scholarly journals The Palaearctic types of Chrysididae (Insecta, Hymenoptera) deposited in the Linsenmaier collection. Part 2. Elampini: genus Hedychridium Abeille de Perrin, 1878

Zootaxa ◽  
2022 ◽  
Vol 5090 (1) ◽  
pp. 1-94
Author(s):  
PAOLO ROSA ◽  
RENÉ HEIM ◽  
MARCO VALERIO BERNASCONI
Keyword(s):  
Private Collections

An illustrated catalogue of the Palaearctic types of species and subspecies described by Walter Linsenmaier in the genus Hedychridium Abeille de Perrin, 1878 is given. Linsenmaier described 110 species and subspecies of Hedychridium, most of the holotypes are deposited in his collection, at the Natur-Museum (Luzern, Switzerland), with the exception of 25 holotypes which are deposited at the Bristish Museum (London), at the Musée cantonal de zoologie (Lausanne) and in two private collections. Hedychridium atratum is here transferred to Chamaeholopyga Linsenmaier, 1987. Hedychridium krajniki turceyense Linsenmaier, 1968 stat. nov. is upgraded to species rank. The holotype of Hedychridium caireanum Linsenmaier, 1968 is considered lost. A list of the species described and a synthesys of his classification is given. Pictures of 83 primary and secondary types are presented.  

Restoration of two great auk (Pinguinus impennis) eggs: Bourman Labrey's egg and the Scarborough egg

2020 ◽  
Vol 47 (2) ◽  
pp. 392-401
Author(s):  
T. R. Birkhead ◽  
G. Axon ◽  
J. R. Middleton
Keyword(s):  
Black Light ◽  
Private Collection ◽  
Different Types ◽  
The Media ◽  
Media Reports ◽  
Public Museums ◽  
Private Collections ◽  
Time Of Collection ◽  
Extensive Damage

Most of the approximately 75 known eggs of the extinct great auk ( Pinguinus impennis) are in public museums, with a few in private collections. A small number of these eggs has sustained damage, either at the time of collection or subsequently, and two of these eggs are known to have been repaired. The two eggs suffered rather different types of damage and were subsequently restored using different techniques. The first, known as Bourman Labrey's egg, sustained extensive damage sometime prior to the 1840s, when the shell was broken into numerous pieces. This egg was repaired by William Yarrell in the 1840s, and when it was restored again in 2018, it was discovered that Yarrell's restoration had involved the use of an elaborate cardboard armature. This egg is currently in a private collection. The second egg, known as the Scarborough egg, bequeathed to the Scarborough Museum in 1877, was damaged (by unknown causes) and repaired, probably by the then curator at Scarborough, W. J. Clarke, in 1906. This egg was damaged when one or more pieces were broken adjacent to the blowhole at the narrow end (where there was some pre-existing damage). The media reports at the time exaggerated the extent of the damage, suggesting that the egg was broken almost in two. Possible reasons for this exaggeration are discussed. Recent examination using a black light and ultraviolet (UV) revealed that the eggshell had once borne the words, “a Penguin's Egg”, that were subsequently removed by scraping.

Belarus Libraries in the Period of the Polish-Lithuanian Commonwealth (1569 - the End of 18th Century)

2010 ◽  
pp. 85-93
Author(s):  
Roman S. Motulsky
Keyword(s):  
18Th Century ◽  
Educational Institutions ◽  
Cultural Traditions ◽  
History Of ◽  
Private Collections ◽  
Monastic Libraries

Peculiarities of Belarus libraries' development in the context of political, religious and cultural traditions of Polish-Lithuanian Commonwealth are considered. It is told about history of monastic libraries, and also about private collections and libraries of educational institutions.

The British butterfly collection at The Manchester Museum

2020 ◽  
Vol 156 (3) ◽  
pp. 135-149
Author(s):  
Michael Dockery ◽  
Laurence M. Cook
Keyword(s):  
Almost All ◽  
Changing Attitudes ◽  
Private Collections

Information on the Manchester Museum holding of British butterflies is presented and access to it is made available. Almost all of the collection has been provided over a period of 200 years by donations from private collectors. We discuss the dates, the pattern of collecting and evidence the material holds of changing attitudes and perceived uses of private collections.

Two Cylices relating to the Exploits of Theseus

1889 ◽  
Vol 10 ◽  
pp. 231-242 ◽  
Author(s):  
Jane E. Harrison
Keyword(s):  
General Consideration ◽  
Kind Permission ◽  
Interesting Paper ◽  
Exact Reproduction ◽  
The Subject ◽  
Private Collections ◽  
Made In

The subject of the exploits of Theseus as seen on Greek vase-paintings has recently been treated by Professor Milani in a long and interesting paper in the Museo Italiano di antichità classica (iii. 1, p. 236). I propose therefore to set aside all general consideration of the myth and its typography, and to confine myself to the discussion and elucidation of two hitherto unpublished vases (plates I., II.), one of them included in Professor Milani's list, one entirely unknown to him, and both, as I hope to show, having strong claims on the attention of archaeologists. They are (1) a red-figured vase, which for convenience sake I shall call from its owner the Tricoupi cylix; (2) the fragments of a red-figured cylix from the De Luynes collection in the Bibliothèque Nationale, Paris.1. The Tricoupi cylix, plate I. When I was in Athens in the spring of 1888, Miss Tricoupi with her accustomed kindness, so familiar to all visitors to Athens, allowed me to examine at my leisure her brother's collection of antiquities. I found to my surprise that it contained a vase which I have reason to believe is from the hand of Duris, and of which, so far as I am aware, no mention has been made in the numerous discussions of vases dealing with the exploits of Theseus, and which therefore, I suppose to be entirely unknown. I record here my grateful thanks to Miss Tricoupi for her kind permission to publish the vase, and for her goodness in facilitating its exact reproduction. The drawing from which plate I. is facsimiled was made for me by M. Gilliéron under my own personal supervision, and I can therefore vouch for its perfect accuracy. I was specially anxious to secure its.immediate publication as, though the vase is at present in such safe hands, the security of antiquities in private collections is always precarious.

‘An old and faithful servand’: A Pair of Early Seventeenth-Century Gauntlet Gloves given by King Charles I to Sir Henry Wardlaw

Costume ◽  
2015 ◽  
Vol 49 (1) ◽  
pp. 8-31 ◽  
Author(s):  
Claire Robinson
Keyword(s):  
Seventeenth Century ◽  
High Status ◽  
Social Significance ◽  
Charles I ◽  
The Social ◽  
King Charles I ◽  
Technological Developments ◽  
The University ◽  
Design And Manufacture ◽  
Private Collections

A pair of embroidered seventeenth-century gauntlet gloves, reputedly presented by King Charles I to his courtier Sir Henry Wardlaw, was donated to the University of St Andrews in 2001. This article sets out to uncover the truth behind this nearly four-hundred-year-old family legend by investigating Sir Henry’s royal connections and the social significance of the gauntlet gloves as a high-status, luxury clothing accessory. Based on the study of historic gloves in museum and private collections, it endeavours to date the gloves by discussing their design and manufacture within the context of seventeenth-century clothing fashion. This article also explores the symbolism behind the gauntlet gloves’ decorative scheme by unravelling some of the hidden messages that are conveyed about cultural, religious, political and technological developments and perspectives through seventeenth-century embroidery.

Improved Identification of Portraiture of the Julio-Claudian Period with Mobile Apps

2021 ◽  
Author(s):  
Dmitri A. Gusev
Keyword(s):  
Image Analysis ◽  
Cultural Heritage ◽  
Mobile Apps ◽  
Multiple Views ◽  
Novel Approach ◽  
The World ◽  
Mobile Imaging ◽  
Private Collections ◽  
Historical Periods

We present the results of our image analysis of portrait art from the Roman Empire’s Julio-Claudian dynastic period. Our novel approach involves processing pictures of ancient statues, cameos, altar friezes, bas-reliefs, frescoes, and coins using modern mobile apps, such as Reface and FaceApp, to improve identification of the historical subjects depicted. In particular, we have discovered that the Reface app has limited, but useful capability to restore the approximate appearance of damaged noses of the statues. We confirm many traditional identifications, propose a few identification corrections for items located in museums and private collections around the world, and discuss the advantages and limitations of our approach. For example, Reface may make aquiline noses appear wider or shorter than they should be. This deficiency can be partially corrected if multiple views are available. We demonstrate that our approach can be extended to analyze portraiture from other cultures and historical periods. The article is intended for a broad section of the readers interested in how the modern AI-based solutions for mobile imaging merge with humanities to help improve our understanding of the modern civilization’s ancient past and increase appreciation of our diverse cultural heritage.

Hebrew Incunabula in the Russian Researchers’ Publications. Bibliographic Review

2021 ◽  
Vol 70 (1) ◽  
pp. 21-34
Author(s):  
Semen M. Iakerson
Keyword(s):  
Religious Community ◽  
National Library ◽  
Saint Petersburg ◽  
15Th Century ◽  
Russian State ◽  
History Of ◽  
State Library ◽  
Academy Of Sciences ◽  
First Time ◽  
Private Collections

Hebrew incunabula amount to a rather modest, in terms of number, group of around 150 editions that were printed within the period from the late 60s of the 15th century to January 1, 1501 in Italy, Spain, Portugal and Turkey. Despite such a small number of Hebrew incunabula, the role they played in the history of the formation of European printing cannot be overlooked. Even less possible is to overestimate the importance of Hebrew incunabula for understanding Jewish spiritual life as it evolved in Europe during the Renaissance.Russian depositories house 43 editions of Hebrew incunabula, in 113 copies and fragments. The latter are distributed as following: the Institute of Oriental Manuscripts of the Russian Academy of Sciences — 67 items stored; the Russian State Library — 38 items; the National Library of Russia — 7 items; the Jewish Religious Community of Saint Petersburg — 1 item. The majority of these books came in public depositories at the late 19th — first half of the 20th century from private collections of St. Petersburg collectors: Moses Friedland (1826—1899), Daniel Chwolson (1819—1911) and David Günzburg (1857—1910). This article looks into the circumstances of how exactly these incunabula were acquired by the depositories. For the first time there are analysed publications of Russian scholars that either include descriptions of Hebrew incunabula (inventories, catalogues, lists) or related to various aspects of Hebrew incunabula studies. The article presents the first annotated bibliography of all domestic publications that are in any way connected with Hebrew incunabula, covering the period from 1893 (the first publication) to the present. In private collections, there was paid special attention to the formation of incunabula collections. It was expressed in the allocation of incunabula as a separate group of books in printed catalogues and the publication of research works on incunabula studies, which belonged to the pen of collectors themselves and haven’t lost their scientific relevance today.

New Data on the Luster Tiles of ʿAbd al-Samad’s Shrine in Natanz, Iran

2021 ◽  
Vol 38 (1) ◽  
pp. 331-356
Author(s):  
Anaïs Leone
Keyword(s):  
Central Iran ◽  
Public And Private ◽  
Available Information ◽  
Private Collections

Abstract This essay offers new data for identifying and reconstructing the original luster tilework decoration of the tomb chamber of the ʿAbd al-Samad shrine in Natanz, central Iran. The decorated complex around the tomb was likely built during the Ilkhanid period. The removal of Ilkhanid-period luster tiles from their original location has left very few buildings with their original decoration. Moreover, the stripping of an important number of monuments led to the arrival of thousands of tiles of unidentified or incomplete provenance in public and private collections. By cross-referencing available information about preserved revetments (e.g., dimensions, inscriptions, provenance, designs) with verifiable data collected at surviving monuments, it is possible to bridge the gap and unite formerly isolated elements. This study formulates new proposals about the luster tilework in the shrine of ʿAbd al-Samad, especially with regard to the complex ensemble of the mihrab. By locating and detailing the different zones of its decorative scheme, the ensemble becomes more coherent as a whole despite its remaining gaps.

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