QR codes for instrumental performance in the music classroom

2018 ◽  
Vol 36 (3) ◽  
pp. 447-459
Author(s):  
José Palazón ◽  
Andrea Giráldez
Keyword(s):  
Secondary School ◽  
Musical Instrument ◽  
Music Students ◽  
Quick Response ◽  
Instrumental Performance ◽  
Qr Codes ◽  
Music Classroom ◽  
Music Score ◽  
School Music ◽  
And Gender

This article presents an experiment with a group of secondary school music students in Spain. We used music score sheets enriched with Quick Response codes as a resource for the practice required to play a musical instrument. The first group (n = 56) was compared with another group (n = 56) that used traditional resources (textbooks and compact discs). The results of the research supported the fact that the students who used QR codes associated with videos – read by using mobile devices such as smartphones or tablets – achieved better results than those who used more traditional resources. The analysis of variance test showed that the learning resource had a significant effect on the scores obtained by the students. In other words, the marks of the students participating in the study varied significantly according to the resource used. There was no significant effect on the interaction of method and gender, so there is no relation between the students’ gender and the resources’ impact on the results obtained by students.

scholarly journals Podcasting para la motivación del alumnado de música en educación secundaria hacia la práctica instrumental / Podcasting for Motivating Secondary School Music Students Towards Musical Performance

2014 ◽  
Vol 1 (1) ◽  
Author(s):  
Jose Palazon Herrera
Keyword(s):  
Secondary Education ◽  
Secondary School ◽  
Digital Technology ◽  
Work Experience ◽  
Music Students ◽  
Post Secondary Education ◽  
Post Secondary ◽  
School Music ◽  
Musical Interpretation ◽  
Music Class

ABSTRACTEven though podcasting is a relatively new digital technology, it is becoming a tool of great value in the field of education. Although its possibilities are mainly being explored in post-secondary education, in recent years, the amount of studies and experiences in secondary education have incremented. In this communication we present a music class work experience where podcasts (mainly video podcasts) have been used to support musical interpretation. The data in this project indicates that students feel very motivated when using podcasts, a tool which comes from the 2.0 Web and that has a great potential for working on instrumental techniques.RESUMENAunque el podcasting es una tecnología digital relativamente nueva, se está convirtiendo en una herramienta de gran valor en el ámbito educativo. Aunque sus posibilidades están siendo exploradas principalmente en la educación superior, en los últimos años han ido apareciendo estudios y experiencias llevados a cabo en la educación secundaria. En esta comunicación presentamos una experiencia de trabajo en el aula de música utilizando podcasts (principalmente videopodcasts, podcasts de vídeo) de apoyo a la interpretación instrumental. Los datos de este trabajo indican que el alumnado se muestra muy motivado con el uso de podcasts, una herramienta proveniente de la Web 2.0 con gran potencial para el trabajo de la técnica instrumental. Contacto principal: [email protected]

Student perceptions of the classroom environment, student characteristics, and motivation for music lessons at secondary school

2021 ◽  
pp. 102986492110558
Author(s):  
Ioulia Papageorgi ◽  
Natassa Economidou Stavrou
Keyword(s):  
Secondary School ◽  
Classroom Environment ◽  
Teacher Support ◽  
Student Characteristics ◽  
Task Orientation ◽  
Music Classroom ◽  
Music Lessons ◽  
Orientation Order ◽  
School Music ◽  
Rule Clarity

The literature suggests that there is often no alignment between student preferences and what and how it is taught in the music classroom. A total of 749 Cypriot secondary school students, aged 12 to 14 years, responded to a survey addressing enjoyment of music, motivation for school music lessons, and perceptions of the music classroom environment. The survey included a questionnaire with six subscales: Involvement, Affiliation, Teacher Support, Task Orientation, Order and Organization, and Rule Clarity. High ratings for Affiliation, Teacher Support, and Rule Clarity suggest that, overall, students’ perceptions of the classroom environment were positive. They were not uniform, but varied on the basis of student characteristics. Girls rated Rule Clarity higher than boys. Younger students tended to rate Task Orientation, Order and Organization, and Rule Clarity higher than older students. Higher-achieving students tended to rate Affiliation and Teacher Support higher. Older boys rated Involvement lower than younger boys, whereas older girls rated Involvement higher than younger girls. It can be inferred that boys experienced a gradual increase in perceived Affiliation as their achievement improved, although the pattern was less consistent for girls. Girls tended to report higher motivation for school music lessons than boys. Motivation was enhanced by classroom environments in which students experienced higher levels of enjoyment of music, engagement, and support from teachers. The findings show that the music classroom environment should be characterized by student engagement, clarity of rules, good organization, clear goals, teacher support, and affiliation between classmates.

scholarly journals The relationship between musical self-concept and musical creativity among secondary school music students

2018 ◽  
Vol 37 (1) ◽  
pp. 78-90
Author(s):  
Lucy Lugo Mawang ◽  
Edward M. Kigen ◽  
Samuel M. Mutweleli
Keyword(s):  
Gender Difference ◽  
Secondary School ◽  
Positive Relationship ◽  
Self Concept ◽  
Music Students ◽  
Creativity Assessment ◽  
Significant Difference ◽  
School Music ◽  
Musical Creativity ◽  
The Relationship

The purpose of this study was to establish the relationship between musical self-concept and musical creativity, and to determine the best predictors of musical creativity given the musical self-concept dimensions. Participants ( N = 201) were music students, drawn from 21 secondary schools in Kenya. Music Self-perception Inventory-Version 2 (MUSPI) was used to gather data on participants’ musical self-concept. Musical creativity was measured using the Consensual Musical Creativity Assessment Scale (CMCAS). Results indicated a positive relationship between musical self-concept and musical creativity ( r = .25, p < .01). All the musical self-concept dimensions, except singing and dancing showed positive associations with musical creativity. Further, a significant mean difference in musical creativity for positive and negative musical self-concept was observed. Multiple regression indicated that the best predictors of musical creativity were sense of rhythm and dancing self-concepts and the strongest predictor of musical creativity was sense of rhythm self-concept. A significant gender difference in musical creativity was observed, with males scoring higher than females. However, there was no significant difference in participants’ musical creativity based on age. The study recommends interventions and conducive environments for the development of positive musical self-concept.

scholarly journals Assessment in the Secondary Music Classroom

2012 ◽  
pp. 475-494 ◽  
Author(s):  
Martin Fautley ◽  
Richard Colwell
Keyword(s):  
Secondary School ◽  
Music Education ◽  
Student Assessment ◽  
Music Pedagogy ◽  
Music Classroom ◽  
Secondary Music ◽  
Accountability Policy ◽  
School Music ◽  
Teaching Learning

The issue of assessment in music education in the secondary school is one of concern in a range of contexts, including teaching, learning, accountability, policy, and politics. In order to investigate assessment in the secondary school, there is a need to understand what assessment is; what the terminologies involved mean; what the implications of assessment are for learners, teachers, program organizers, administrators, legislators, and other interested stakeholders; and what constitutes secondary school music. This article considers the following issues in student assessment: the context of assessment, the uses and purposes of assessment, legitimizing assessment, and assessment and music pedagogy.

Sound Exposure of Secondary School Music Students During Individual Study

2019 ◽  
Vol 34 (2) ◽  
pp. 98-101
Author(s):  
Matilde A Rodrigues ◽  
Sandra Gonçalves ◽  
Paula Neves ◽  
Manuela V Silva
Keyword(s):  
Secondary School ◽  
Sound Pressure ◽  
Music Students ◽  
Individual Study ◽  
Hearing Conservation ◽  
Sound Exposure ◽  
School Music ◽  
The Individual ◽  
Hearing Damage ◽  
High Sound

Music students can be exposed to high sound pressure levels (SPLs) during classes, which can result in hearing damage. However, individual study can also boost their exposure. This short presentation aims to describe the SPLs to which secondary school music students are exposed during individual study, as well as the circumstances in which practice is carried out. The study involved 16 young music students, aged 12–15 yrs old. SPLs were monitored during individual study at school and at the students’ homes. Measurements were performed throughout rehearsals over a 3-week period. The results show that music students are exposed to high SPLs during the individual study, with potential for it to increase, depending on the type and features of the rooms used for practice. Students were not entirely aware of the health risks related to exposure to high SPLs during individual practice, and hearing protection was never used by them. These findings denote that hearing conservation programs targeting music students should also focus on the risks to which they are exposed during individual study in different settings.

Achievement goal motivation and cognitive strategies as predictors of musical creativity among secondary school music students

2018 ◽  
Vol 48 (3) ◽  
pp. 421-433 ◽  
Author(s):  
Lucy L. Mawang ◽  
Edward M. Kigen ◽  
Samuel M. Mutweleli
Keyword(s):  
Secondary School ◽  
Learning Strategies ◽  
Achievement Goal ◽  
Music Students ◽  
Processing Strategy ◽  
Deep Processing ◽  
School Music ◽  
Goal Motivation ◽  
Musical Creativity ◽  
Mastery Approach

The purpose of this study was to (a) establish the relationships among achievement goal motivation, cognitive learning strategies, and musical creativity; (b) determine the best predictors of musical creativity among the study variables. Participants ( N = 201) were secondary school music students in Kenya. Two self-report measures, the Achievement Goal Questionnaire-Revised (AGQ-R) and Motivated Strategies for Learning Questionnaire (MSLQ) were used in data collection for the independent variables. Musical creativity was measured by a creative composition task and evaluated according to four dimensions of musical craftsmanship, syntax, originality and aesthetic sensitivity. The results showed that musical creativity was positively correlated with mastery-approach goal and deep processing learning strategy but negatively correlated with surface processing strategy, performance-approach and performance-avoidance goals. The best predictor of musical creativity was deep processing strategy, β = .45, p < .01, which accounted for approximately 26% of the variance in participants’ musical creativity, followed by mastery-approach goal, β = .27, p < .01, R2 =.09. The implication for music education is that music teachers should create conducive environments and adopt teaching strategies that nurture mastery-approach goal orientation and deep processing learning strategies to enhance musical creativity

Sign in / Sign up

Export Citation Format

Share Document