgical prayer and the fixed prayer. On the other hand, instances of the religious genres of communicative memory are the universal prayer and parish announcements. Beside these two types, the author indicates also religious genres of inter-cultural memory, which constitute a connection of different types of memory: communicative and cultural or cultural and individual. Examples of this genre are the examination of conscience and a pastoral letter. Certain genres (e.g. the liturgical prayer) are stored in collective memory in full and should be tied to, primarily, remembering – one of the four phases of memory. Then they make genres of cultural memory. Others are connected with recalling (examination of conscience, a pastoral letter, parish announcement) and are genres of communicative or inter-cultural memory.


2016 ◽  
Vol 15 (1) ◽  
pp. 1
Author(s):  
Saifuddin . ◽  
Wardani . ◽  
Dzikri Nirwana

The development of tariqat in Indonesia is historically and sociologically related to the climate and culture of the people who in the past was formed by rural culture. However, in recent developments, in South Kalimantan for example, the assumption is very different. Although, this tariqat is usually described as traditional, backward, and associated with the countryside, it is not entirely true. With its tradisional nature, the tariqat become attractions for scholars. Those with rational thingkings entering this world with diverse motivations. There are two complementary sides. On the one hand, rational intellectuals/scholars enter into the tariqat and give a new baseline. On the other hand, the members of the tariqat also renew themselves. Motivations that drive the interest to this tariqat are doctrinal, rational, moral, and psychological. This motivation does not stand alone; it is intertwined and supports each other, in the internalization of the tariqat into the consciousness of the individual.


2001 ◽  
Vol 31 ◽  
pp. 19-60

Reactions to Herodotus’ work have varied greatly both in ancient and modern times, and his reputation has always contained something paradoxical about it. In antiquity, he was on the one hand acknowledged as the ‘father of history’, the first writer to compose a narrative of the past with the sufficient care and adornment required of high literary endeavour and moral purpose, while treating his theme in a manner that came to be recognized as ‘historical’. On the other hand, his history contained much material that was problematic, especially stories of marvels and strange (and unbelievable) customs that seemed to undermine the serious purpose of history. The modern era has had different concerns and interests, yet here too Herodotus’ reputation has fluctuated; he has at times been considered a serious practitioner of an activity that in its essentials constitutes what is today considered a historical method, and at other times an amiable writer of fiction. It has also been difficult for him to escape from the shadow of his successor Thucydides, who seemed so much closer to modern notions of a historian. Possibly the greatest change that the last thirty years have seen is the near abandonment of the portrait of Herodotus as an well-intentioned, if imperfect, investigator, a man whose striving to become a historian overcame his obvious failure to actually be one. Such a portrait was based ultimately on a supercilious indulgence and a conviction that we knew so much better than he how to do what he so clearly tried to do and failed. Now things are not so clear: what history is and what purpose it fulfills seems to be very complex and driven largely by the needs of the individual societies that use it.


Author(s):  
K. T. Tokuyasu

During the past investigations of immunoferritin localization of intracellular antigens in ultrathin frozen sections, we found that the degree of negative staining required to delineate u1trastructural details was often too dense for the recognition of ferritin particles. The quality of positive staining of ultrathin frozen sections, on the other hand, has generally been far inferior to that attainable in conventional plastic embedded sections, particularly in the definition of membranes. As we discussed before, a main cause of this difficulty seemed to be the vulnerability of frozen sections to the damaging effects of air-water surface tension at the time of drying of the sections.Indeed, we found that the quality of positive staining is greatly improved when positively stained frozen sections are protected against the effects of surface tension by embedding them in thin layers of mechanically stable materials at the time of drying (unpublished).


2010 ◽  
Vol 51 (1-2) ◽  
pp. 215-224
Author(s):  
Alexander Carpenter

This paper explores Arnold Schoenberg’s curious ambivalence towards Haydn. Schoenberg recognized Haydn as an important figure in the German serious music tradition, but never closely examined or clearly articulated Haydn’s influence and import on his own musical style and ethos, as he did with many other major composers. This paper argues that Schoenberg failed to explicitly recognize Haydn as a major influence because he saw Haydn as he saw himself, namely as a somewhat ungainly, paradoxical figure, with one foot in the past and one in the future. In his voluminous writings on music, Haydn is mentioned by Schoenberg far less frequently than Bach, Mozart, or Beethoven, and his music appears rarely as examples in Schoenberg’s theoretical texts. When Schoenberg does talk about Haydn’s music, he invokes — with tacit negativity — its accessibility, counterpoising it with more recondite music, such as Beethoven’s, or his own. On the other hand, Schoenberg also praises Haydn for his complex, irregular phrasing and harmonic exploration. Haydn thus appears in Schoenberg’s writings as a figure invested with ambivalence: a key member of the First Viennese triumvirate, but at the same time he is curiously phantasmal, and is accorded a peripheral place in Schoenberg’s version of the canon and his own musical genealogy.


2018 ◽  
Vol 47 (2) ◽  
Author(s):  
Kempe Ronald Hope

Countries with positive per capita real growth are characterised by positive national savings—including government savings, increases in government investment, and strong increases in private savings and investment. On the other hand, countries with negative per capita real growth tend to be characterised by declines in savings and investment. During the past several decades, Kenya’s emerging economy has undergone many changes and economic performance has been epitomised by periods of stability, decline, or unevenness. This article discusses and analyses the record of economic performance and public finance in Kenya during the period 1960‒2010, as well as policies and other factors that have influenced that record in this emerging economy. 


2010 ◽  
Vol 6 (1) ◽  
pp. 36
Author(s):  
Silvana Dinaintang Harikedua

The objective of this study was to investigate the effect of ginger extract addition and refrigerate storage on sensory quality of Tuna through panelist’s perception. Panelists (n=30) evaluated samples for overall appearance and flavor attribute using hedonic scale 1–7. The sample which is more acceptable by panelists on flavor attributes having 3% gingers extract and storage for 3 days. The less acceptable sample on flavor attribute having 0% ginger extract and storage for 9 days. On the other hand, the sample which is more acceptable by panelists on overall appearance having 0% ginger extract without storage treatment. The less acceptable sample on overall appearance having 3% ginger extract and storage for 9 days.


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