scholarly journals The practice of parodying: YouTube as a hybrid field of cultural production

2018 ◽  
Vol 41 (1) ◽  
pp. 3-20 ◽  
Author(s):  
Lillian Boxman-Shabtai
Keyword(s):  
Cultural Production ◽  
Participatory Culture ◽  
Music Video ◽  
Central Component ◽  
Valuable Insight ◽  
Sociology Of Culture ◽  
Critical Commentary ◽  
Field Of Cultural Production ◽  
The Relationship

Parody is so pervasive in participatory culture that it is described as a central component of Internet vernacular. Valuable insight has accumulated about parodies as artifacts, however, little is known about their creators. Drawing on the sociology of culture, this article explores YouTube music video parodies as a field of cultural production. Through interviews with 22 YouTubers recruited from a sample of top-ranked parodies, it examines the relationship between practitioner characteristics and their evaluation of parody. Contrary to other studies of participatory culture, the field was predominantly male in its participation and norms. It presented a divide between ‘strategic’ and ‘passionate’ practitioners who used parody to different ends. Nevertheless, interviewees valued similar attributes of parody, often diverging from scholarly definitions of the genre as critical commentary. This dynamic and the genre’s popularity are explained by the hybrid qualities of the field, which encourage diverse uses of parody.

Retroactivating the Idea of the Avant Garde

2020 ◽  
pp. 1-18
Author(s):  
Marc James Léger
Keyword(s):  
Working Class ◽  
Cultural Production ◽  
Pierre Bourdieu ◽  
Sociology Of Culture ◽  
Avant Garde ◽  
Contemporary Situation ◽  
Field Of Cultural Production ◽  
The University ◽  
Four Discourses

Abstract In the late 1970s, Pierre Bourdieu argued that the field of cultural production was distinguished along class lines by three different modes of cultural habitus: bourgeois disinterestness, petty-bourgeois allodoxia and working-class necessity. Since that era, the petty-bourgeois habitus has become the dominant predisposition. Adding Bourdieu’s sociology of culture to Peter Bürger’s historicized theory of the emergence of the avant garde as a critique of the “institution art,” a new “avant garde hypothesis” becomes possible for today’s age of post-Fordist biocapitalism. Based on Jacques Lacan’s Four Discourses, the contemporary situation is shown to privilege specific forms of cultural production, in particular an activist Discourse of the Hysteric and a technocratic Discourse of the University. Psychoanalysis reveals the limits of these tendencies while also underscoring the archaic aspects of an aestheticist Discourse of the Master and the transferential logics of Analyst avant gardes.

Global frictions and the production of locality in Kenya’s music video industry

2017 ◽  
Vol 40 (2) ◽  
pp. 211-227 ◽  
Author(s):  
Brian Ekdale
Keyword(s):  
Cultural Production ◽  
Music Videos ◽  
Music Video ◽  
Common Cause ◽  
Production Distribution ◽  
Global Imaginary ◽  
The Relationship

This article explores the relationship between global imaginaries, frictions, and the production of locality through an examination of the Kenyan music video industry. Localities are constructed, in part, through the constitutive work of the imagination. Friction occurs when divergent constructions of the global imaginary become entangled with each other. Through an examination of the production, distribution, and reception of Kenyan music videos, this study identifies three types of friction that occur in cultural production: collaborative frictions, in which collectivities work across differences toward a common cause; combative frictions, in which collectivities are positioned in direct opposition to each other; and competitive frictions, in which the interests of different collectivities conflict at times and align at others. This study contributes to scholarship on cultural production in non-Western contexts by articulating hybridity as both an antecedent to and outcome of transcultural exchange.

World-Ecological Satire: Peat, Brian O'Nolan, and the Irish Free State's Energy Regime

2019 ◽  
Vol 49 (1) ◽  
pp. 90-104
Author(s):  
Robert Kiely
Keyword(s):  
Cultural Production ◽  
Ecological Perspective ◽  
Energy Regime ◽  
Energy History ◽  
History Of ◽  
External Site ◽  
Ecological Relations ◽  
Nature And Society ◽  
Human Actors ◽  
The Relationship

A world-ecological perspective of cultural production refuses a dualist conception of nature and society – which imagines nature as an external site of static outputs  – and instead foregrounds the fact that human and extra-human natures are completely intertwined. This essay seeks to reinterpret the satirical writing of a canonical figure within the Irish literary tradition, Brian O'Nolan, in light of the energy history of Ireland, understood as co-produced by both human actors and biophysical nature. How does the energy imaginary of O'Nolan's work refract and mediate the Irish environment and the socio-ecological relations shaping the fuel supply-chains that power the Irish energy regime dominant under the Irish Free State? I discuss the relationship between peat as fuel and Brian O'Nolan's pseudonymous newspaper columns, and indicate how questions about energy regimes and ecology can lead us to read his Irish language novel An Béal Bocht [The Poor Mouth] (1941) in a new light. The moments I select and analyze from O'Nolan's output feature a kind of satire that exposes the folly of separating society from nature, by presenting an exaggerated form of the myth of nature as an infinite resource.

Culture and Commerce

2017 ◽  
Author(s):  
Mukti Khaire
Keyword(s):  
Cultural Change ◽  
Cultural Production ◽  
Field Research ◽  
Market Mechanism ◽  
Creative Industries ◽  
Royal Patronage ◽  
Commerce Building ◽  
Production And Distribution ◽  
Necessary Evil ◽  
The Relationship

This book describes how commercial ventures in creative industries have cultural impact. Since royal patronage of arts ended, firms in the creative industries, working within the market mechanism, have been responsible for the production and distribution of the cultural goods—art, books, films, fashion, and music—that enrich our lives. This book counters the popular perception that this marriage of art and business is a necessary evil, proposing instead that entrepreneurs who introduce radically new cultural works to the market must bring about a change in society’s beliefs about what is appropriate and valuable to encourage consumption of these goods. In so doing, these pioneer entrepreneurs change minds, not just lives; the seeds of cultural change are embedded in the world of commerce. Building on theories of value construction and cultural production, integrated with field research on pioneer firms (like Chanel and the Sundance Institute) and new market categories (like modern art and high fashion in India), the author develops conceptual frameworks that explain the structure and functioning of creative industries. Through a systematic exposition of the roles and functions of the players in this space—creators, producers, and intermediaries—the book proposes a new way to understand the relationship among markets, entrepreneurship, and culture. Khaire also discusses challenges inherent in being entrepreneurial in the creative industries, paying special attention to the implications of digitalization and globalization, and suggests prescriptive directions for individuals and firms wishing to balance pecuniary motivations with cultural convictions in this rapidly changing world.

“I Go Against the Grain of Your Memory”

2018 ◽  
Author(s):  
Daniel B. Sharp
Keyword(s):  
Cultural Production ◽  
Cultural Roots ◽  
Field Of Cultural Production

This chapter charts the artistic trajectory of northeastern Brazilian poet, singer, writer, playwright and actor José Paes de Lira, known as Lirinha, situating his experiments as a long-standing attempt to reject and revise the regional folklorism within which audiences and critics often received his performances. The chapter examines Lirinha’s work, both as the visionary behind the nationally acclaimed group Cordel do Fogo Encantado (1998–2010) and in his subsequent musical and theatrical efforts. It also traces Lirinha’s turn away from folklorism as a reaction against narratives of “cultural rescue” that pressured him to uphold static notions of cultural roots. Reinforcing an overarching argument within this volume, Sharp argues that Lirinha’s work is culturally transformative within its particular field of cultural production, even if it is not always audible as experimental.

scholarly journals Housing quality and behavior affect brain health and anxiety in healthy Japanese adults

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Juan Cesar D. Pineda ◽  
Keisuke Kokubun ◽  
Toshiharu Ikaga ◽  
Yoshinori Yamakawa
Keyword(s):  
Sedentary Behavior ◽  
Fractional Anisotropy ◽  
Gray Matter ◽  
Gray Matter Volume ◽  
Housing Quality ◽  
Valuable Insight ◽  
Brain Health ◽  
Matter Volume ◽  
Japanese Adults ◽  
The Relationship

AbstractCountless studies in animals have shown how housing environments and behaviors can significantly affect anxiety and brain health, giving valuable insight as to whether this is applicable in the human context. The relationship between housing, behavior, brain health, and mental wellbeing in humans remains poorly understood. We therefore explored the interaction of housing quality, weekend/holiday sedentary behavior, brain structure, and anxiety in healthy Japanese adults. Whole-brain structural magnetic resonance imaging (MRI) methods based on gray matter volume and fractional anisotropy were used as markers for brain health. Correlation tests were conducted, and then adjusted for multiple comparisons using the False Discovery Rate method. Housing quality and weekend/holiday sedentary behavior were associated with fractional anisotropy, but not with gray matter volume. Fractional anisotropy showed significant associations with anxiety. Lastly, both weekend/holiday sedentary behavior and housing quality were indirectly associated with anxiety through fractional anisotropy. These results add to the limited evidence surrounding the relationship among housing, behavior, and the brain. Furthermore, these results show that behavior and housing qualities can have an indirect impact on anxiety through neurobiological markers such as fractional anisotropy.

scholarly journals Homenagem: Remembering the Life and Work of Abdias Nascimento

2021 ◽  
pp. 002193472110115
Author(s):  
Keisha-Khan Y. Perry ◽  
Anani Dzidzienyo
Keyword(s):  
Military Service ◽  
Black Studies ◽  
Central Component ◽  
Special Issue ◽  
Art And Politics ◽  
Black Politicians ◽  
Brown University ◽  
Black World ◽  
The Relationship

This essay provides a brief introduction to this special issue focused on the life and work of Black Brazilian scholar-activist Abdias Nascimento. The contributors include, Vera Lucia Benedito, Ollie Johnson, Zachary Morgan, Elisa Larkin Nascimento, and Cheryl Sterling who all participated in a 2015 conference at Africana Studies at Brown University. This group of scholars aptly illustrate that Nascimento had long contributed to the internationalization of Black Studies as a field in US academe and he was crucial in establishing Brazil as a central component of the Black World. The essays have much to teach us about Nascimento’s views on the relationship between art and politics, the role of military service in shaping his activism, the significance of black politicians in the reconceptualization of Brazilian democracy, and the importance of preserving archives and expanding our understanding of the Black radical tradition.

scholarly journals The Relationship between Affect Integration and Psychopathology in Patients with Personality Disorder: A Cross-Sectional Study

Medicina ◽  
2021 ◽  
Vol 57 (6) ◽  
pp. 627
Author(s):  
Christina Frederiksen ◽  
Ole André Solbakken ◽  
Rasmus Wentzer Licht ◽  
Carsten René Jørgensen ◽  
Maria Rodrigo-Domingo ◽  
...  
Keyword(s):  
Personality Disorder ◽  
Personality Disorders ◽  
Interpersonal Problems ◽  
Symptom Distress ◽  
Central Component ◽  
Psychotherapeutic Treatment ◽  
Cross Sectional ◽  
Personality Functioning ◽  
Emotional Dysfunction ◽  
The Relationship

Background and Objectives: Emotional dysfunction is considered a key component in personality disorders; however, only few studies have examined the relationship between the two. In this study, emotional dysfunction was operationalized through the Affect Integration Inventory, and the aim was to examine the relationships between the level of affect integration and the levels of symptom distress, interpersonal problems, and personality functioning in patients diagnosed with personality disorder according to the Diagnostic and Statistical Manual of Mental Disorders, fifth edition. Materials and Methods: Within a hospital-based psychiatric outpatient setting, 87 patients with personality disorder referred for treatment were identified for assessment with the Affect Integration Inventory and other measures (e.g., the Symptom Checklist-90, Revised, the Inventory of Interpersonal Problems 64 circumplex version, and the Severity Indices of Personality Problems). Results: The analyses revealed that problems with affect integration were strongly and statistically significantly correlated with high levels of symptom distress, interpersonal problems, and maladaptive personality functioning. Additionally, low scores on the Affect Integration Inventory regarding discrete affects were associated with distinct and differentiated patterns of interpersonal problems. Conclusion: Taken together, emotional dysfunction, as measured by the Affect Integration Inventory, appeared to be a central component of the pathological self-organization associated with personality disorder. These findings have several implications for the understanding and psychotherapeutic treatment of personality pathology. Furthermore, they highlight the importance of considering the integration of discrete affects and their specific contributions in the conceptualization and treatment of emotional dysfunction in patients with personality disorders.

Elemental signatures in otoliths of hatchery rainbow trout (Oncorhynchus mykiss): distinctiveness and utility for detecting origins and movement

2009 ◽  
Vol 66 (4) ◽  
pp. 513-524 ◽  
Author(s):  
Daniel K. Gibson-Reinemer ◽  
Brett M. Johnson ◽  
Patrick J. Martinez ◽  
Dana L. Winkelman ◽  
Alan E. Koenig ◽  
...  
Keyword(s):  
Rainbow Trout ◽  
Oncorhynchus Mykiss ◽  
Water Chemistry ◽  
Fisheries Management ◽  
Valuable Insight ◽  
Otolith Chemistry ◽  
Considerable Potential ◽  
Rainbow Trout Oncorhynchus Mykiss ◽  
The Relationship ◽  
Ambient Levels

Otolith chemistry in freshwater has considerable potential to reveal patterns of origin and movement, which would benefit traditional fisheries management and provide a valuable tool to curb the spread of invasive and illicitly stocked species. We evaluated the relationship between otolith and water chemistry for five markers (Ba/Ca, Mn/Ca, Sr/Ca, Zn/Ca, and 87Sr/86Sr) in rainbow trout ( Oncorhynchus mykiss ) using the existing hatchery system in Colorado and Wyoming, USA, to provide controlled, seminatural conditions. Otolith Ba/Ca, Sr/Ca, and 87Sr/86Sr reflected ambient levels, whereas Mn/Ca and Zn/Ca did not. Using only the markers correlated with water chemistry, we classified fish to their hatchery of origin with up to 96% accuracy when element and isotope data were used together. Large changes in 87Sr/86Sr were evident in otolith transects, although subtler changes in Sr/Ca were also detectable. Our results suggest the relatively few otolith markers that reflect ambient chemistry can discriminate among locations and track movements well enough to provide valuable insight in a variety of applied contexts.

scholarly journals From Culture 1.0 to Culture 3.0: Three Socio-Technical Regimes of Social and Economic Value Creation through Culture, and Their Impact on European Cohesion Policies

2018 ◽  
Vol 10 (11) ◽  
pp. 3923 ◽  
Author(s):  
Pier Sacco ◽  
Guido Ferilli ◽  
Giorgio Tavano Blessi
Keyword(s):  
Cultural Production ◽  
Value Creation ◽  
Cultural Policy ◽  
Policy Design ◽  
Economic Value ◽  
Cultural Participation ◽  
Social Value Creation ◽  
Open Question ◽  
The Relationship

We develop a new conceptual framework to analyze the evolution of the relationship between cultural production and different forms of economic and social value creation in terms of three alternative socio-technical regimes that have emerged over time. We show how, with the emergence of the Culture 3.0 regime characterized by novel forms of active cultural participation, where the distinction between producers and users of cultural and creative contents is increasingly blurred, new channels of social and economic value creation through cultural participation acquire increasing importance. We characterize them through an eight-tier classification, and argue on this basis why cultural policy is going to acquire a central role in the policy design approaches of the future. Whether Europe will play the role of a strategic leader in this scenario in the context of future cohesion policies is an open question.

Sign in / Sign up

Export Citation Format

Share Document