La date de la rédaction latine du procès de Jeanne d'Arc

Quaerendo ◽  
1973 ◽  
Vol 3 (1) ◽  
pp. 39-66 ◽  
Author(s):  
Jean Fraikin

AbstractThe trial of Jeanne d'Arc took place from 9 January to May 1431. During the sessions registrars recorded the interrogations, which, in an increasingly abbreviated form and always in French, were registered in a book now lost. This document provided the basis for the wording of the authentic Latin instrument formulated by the Sorbonist Thomas de Courcelles and the registrar Manchon. It is generally accepted that five authentic copies were made from the Latin instrument. Only three of them have survived. Each of the registrars of the trial, Guillaume Manchon, Guillaume Colles and Nicolas Taquel, signed the authentic copies on which the seals of Pierre Cauchon, bishop of Beauvais, and of Jean Lemaistre, vicar of the inquisitor, can also be seen. In 1897 Henri Denifle and Emile Chatelain published an article entitled Le Procès de Jeanne d'Arc et l' Universite de Paris, in which, after pointing out the errors in the names and degrees attributed to the assessors, members or former members of the University present at Rouen in 1431, they claimed that the Latin text of the trial was a late work dating from 1435 at the earliest, and that Manchon and especially Courcelles were guilty of trusting to their memory to fill up the gaps in the minutes written down during the trial. For three quarters of a century these conclusions by Denifle and Chatelain have been unanimously accepted; P. Champion and P. Tisset, the two most recent editors of the trial, adopted them without hesitation. A more thorough examination of the article by Denifle and Chatelain, however, has revealed its weaknesses and leads us to reject their conclusions. Amongst the one hundred and thirteen persons who attended the trial of Jeanne in 1431, twenty four were members of the University of Paris. Denifle and Chatelain claimed to have discovered errors in the degrees or the names of sixteen of them. But a close investigation reduces the number of errors to five, of which four are insignificant. So there is only one error which makes a claim on our attention: that concerning the Christian name of the abbot of Mortemer, whom the text of the trial calls Guillelmus although in reality, according to the documents of the University of Paris, his name ought to be Nicolaus. It is not very much... Denifle and Chatelain fail by omission. They forget to state - although they know it perfectly well - that on the authentic copies of the trial Cauchon must have set his seal as Bishop of Beauvais on 8 August 1432 at the latest, because on that day he took possession of the episcopal see of Lisieux. Not only do they omit this fact, which alone destroys their whole argument, but Denifle and Chatelain have also tried to strengthen their case by calling to their aid the declarations made by the registrars Manchon and Taquel during the rehabilitation trial, which took place about twenty five years after the death of Jeanne d'Arc. Manchon does indeed say that the Latin version of the trial had been made longe post mortem of Jeanne, and Taquel fails to add more precision by declaring per magnum temporis spatium post mortem. But these late and vague declarations - must we understand by longe four years, as Denifle and Chatelain would like us to believe, or thirty five days as we read in the same rehabilitation trial - lose all their demonstrative value when we know that they are answers produced to please the accuser who had already used similar words to invalidate the trial of condemnation: longo tempore post mortem dictae Johanae, dictus processus fuerat confectus. Finally, documents unknown to Denifle and Chatelain - they are of a financial nature - inform us that Cauchon's involvement with the trial of Jeanne ended on 30 November 1431. On that day - longe (five months) after the death of Jeanne - Cauchon, we suggest, set his seal as Bishop of Beauvais on the copies of the trial.

2019 ◽  
Author(s):  
Philip Freytag

This work undertakes a systematic reconstruction of the debates that took place over the course of several decades up to the beginning of the 21st century between Derrida on the one hand and Searle and Habermas on the other. It shows that the linguistic theories and the theories of communicative understanding developed by Searle and Habermas are based on inferences from the contingent individual case to the general. Searle draws ontological, Habermas anthropo-political conclusions, both with essentially naturalistic signatures. Derrida, on the other hand, raises epistemological objections and consequently develops a metaphysics of free subjects for whom conversation cannot necessarlily be presumed. The explicit dedication to ethics in Derrida's late work is due to his insight that the possibility of language and understanding is due to silence. Derrida's lasting merit lies in enriching the philosophy of language with a secretology. This study has been awarded the Kant Prize of the Institute of Philosophy of the University of Bonn and the "Prix de la République Française", awarded by the French Embassy and the University of Bonn.


2018 ◽  
Vol 74 (1) ◽  
pp. 6014-2018
Author(s):  
MARIUSZ Z. FELSMANN ◽  
MACIEJ GOGULSKI

The shooting of protected species, especially rare animals, is regarded as a priority issue by law enforcement authorities. In such cases, an expert veterinarian is required not only to confirm the death of the animal as a result of shooting, but also to provide a precise description of the shot. In cases of shootings with pellet bullets, such a description is particularly difficult. The evaluation of the gunshot wounds of an osprey (Pandion haliaetus) delivered to the Veterinary Medical Centre at the University of Poznań called for the use of a variety of diagnostic techniques. A preliminary assessment confirming the shot was based on an X-ray photo. Computed tomography (CT) was used for in-depth diagnostics, providing a spatial representation of bullet stopping points and fragments. The shot caused a lower leg bone fracture. This damage upset the anatomical structure of the animal's limb, which made it impossible to establish the wound channel by CT. Therefore, full shot characteristics could only be made only after a classical post-mortem examination. This examination facilitated the use of modern imaging diagnostic techniques. The use of mixed diagnostic techniques enabled us to determine the number of shots, the type of ammunition used and the direction from which the shot was fired. On the one hand, this case illustrates the possibilities offered by modern imaging diagnostic techniques and, on the other hand, it shows that the classic post-mortem examination remains a primary diagnostic tool for veterinary forensic experts. This is especially important when preparing forensic veterinary opinions in high-priority law enforcement cases. .


2009 ◽  
Vol 19 (2-3) ◽  
pp. 169-182
Author(s):  
Peter J. Bloom

AbstractThis contribution examines how the discourse of “the primitive,” as an institutional point of reference developed by the philosopher Lucien Lévy-Bruhl (1857-1939), influenced the establishment of the Institute of Filmology at the University of Paris in 1948. Filmology, a term introduced by Gilbert Cohen-Séat, is described as a positive science with its own strategy of systematizing the study of film as object and institution with its own series of emerging methods. The present article describes the formulation of the “filmic fact” as a positive science indebted to Durkheimian methods, but also as a means of engaging with the multiple strands of “primitivism.” On the one hand, this article elaborates upon the significance of Lévy-Bruhl’s discussion of “primitivism” as an effective cosmology for causation and related inferences which asserts a space of difference to be further explored, and on the other, it explains how “primitivism” has been used to designate historical and psychological attributes within the institution of cinema as an emerging structure of producing meaning.


Traditio ◽  
1991 ◽  
Vol 46 ◽  
pp. 313-326
Author(s):  
R. James Long

Early in the thirteenth century, probably within the first decade, a treatise on plants was translated from the Arabic by Alfred of Sareshel (or Alveredus Anglicus), which was to become the foundation of the science of botany for the Latin-speaking world. This treatise was until the sixteenth century universally ascribed to Aristotle and awarded all the authority accorded the Philosopher in the other sciences. Within a generation of the appearance of the Latin version the De plantis had become a set text in university curricula and by 1254 was prescribed by statute at the University of Paris as an examination subject. Roger Bacon was lecturing on the text at Paris already in the 1240s and a decade later Albert the Great was composing his monumental and never-to-be-surpassed commentary on the same text.


Author(s):  
J.A. Eades ◽  
E. Grünbaum

In the last decade and a half, thin film research, particularly research into problems associated with epitaxy, has developed from a simple empirical process of determining the conditions for epitaxy into a complex analytical and experimental study of the nucleation and growth process on the one hand and a technology of very great importance on the other. During this period the thin films group of the University of Chile has studied the epitaxy of metals on metal and insulating substrates. The development of the group, one of the first research groups in physics to be established in the country, has parallelled the increasing complexity of the field.The elaborate techniques and equipment now needed for research into thin films may be illustrated by considering the plant and facilities of this group as characteristic of a good system for the controlled deposition and study of thin films.


2020 ◽  
Vol 65 (Special Issue) ◽  
pp. 23-33
Author(s):  
Alin Constantin Corfu

"A Short Modern History of Studying Sacrobosco’s De sphaera. The treatise generally known as De sphaera offered at the beginning of the 13th century a general image of the structure of the cosmos. In this paper I’m first trying to present a triple stake with which this treaty of Johannes de Sacrobosco (c. 1195 - c. 1256). This effort is intended to draw a context upon the treaty on which I will present in the second part of this paper namely, a short modern history of studying this treaty starting from the beginning of the 20th century up to this day. The first stake consists in the well-known episode of translation of the XI-XII centuries in the Latin milieu of the Greek and Arabic treaties. The treatise De sphaera taking over, assimilating and comparing some of the new translations of the texts dedicated to astronomy. The second Consists in the fact that Sacrobosco`s work can be considered a response to a need of renewal of the curriculum dedicated to astronomy at the University of Paris. And the third consists in the novelty and the need to use the De sphaera treatise in the Parisian University’s curriculum of the 13th century. Keywords: astronomy, translation, university, 13th Century, Sacrobosco, Paris, curriculum"


2007 ◽  
Vol 30 (4) ◽  
pp. 46
Author(s):  
L. P. Hwi ◽  
J. W. Ting

Cecil Cameron Ewing (1925-2006) was a lecturer and head of ophthalmology at the University of Saskatchewan. Throughout his Canadian career, he was an active researcher who published several articles on retinoschisis and was the editor of the Canadian Journal of Ophthalmology. For his contributions to Canadian ophthalmology, the Canadian Ophthalmological Society awarded Ewing a silver medal. Throughout his celebrated medical career, Ewing maintained his passion for music. His love for music led him to be an active member in choir, orchestra, opera and chamber music in which he sang and played the piano, violin and viola. He was also the director of the American Liszt Society and a member for over 40 years. The connection between music and ophthalmology exists as early as the 18th Century. John Taylor (1703-1772) was an English surgeon who specialized in eye diseases. On the one hand, Taylor was a scientist who contributed to ophthalmology by publishing books on ocular physiology and diseases, and by advancing theories of strabismus. On the other hand, Taylor was a charlatan who traveled throughout Europe and blinded many patients with his surgeries. Taylor’s connection to music was through his surgeries on two of the most famous Baroque composers: Johann Sebastian Bach (1685-1750) and George Frederick Handel (1685-1759). Bach had a painful eye disorder and after two surgeries by Taylor, Bach was blind. Handel had poor or absent vision prior to Taylor’s surgery, and his vision did not improve after surgery. The connection between ophthalmology and music spans over three centuries from the surgeries of Taylor to the musical passion of Ewing. Ewing E. Cecil Cameron Ewing. BMJ 2006; 332(7552):1278. Jackson DM. Bach, Handel, and the Chevalier Taylor. Med Hist 1968; 12(4):385-93. Zegers RH. The Eyes of Johann Sebastian Bach. Arch Ophthalmol 2005; 123(10):1427-30.


Author(s):  
Howell A. Lloyd

The chapter opens with a brief description of Paris at around the time of Bodin’s arrival. It notes the location of the Carmelite house, near the colleges of the University of Paris, and specifies intellectual influences at work there, both humanist and scholastic. They included ongoing debate over key philosophical, theological, and jurisprudential issues to consideration of which Bodin would have been exposed. They also included debates over the proper use of language, over modes of literary presentation, and over analytical methodology. The contribution of Pierre de La Ramée (Ramus) to these debates is examined, and the principal components of his celebrated ‘method’ are identified. Attention is drawn to the continued importance of Aristotle in these areas of thought and instruction. Finally, the question is examined whether the ‘Jehan Baudin’ arrested and imprisoned in 1548 as a suspect heretic was in fact the Carmelite novice, Jean Bodin of Angers.


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