scholarly journals Children's Content Regulation and the ‘Obesity Epidemic’

2011 ◽  
Vol 140 (1) ◽  
pp. 47-60 ◽  
Author(s):  
Leonie Rutherford ◽  
Dean Biron ◽  
Helen Skouteris

Some 30 years ago, Australia introduced the Children's Television Standards (CTS) with the twin goals of providing children with high-quality local programs and offering some protection from the perceived harms of television. The most recent review of the CTS occurred in the context of a decade of increasing international concern at rising levels of overweight and obesity, especially in very young children. Overlapping regulatory jurisdictions and co-regulatory frameworks complicate the process of addressing pressing issues of child health, while rapid changes to the media ecology have both extended the amount of programming for children and increased the economic challenges for producers. Our article begins with an overview of the conceptual shifts in priorities articulated in the CTS over time. Using the 2007–09 Review of the CTS as a case study, it then examines the role of research and stakeholder discourses in the CTS review process and critiques the effectiveness of existing regulatory regimes, both in providing access to dedicated children's content and in addressing the problem of escalating obesity levels in the population.

Lumina ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 84-96
Author(s):  
Svetlana Simakova

The goal of the present study is to demonstrate the media-aesthetic potential of infographic messages on particular cases. This can be done due to an integrated approach to the analysis of the visual content of media content. That indicates the case study method implementation as well as description and generalization. The theoretical basis of the research is represented by scientific studies of various directions. That includes the history of media and visual media culture; features of the concepts of media culture and media language, media aesthetics; infographics as a tool of media language. The empirical basis of the study is journalistic materials containing infographic content of such publications as by RIA Novosti (ria.ru), TASS (tass.ru). The examples of visual image implementation in the transmission of information — media content containing infographics — are given and analyzed. Considering media aesthetics as the formation of a sensory perception of the proposed media content, the author turns to the philosophical and aesthetic foundations of visual practices in the media and post-humanistic trends in journalism. As a result of the analysis of the theoretical and practical basis of the research, the author comes to the conclusion that today the role of the media aesthetic component of messages is most relevant. And infographics, as the connecting link of language and consciousness, is its most striking tool.


2021 ◽  
Vol 11 (2) ◽  
pp. 73-85
Author(s):  
Suada A. Dzogovic ◽  
◽  
Vehbi Miftari ◽  

The topic of this article presents communication challenges and the role of the media in constructing an image of migrants and refugees as “the others” in our societies today. The article analyses the migrant situation in South-Eastern Europe, specifically in migration crisis in Bosnia and Herzegovina that has been going on since 2018. The aim is to present the basic aspects of this issue and offer answers to key questions - who are migrants and refugees, what’s their own identity, from which countries do they come, how do they cross the border, where do they go, what is the state’s attitude towards them, what forms and channels of communication the state and other stakeholders use toward them, who cares for them, what do they preserve from their national, cultural and/or language identities and how do they construct self-identity and confront with the “hosting identities”, who donates funds for migration management and how they are managed? Also, a special focus of the research will be on the human rights of migrants and refugees in Bosnia and Herzegovina, which is the subject of various discussions - both within the country itself and among various humanitarian, governmental and non-governmental international organizations in the EU and beyond.


Author(s):  
Karin Kukkonen

The conclusion shows that several of the embodied aspects of writing fiction discussed for the eighteenth-century novel can be traced into the nineteenth century through an example from Charles Dickens’ Great Expectations. It is shown that, like the earlier authors in the case studies in this book, Dickens features shifting embodied stances and involves elements of the media ecology of his day rather than deploying the concrete particulars that “formal realism” considers central to the novel. Links to larger arguments about the role of the novel in literary history are then drawn in contrast with accounts, based on Adorno/Habermas and Benjamin, that argue that eighteenth-century fiction becomes rationalised and disembodied with the novel and its culture industry. Rather than impoverishing experience, it is argued that the novel as a lifeworld technology depends profoundly on readers’ embodied engagements and that 4E cognition is a critical perspective that affords such an alternative take.


2020 ◽  
Vol 6 (1) ◽  
pp. 23-37
Author(s):  
Frédéric Dubois

This scholarly essay discusses one particular form of documentary production: interactive documentary. It does so in the larger context of media innovation research. Its main aim is to shed light on how those thinking and creating living documentaries define and frame social impact. The thesis behind this essay is, that contrary to media innovation happening within the paradigm of what scholars and practitioners call the ‘media industries’ - which are largely tributary to capitalist impact criteria, living documentary producers are mainly driven by the potential social impact that their work might have. By presenting and analysing the living documentary Field Trip (2019), a project in which I assumed a combined role of practitioner-researcher, I offer a case study that illustrates and tests my assumptions. I complement my observations within the case study with interviews and other practices. My findings indicate that from a media production perspective, the impact expectations of those making living documentaries can loosely be as associated with a commons-based production paradigm. Yet, producers of these documentaries constantly need to renegotiate and compromise on their social impact expectations because of internal production affordances and the (external) dominance of the ‘media industries’ paradigm.


2022 ◽  
Author(s):  
Xenia Negrea ◽  

In this study we propose an analysis of the media discourse on education. This paper is based on questions such as: in what manner is the media an echo for the public policy authors, for the dominant ideology, and what are the stories featuring the school topic. Using the content analysis, we aimed to find the narrative frames, and a map of the most cited journalistic sources. We found that the media is a very important source for public agenda. In fact, the media is one of the most powerful public and social policy agents. Our analysis covers the journalistic discourse in Romania for a period of one year, from the moment of declaring the state of emergency. One of the hypotheses was that the type of journalistic discourse under analysis is specific to crisis communication. Regarding the corpus of texts, we selected a publication where there are published only features on education, edupedu.ro, a quality publication with stories from different fields, including education, libertatea.ro, and a soft publication, kanald.ro. The texts were analysed from a multidisciplinary perspective, in order to define and describe a narrative pattern. One of our main findings is this fear of contaminating the quality press with false information. And, as a consequence, we have found a journalistic conformism and a lake of creativity and new approaches, respectively assuming a role of facilitating the information, of carrier, rather than of a watchdog.


2017 ◽  
Vol 2 (2) ◽  
Author(s):  
Danimir Gajić

The prevalence of overweight and obesity has increased during the last decade causing devastatingconsequences to the public health. Health and dietary exerts recommended healthier diet andphysical activity as strategies to reduce obesity. However, there has been a great deal of confusionabout the role of physical activity and exercise in obesity and weight management in general. Thefocus of this article is based on the fact that reduced physical activity and energy expenditure causeobesity and the obesity can lead to serious health problems among which are cardio vasculardiseases. The idea that obesity is caused by consistent decline in daily energy expenditure is notsupported either by objective measures of energy expenditure or physiological theory of weight gainalone. However, since voluntary exercise is the most important discretionary component of total dailyenergy expenditure, it can affect energy balance. In regards to the above-mentioned physical activityhas a big potential to become important part of the solution for the ongoing obesity epidemic.


2019 ◽  
Vol 24 (4) ◽  
pp. 531-550 ◽  
Author(s):  
Peter E. Mulherin ◽  
Benjamin Isakhan

This article assesses the link between the state and the media in their coverage of foreign policy decisions. It holds up to empirical scrutiny the claim that genuine press criticism can only occur within the bounds of political-elite debate. Taking the Australian government’s 2014 decision to fight the Islamic State as its case study, it explores areas of consensus and dissensus between political discourse and the media. Conducting a qualitative analysis of three media frames used by major newspapers, it tests the “indexing hypothesis” and concludes that some press coverage went beyond the parameters of political-elite debate. This finding of independent criticism has implications beyond the present case study, as it helps us better understand the role of the media in democracies—specifically, holding governments to account when sending their nations to war.


2004 ◽  
Vol 47 (3) ◽  
pp. 69-90 ◽  
Author(s):  
Ayo Olukoyun

Abstract:This article discusses the role of the media in Nigeria's Fourth Republic between 1999 and 2003. Employing a case study approach, it highlights as well as analyzes the media's role in insisting on accountability and decency in Nigeria's notoriously corrupt public life. The media's crusade ran against the country's geopolitical divisions and revived the debate on the national question as well as the media's own morality. The article draws on both primary and secondary data to examine the media's role in an emergent democracy.


2011 ◽  
Vol 208 ◽  
pp. 813-832 ◽  
Author(s):  
Jonathan Hassid

AbstractScholarly attention has not kept pace with the rapid changes in the professional role of Chinese journalists. Instead, two older views prevail. The first, which sees Chinese journalists as “mouthpieces” of the Communist Party unchanged from the Maoist era, downplays the tremendous changes in the media since 1978. The second view, holding that they are increasingly becoming “American-style professionals,” overstates the influence of international media norms on Chinese news workers' day-to-day reality. While such communist and American-style professionals do exist in contemporary China, both are far less influential and numerous than stereotypes would suggest. Exclusive scholarly focus on these groups ignores two other more numerous and influential orientations: “advocate professionals,” those who write to influence opinion and policy, and “workaday journalists,” who work mainly for money and lack a commitment to public service. This article delineates all four types of Chinese journalist and explains why an understanding of the latter two professional orientations is critical to understanding China's media, politics and society.


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