Ahistorical interpretation of the Torah narratives in the Wisdom of Solomon

2021 ◽  
Vol 31 (2) ◽  
pp. 76-88
Author(s):  
Karina Martin Hogan

The traditional scholarly title (since the early twentieth century) for the last section of the Wisdom of Solomon, chapters 11–19 (or for some, 10–19) is the “Book of History.” This is a misleading designation because the author of the Wisdom of Solomon chose to present certain events from the exodus and wilderness traditions of ancient Israel not in the context of a continuous historical narrative, but rather as paradigmatic examples of God’s justice and mercy toward both the righteous and the ungodly. The purpose of the second half of the Wisdom of Solomon is pedagogical and apologetic rather than historical. The author’s avoidance of proper names and the consistent division of humanity in moral terms (the righteous vs the ungodly/unrighteous) rather than along ethnic lines (Israel vs Egyptians or Canaanites) should be taken seriously as an effort to universalize the lessons of Israel’s stories. The consistent message of both the antitheses and the excurses in chapters 11–19 is that God manifests both justice and mercy in disciplining human beings (both the righteous and the unrighteous) with suffering. Thus, it would be preferable to call chapters 11–19 either the “Book of Discipline” or the “Book of Divine Justice and Mercy.”

Author(s):  
Paul Franks

This article examines three moments of the post-Kantian philosophical tradition in the nineteenth and early twentieth centuries: Kantianism, Post-Kantian Idealism, and Neo-Kantianism. It elucidates the distinctive methods of a tradition that has never entirely disappeared and is now acknowledged once again as the source of contemporary insights. It outlines two problematics—naturalist scepticism and historicist nihilism—threatening the possibility of metaphysics. The first concerns sceptical worries about reason, emerging from attempts to extend the methods of natural science to the study of human beings. Kant’s project of a critical and transcendental analysis of reason, with its distinctive methods, should be considered a response. The second arises from the development of new methods of historical inquiry, seeming to undermine the very possibility of individual agency. Also considered are Kant’s successors’ revisions of the critical and transcendental analysis of reason, undertaken to overcome challenges confronting the original versions of Kant’s methods.


2007 ◽  
Vol 1 (1) ◽  
pp. 101-111 ◽  
Author(s):  
Peter Tze Ming Ng

AbstractThis article aims to apply the concept of 'glocalization' to the study of theology and culture. China is chosen as a case study, with particular focus on a Chinese theologians discussion of the interplay between Christianity and Chinese Culture in the early twentieth century China. Francis Wei was the first Chinese President of Huazhong University in Wuhan, 1929–1952, and he was appointed as the first Henry Luce Visiting Professor of World Christianity in 1945–46. Wei's conviction was that Christianity and Chinese culture could be complementary. He held that China needed Christianity for a better understanding of God's nature and the way human beings could communicate with God, while maintaining that Christianity needed China to move beyond western denominationalism. Moreover, Christianity could not become a universal religion without including China. This article argues that Wei's work is relevant to the contemporary discussion about interaction between globalization and localization, known as 'glocalization'.


2013 ◽  
Vol 56 (3) ◽  
pp. 471-493 ◽  
Author(s):  
Gregory Aldous

Abstract In recent years scholars have challenged the concept of an Islamic city by constructing a historical narrative in which it derives from the orientalist tradition. They claim that French orientalists in the early twentieth century created an ideal type of the Islamic city as contrasted with its Western counterpart in order to support the assumptions of orientalist discourse. The first part of the article challenges this assumption by showing that the French orientalists did not in fact posit an Islamic city type. The second part offers an alternative explanation for the genesis of the concept by tracing it to the work of American anthropologists in the 1950s.


2021 ◽  
pp. 25-54
Author(s):  
Brent Auerbach

Chapter 2 provides a brief history of the role of motives in Western music composition. Motive is posited as one of the several generative forces in music, alongside harmony, counterpoint, and form. Motive’s relative prominence is tracked in style periods of the last four centuries, with peak influence manifesting in the late Romantic and early twentieth-century periods. This changing role of motives is illustrated by a set of analyses of chronologically ordered pieces by Handel, Mozart, Brahms, Wagner, Holst, and Schoenberg. The musical examples, in addition to supporting the historical narrative, serve to introduce readers to the new conventions of nomenclature and rules motivic association that will be presented in detail in the methodology chapters of the book.


2009 ◽  
Vol 89 (4) ◽  
pp. 643-673
Author(s):  
María del Carmen Baerga-Santini

Abstract The article analyzes the case of Luisa Nevárez, the first woman condemned to the gallows in Puerto Rico at the beginning of the twentieth century. Convicted for the killing of her almost year-old daughter, she never admitted the crime nor showed any remorse. Yet, Luisa did not make an easy transition into the sphere of the criminal. The nascent identity that was being forged in early twentieth-century Puerto Rico configured the delinquent as a masculine subject who was acknowledged as possessing intellectual malice and the capacity for social action. Luisa’s condition as a woman, mother, and mulatta, her ignorance, and other factors deprived her of any possibility of entering the space of the criminal subject. Instead, the figure of Luisa oscillated between monster and madwoman in the discourses of the time. Around the mid-twentieth century her discursive figure emerges again, this time in the authorized voices of those concerned with criminal activities on the island. In this context, we find her embodying the prototype of the criminal woman: degenerate, ugly, black, and sexually insatiable. It is Luisa’s abject condition that places her on the threshold of history and on the borders of the intelligible. However, the impossibility of explaining her actions in a rational way constitutes a formidable challenge for the historian. In this respect, the article is also a reflection on the limits and possibilities of the representative faculties of the historical narrative.


2002 ◽  
Vol 36 (3) ◽  
pp. 491-512
Author(s):  
JEFFORY A. CLYMER

The historical narrative arguing that independent artisans were increasingly transformed into mere tenders of complicated machinery during the second half of the nineteenth century, leading ultimately to Henry Ford's minute division of labor in the assembly line, is both conventional and well known. Technology became more complex, its inner workings were less self-evident or easily comprehensible, and the material conditions of production, exemplified by modern factories built around a division of labor, became too large and systematic to be understood from the viewpoint of a single worker selling his or her labor. And, while industry was imagined more and more as an intricate system at the turn of the twentieth century, American society, analogously, under the increasing pressure of urbanization and immigration, came to be regarded as too complex to be understood from a single viewpoint. Exposés, for instance, on “how the other half lives,” to quote the title of Jacob Riis's famous book, attest both to the yearning and to the perceived inability to understand society as an entirety.This article suggests and examines the ways in which two older forms of imagining large systems, specifically, the methods of model-making and diagramming, were rearticulated at the turn of the twentieth century in response to a perceived greater complexity of both technology and American society. Models and diagrams are necessary when it seems that one can no longer envision a large system; they literally provide an imaginative site for a complex system. To understand the social roles of diagramming and model-making, I detail the ways each was imagined and deployed in the cultural history of invention and entrepreneurship in the early twentieth century.


2019 ◽  
pp. 149-186
Author(s):  
George Pattison

In this chapter the focus turns from God’s call to human beings to human beings calling upon God in prayer. This is especially exemplified in the practice of hesychasm or calling on the name of Jesus. This practice stimulated a series of philosophical and theological approaches to language among early twentieth century Russian thinkers: Pavel Florensky, Sergius Bulgakov, A. S. Losev, and Gustav Shpet. Despite significant differences these converge on the fundamental importance of the personal name as the core of human beings’ capacity for language. These thinkers also share an emphasis on the social concreteness of language, a focus further developed in Bakhtin’s dialogism. Bakhtin shows how the prosaic everyday world can become a milieu in which to seek and express authentic personal being and therewith a spiritual life in the condition of secularity.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

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