scholarly journals “Choosing to Stay”

2016 ◽  
Vol 43 (1) ◽  
pp. 115-139
Author(s):  
Anja Nadine Klopfer

Oral histories of the Hurricane Katrina experience abound in stories of conscious decisions to “ride out the storm.” My article explores the narrative of “choosing to stay” as an empowering narrative rooted in assertions of place-knowledge and traces its historical genealogy to the nineteenth century. I argue that claiming agency in New Orleans and articulating a sense of belonging and local identity through professed intimate knowledge of the local environment took shape as a strategy of resistance against dominant discourses of American progress after the Civil War. Ultimately, this counternarrative of connecting to place as “homeland,” drawing on knowledge arising from lived experience, defied the normative twist of modernization, simultaneously reformulating power relations within the city. “Choosing to stay” thus turns out to be a long-lasting narrative not only of disaster, but of place, belonging, and community; without understanding its historical layers, we cannot fully make sense of this particular Katrina narrative.

Commissioned by the English East India Company to write about contemporary nineteenth-century Delhi, Mirza Sangin Beg walked around the city to capture its highly fascinating urban and suburban extravaganza. Laced with epigraphy and fascinating anecdotes, the city as ‘lived experience’ has an overwhelming presence in his work, Sair-ul Manazil. Sair-ul Manazil dominates the historiography of eighteenth- and nineteenth-century compositions on Delhi in Persian and Urdu, and remains unparalleled in its architecture and detailed content. It deals with the habitations of people, bazars, professions and professionals, places of worship and revelry, and issues of contestation. Over fifty typologies of structures and several institutions that find resonance in the Persian and Ottoman Empires can also be gleaned from Sair-ul Manazil. Interestingly, Beg made no attempt to ‘monumentalize’ buildings; instead, he explored them as spaces reflective of the sociocultural milieu of the times. Delhi in Transition is the first comprehensive English translation of Beg’s work, which was originally published in Persian. It is the only translation to compare the four known versions of Sair-ul Manazil, including the original manuscript located in Berlin, which is being consulted for the first time. It has an exhaustive introduction and extensive notes, along with the use of varied styles in the book to indicate the multiple sources of the text, contextualize Beg’s work for the reader and engage him with the debate concerning the different variants of this unique and eclectic work.


Author(s):  
Marguerite Nguyen

This concluding chapter examines representations of Vietnamese Americans before and after Hurricane Katrina. The recuperation of American political and military might in the 1980s marked a transition in representations of Vietnamese Americans, as the New Orleans media began to focus on stories of Vietnamese American economic and educational “success.” Nevertheless, Vietnamese Americans lived more or less under the radar until about thirty years later, when they were once again thrust into the media limelight because of their quick return and recovery after Hurricane Katrina. Once potential objects of New Orleans exclusion, Vietnamese Americans now represented the city at its best, with national and international media outlets upholding the community's efforts as a story of hope and achievement in the aftermath of disaster.


2013 ◽  
Vol 46 (04) ◽  
pp. 748-752
Author(s):  
Christine L. Day

AbstractAfter Hurricane Katrina struck the Gulf Coast in 2005, flooding the city of New Orleans for several weeks after levees collapsed, the city struggled to recover and rebuild. Scholars and activists participating in the roundtable, “Katrina Seven Years On: The Politics of Race and Recovery,” at the 2012 APSA Annual Meeting in New Orleans, were to discuss recovery and racial justice in post-Katrina urban planning and rebuilding efforts, grassroots movements, job recovery, fair housing, and cultural revival. Although the 2012 meeting was canceled as Hurricane Isaac threatened New Orleans anew, panelists offered their observations and ideas to be summarized forPSreaders.


2005 ◽  
Vol 2 (2) ◽  
pp. 155-158
Author(s):  
Michael C. Dawson ◽  
Lawrence D. Bobo

By the time you read this issue of the Du Bois Review, it will be nearly a year after the disaster caused by Hurricane Katrina swept the Gulf Coast and roiled the nation. While this issue does not concentrate on the disaster, (the next issue of the DBR will be devoted solely to research on the social, economic, and political ramifications of the Katrina disaster), the editors would be amiss if we did not comment on an event that once again exposed the deadly fault lines of the American racial order. The loss of the lives of nearly 1500 citizens, the many more tens of thousands whose lives were wrecked, and the destruction of a major American city as we know it, all had clear racial overtones as the story unfolded. Indeed, the racial story of the disaster does not end with the tragic loss of life, the disruption of hundred of thousands of lives, nor the physical, social, economic, and political collapse of an American urban jewel. The political map of the city of New Orleans, the state of Louisiana (and probably Texas), and the region is being rewritten as the large Black and overwhelmingly Democratic population of New Orleans was dispersed out of Louisiana, with states such as Texas becoming the perhaps permanent recipients of a large share of the evacuees.


Author(s):  
Jason Berry

Hurricane Katrina devastated New Orleans in 2005, killing over 1,000 people and displacing over 1 million. As the rebuilding process began, musicians, Mardi Gras Indians, and Social Aid and Pleasure Club members began trickling back. Culture prevailed as politics failed. The life force of music and memory, determined to survive, came back to the shattered city. The hurricane wasn’t the only devastating force: the city had undertaken many urban development projects in Tremé throughout the second half of the 20th century, demolishing historical areas and displacing people. New Orleans has also long suffered from government corruption, and several politicians were arrested throughout the 2000s. Yet hope and vibrancy abound. The 2014 funeral for Larry Bannock, Big Chief of the Golden Starhunters, drew a large gathering of black Indians in a magnificent cultural spectacle. Amidst much political and social controversy, Mayor Mitch Landrieu removed the Robert E. Lee statue from the city in 2017. As New Orleans begins its fourth century, it faces issues of gun violence, poverty, and gentrification, but opportunities from a flourishing digital economy, resurgent music scene, and cultural mecca as well. It is still the vibrant, diverse society composed of people whose roots lie across the world, whose resilience has been a rudder through the storms and violent upheavals throughout the centuries.


2010 ◽  
Vol 44 (3) ◽  
pp. 601-611 ◽  
Author(s):  
ALLISON GRAHAM

In the first year following Hurricane Katrina and the breaking of the New Orleans levees, the New Orleans-based Alliance of Guest Workers for Dignity and the Southern Poverty Law Center filed a lawsuit on behalf of eighty-two workers from South and Central America who were stranded in the city. By 2008, the consequences of the regional reliance on slavecatchers began attracting global attention, most notably in the case of the eighty-nine Indian workers at Signal International's Pasacagoula, Mississippi shipyard. This essay explores the invocation of the American civil rights movement in contemporary transcultural dramas and the fact that another “universal” movement has been marching alongside new protesters, and demonstrates that the Free Trade movement in the US has been not only the cause of many current civil rights struggles, but also the beneficiary of the older struggle's very definition of its “cause.” New laborers in the Deep South – Latin Americans and Asians – find themselves not just homeless, but placeless post-Katrina. Black Americans who were shipped out of the city in 2005 to provide a “cleansed” urban area open to new demographics now find themselves in permanent exile, as placeless as their replacements.


2014 ◽  
Vol 35 (3) ◽  
pp. 305-322 ◽  
Author(s):  
Elizabeth Fussell ◽  
Katherine J. Curtis ◽  
Jack DeWaard

Author(s):  
Jason Berry

In 2015, the beautiful jazz funeral in New Orleans for composer Allen Toussaint coincided with a debate over removing four Confederate monuments. Mayor Mitch Landrieu led the ceremony, attended by living legends of jazz, music aficionados, politicians, and everyday people. The scene captured the history and culture of the city in microcosm--a city legendary for its noisy, complicated, tradition-rich splendor. In City of a Million Dreams, Jason Berry delivers a character-driven history of New Orleans at its tricentennial. Chronicling cycles of invention, struggle, death, and rebirth, Berry reveals the city's survival as a triumph of diversity, its map-of-the-world neighborhoods marked by resilience despite hurricanes, epidemics, fires, and floods. Berry orchestrates a parade of vibrant personalities, from the founder Bienville, a warrior emblazoned with snake tattoos; to Governor William C. C. Claiborne, General Andrew Jackson, and Pere Antoine, an influential priest and secret agent of the Inquisition; Sister Gertrude Morgan, a street evangelist and visionary artist of the 1960s; and Michael White, the famous clarinetist who remade his life after losing everything in Hurricane Katrina. The textured profiles of this extraordinary cast furnish a dramatic narrative of the beloved city, famous the world over for mysterious rituals as people dance when they bury their dead.


Urban Studies ◽  
2018 ◽  
Vol 56 (13) ◽  
pp. 2763-2778 ◽  
Author(s):  
Eric Joseph van Holm ◽  
Christopher K Wyczalkowski

Hurricane Katrina struck the city of New Orleans in August of 2005, devastating the built environment and displacing nearly one-third of the city’s residents. Despite the considerable literature that exists concerning Hurricane Katrina, the storm’s long-term impact on neighbourhood change in New Orleans has not been fully addressed. In this article we analyse the potential for Hurricane Katrina to have contributed to patterns of gentrification during the city’s recovery one decade after the storm. We study the association between Hurricane Katrina and neighbourhood change using data on the damage from the storm at the census tract level and Freeman’s (2005) gentrification framework. We find that damage is positively associated with the likelihood of a neighbourhood gentrifying in New Orleans after one decade, which drives our recommendations for policy makers to take greater concern for their communities during the process of rebuilding from storm damage.


2006 ◽  
Vol 1 (2) ◽  
pp. 133-148 ◽  
Author(s):  
Erin Moore Daly

This article explores the hidden, suppressed elements of New Orleans leading up to and immediately following Hurricane Katrina. The article is juxtaposed with excerpts from Italo Calvino's Invisible Cities in order to provide a lens through which to ask questions not typically raised by government officials, city planners, and science and technology experts. This uncovers aspects of New Orleans that must not be overlooked in the rebuilding process. If policy, culture, and technology render aspects of New Orleans invisible, then only by revealing these aspects can one ascertain the truth of the city.


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