scholarly journals Feminist diagrams

2021 ◽  
pp. 146470012199718
Author(s):  
Sam McBean
Keyword(s):  
Feminist Theory ◽  
Buffer Zone ◽  
Starting Point ◽  
Feminist Writing ◽  
History Of ◽  
Feminist Revolution

On 4 January 1971, Ti-Grace Atkinson delivered a talk entitled ‘Strategy and Tactics: A Presentation of Political Lesbianism’. The talk was later published in her collected essays, Amazon Odyssey. The essay contains thirty-five diagrams: ten ‘Strategy Charts’, three ‘Tactical Charts’ and twenty-two ‘Tactical-Strategy Charts’, which map a strategy of the ‘Oppressor’ (men) and the tactics that the ‘Oppressed’ (women) might develop to lead to a revolution – lesbians, significantly, are the ‘Buffer Zone’ between these two classes. In the only reference I have managed to find to these diagrams, they are referred to as ‘crazy’. This article re-visits these diagrams, exploring the role of the diagram in how Atkinson attempts to map patriarchal relations and also imagine a feminist revolution. Taking Atkinson’s diagrams as a starting point, the article then uses them to begin to narrate a genealogy of the diagram in feminist theory, exploring a diagrammatic imaginary that is an often-used but rarely discussed tactic in feminist writing. Finally, the article opens out to consider how this history of feminist diagrams might be a precursor to more contemporary feminist data visualisations.

scholarly journals The tale of the fungi of two gardens: non-lichenised fungi of the Botanic Gardens in Glasgow

2019 ◽  
Vol 27 (1) ◽  
pp. 57-63
Author(s):  
R. Watling
Keyword(s):  
City Council ◽  
Complete List ◽  
Botanic Gardens ◽  
Short Account ◽  
Starting Point ◽  
History Of ◽  
Made In ◽  
Present Site

A brief history of the early days of mycology in Scotland is given to act as a starting point from which to view the fungal records made in the gardens at Sandyford and Kelvinside. The former was vacated in 1842 and the garden transferred to the present site at Kelvinside under the authority of the Glasgow City Council. The role of J.F. Klotzsch in generating the earliest records is emphasised and the compilation of fungal records, mainly of macrofungi, until the present day is discussed. A short account of the microfungi is given. A complete list of the fungi recorded from the two gardens is provided.

Santa y Andrés: A dossier

2020 ◽  
Vol 17 (3) ◽  
pp. 377-382
Author(s):  
Dunja Fehimović ◽  
Ruth Goldberg
Keyword(s):  
Subject Matter ◽  
Film Industry ◽  
Cuban Revolution ◽  
Original Essays ◽  
Starting Point ◽  
Online Archive ◽  
History Of ◽  
The Subject ◽  
Cuban Cinema

Carlos Lechuga’s film Santa y Andrés (2016) has enjoyed worldwide acclaim as an intimate, dramatic portrayal of the unlikely friendship that develops in rural Cuba between Andrés, a gay dissident writer, and Santa, the militant citizen who has been sent to surveil him. Declared to be extreme and/or inaccurate in its historical depictions, the film was censored in Cuba and was the subject of intense controversy and public polemics surrounding its release in 2016. Debates about the film’s subject matter and its censorship extend ongoing disagreement over the role of art within the Cuban Revolution, and the changing nature of the Cuban film industry itself. This dossier brings together new scholarship on Santa y Andrés and is linked to an online archive of some of the original essays that have been written about the film by Cuban critics and filmmakers since 2016. The aim of this project is to create a starting point for researchers who wish to investigate Santa y Andrés, evaluating the film both for its contentious initial reception, and in terms of its enduring contribution to the history of Cuban cinema.

scholarly journals A Natural History of Repetition

2019 ◽  
Vol 5 (2) ◽  
pp. 15-44
Author(s):  
Anne E. Jones ◽  
S.P. Henzi ◽  
Louise Barrett
Keyword(s):  
Natural History ◽  
Multilevel Model ◽  
Repetitive Behavior ◽  
Free Play ◽  
Typically Developing ◽  
Older Children ◽  
Maria Montessori ◽  
Starting Point ◽  
History Of

The purpose of this study was to understand typically developing children’s repetitive behavior in a free-play, daycare setting. By studying repetition in a non-Montessori setting, we tested the assumption that repetition is a characteristic behavior of all young children and not limited to the Montessori environment. Although Maria Montessori identified repetition during her observations, there is little empirical evidence to support her claim: most research has considered repetition in terms of psychopathology. We collected naturalistic observational data on 31 3- to 6-year-old children for a total of 101 hours to investigate the frequency, contexts, and structure of repetitive bouts. Multilevel model results suggest the ubiquity of repetition, as all children in the study engaged in motor repetition. Furthermore, repetition occurred throughout all free-play activities (construction, animation, fantasy play, rough-and-tumble play, and undirected activity), although repetition was not equally distributed across activities. Motor repetition was not equal across ages either; younger children engaged in more motor repetition than did older children. To understand the structure of repetition, our study also looked at the length of repetition bouts, which ranged from 2 to 19 repetitions and averaged 2.86 repetitions per bout. This natural history of repetition is an influential starting point for understanding the role of repetition in development and is informative to both Montessori and non-Montessori early childhood educators.

scholarly journals Dueling, Conflicting Masculinities, and the Victorian Gentleman

2017 ◽  
Vol 56 (3) ◽  
pp. 605-628 ◽  
Author(s):  
Margery Masterson
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Interpersonal Violence ◽  
Multifaceted Approach ◽  
Multiple Modes ◽  
Starting Point ◽  
Modern Britain ◽  
History Of ◽  
The Relationship

AbstractThis article takes an unexplored popular debate from the 1860s over the role of dueling in regulating gentlemanly conduct as the starting point to examine the relationship between elite Victorian masculinities and interpersonal violence. In the absence of a meaningful replacement for dueling and other ritualized acts meant to defend personal honor, multiple modes of often conflicting masculinities became available to genteel men in the middle of the nineteenth century. Considering the security fears of the period––European and imperial, real and imagined––the article illustrates how pacific and martial masculine identities coexisted in a shifting and uneasy balance. The professional character of the enlarging gentlemanly classes and the increased importance of men's domestic identities––trends often aligned with hegemonic masculinity––played an ambivalent role in popular attitudes to interpersonal violence. The cultural history of dueling can thus inform a multifaceted approach toward gender, class, and violence in modern Britain.

The Military Orders in the Crusading Proposals of the Late-Thirteenth and Early-Fourteenth Centuries

Traditio ◽  
1980 ◽  
Vol 36 ◽  
pp. 317-345 ◽  
Author(s):  
A. J. Forey
Keyword(s):  
Religious Institutions ◽  
Holy Land ◽  
Starting Point ◽  
Secular Clergy ◽  
Military Orders ◽  
History Of ◽  
Religious Establishment ◽  
The Military ◽  
The Temple

The most outstanding event in the history of the military orders at the end of the thirteenth and start of the fourteenth centuries was, of course, the dissolution of the Temple. This was not, however, an isolated happening. Although the accusations which led to the abolition of that order had been publicly voiced only shortly before the Templars‘ arrest, the proceedings against the Temple took place at a time when criticism of the military orders in general was mounting, and this growth of hostile opinion no doubt facilitated Philip IV's attack on the Templars. Ever since their foundation the military orders had been subjected to some criticism, but much early censure had been of a kind which might be directed against any religious establishment, especially by members of the secular clergy who found that their authority and resources were being impaired by the privileges which the military orders and other religious institutions enjoyed: it was not primarily concerned with the orders’ contribution to the struggle against the infidel. But as the fortunes of the crusading states declined, the military orders became increasingly criticised for their inadequacies as defenders of Christendom. Defeat in the Holy Land had to be explained by faults on the Christian side rather than in terms of Muslim superiority, and the military orders were an obvious target for attack. The authors of the numerous crusading proposals which were put forward in the late-thirteenth and early-fourteenth centuries were inevitably influenced by this growing criticism, and many crusading plans therefore included suggestions concerning the military orders. Those who drew up proposals did not themselves provide a reasoned or detailed account of the orders' faults or attempt to judge to what extent these failings contributed to Christian defeats, but the criticisms on which they based their plans were clearly not altogether groundless: although some strictures were ill-informed or excessive, the policies which the orders themselves pursued certainly provided a starting-point for the growth of hostile opinion. Yet some writers did not seek merely to remedy existing defects in the orders; they sought also to discuss what the role of the military order should be in the struggle against the infidel, and thus viewed the subject in a rather wider context.

scholarly journals Return to the Repressive: Re-thinking Nature- Culture in Contemporary Feminist Theory

2018 ◽  
Vol 1 (1) ◽  
pp. 245-255
Author(s):  
Deborah Goldgaber
Keyword(s):  
Feminist Theory ◽  
The Body ◽  
History Of Sexuality ◽  
Adequate Account ◽  
History Of ◽  
Cultural Forces

AbstractIn “History of Sexuality” (Vol I.) Foucault argued that repression is the wrong model of power, understanding it in exclusively negative terms, as external to the body it constrains and inhibits. Power may also be positive, productive, and constitutive of the body and its possibilities. Thus, an adequate account of the relation between cultural forces and the body, Foucault argues, must challenge the “repressive hypothesis” (RH). Contemporary feminist accounts of the body are structured by this same oppositional view of power Foucault assumed: to call on Rosi Braidotti’s distinction, discursive (cultural) forces are either negative or repressive (potestas) or positive and empowering (potentia). In this paper I argue that this opposition forecloses several possibilities for thinking the morphogenetic role of culture. In particular, it assumes wrongly that repressive relations cannot be productive.

scholarly journals (Inter)nationalistisk folkbildning: Säkerhetspolitik, nationalism och opinionsbildning i den svenska folkhögskolans mobilisering för utvecklingsfrågor 1950–1969

2018 ◽  
Vol 5 (1) ◽  
pp. 51-72
Author(s):  
Sofia Österborg Wiklund
Keyword(s):  
High School ◽  
High Schools ◽  
National Security ◽  
Security Policy ◽  
Popular Education ◽  
Development Aid ◽  
Starting Point ◽  
Folk High School ◽  
History Of

(Inter)nationalist Popular Education: Security Policy, Nationalism and Advocacy in the Swedish Folk High Schools’ Action on Development Issues 1950-1969Folk High Schools in Sweden have a long history of engaging internationally, especially as regards courses on development studies (u-landslinjer) that emerged in the late sixties. The purpose of this article is to track some of the discourses about internationalisation, development and aid that preceded those courses, as well as to scrutinise ideas of the role of the Folk High School (folkhögskola) in the emerging field of development aid. Analysing material from Tidskrift för svenska folkhögskolan (Journal of the Swedish Folk High School) between 1950 and 1969, the study shows that the discourse on internationalism takes its starting point from an already established nationalism and nordism. National security also arises as an argument for engaging in development issues. The analysis also shows that there is a shift in the role of the Folk High School in the evolving development work; from “helping” to “advocating.” The results raise questions about how we can understand today’s Folk High School courses on global development against the background of the debates of the fifties and sixties.

scholarly journals Estão todos convidados para a Festa! E para dançar também... O projecto do Serviço Educativo do Museu Arqueológico do Carmo na 5ª Edição da Festa da Arqueologia

2020 ◽  
pp. 447-457
Author(s):  
Rita Pires dos Santos
Keyword(s):  
Industrial Revolution ◽  
Education Department ◽  
Educational Role ◽  
Starting Point ◽  
The Social ◽  
History Of

The Education Department of the Carmo Archaeological Museum, created in 2003, has the mission to ensure that people of all ages and abilities can enjoy, experience, and understand the history of the Museum and its collection. But how do we go about to make that happen? To get people to participate and get involved? What strategies can we use to ask someone to “dance” with us? What is the social and educational role of the museums? Taking this questions as our starting point our aim is to analyze the project developed by the Educational Department for the 5th edition of the event Festa da Arqueologia that took place in April 2019 with the theme Revolutions and Resistances – From the Origins to the Industrial Revolution.

scholarly journals Artistic and stylistic features of men's costumes of the 1970s in R. Balayan's film "Flights in Dreams and Realities" (Polyoty vo sne i nayavu)

2021 ◽  
pp. 132-138
Author(s):  
Iryna Chubotina
Keyword(s):  
Art History ◽  
Cultural Context ◽  
Semantic Content ◽  
Clothing Design ◽  
Cultural Paradigm ◽  
Starting Point ◽  
History Of ◽  
World Cultural Heritage ◽  
Analytical Research

The purpose of the article is to reveal the artistic and stylistic features of men's costumes in R. Balayan film "Flights in Dreams and Reality" (Polyoty vo sne i nayavu) as significant for Ukrainian cinema and design of the 1970s-1980s. The proposed research contributes to the history of costume in cinema, considering it as an object of design in the context of the 1970s-1980s fashion, world and domestic cultural paradigm. Methodology. Work on the chosen topic involves the following theoretical methods: an analytical research method for generalization and delineation of issues; comparative analysis to identify the features of men's costume in cinema in the context of domestic and world cultural heritage; the art history method will serve to understand the contribution of the visual series in the film to modern design and culture in general. The scientific novelty of the study is to explain the correlation of men's costume in cinema and the fashion mainstream of the late 1970s - early 1980s on the example of the film "Flights in Dreams and Reality". It should be noted that previously the analysis of R. Balayan's work was primarily directed to find the origins of visual imagery and its semantic content; the place and role of costumes in his films, the socio-cultural context in which they were created were not previously considered in detail. Despite the numerous bibliography of materials devoted to the work of R. Balayan and especially "Flights…" (Может нужно было полное название "Flights in Dreams and Reality") which covered the most various artistic aspects, still such as an important component of R. Balayan's films as the costume has been practically ignored. Conclusions. Understanding of the role of costumes in domestic cinema on the example of the film "Flights in Dreams and Reality", which reflects not only the visual part of the film but also the cultural and artistic context of the film, gives a new starting point for studying the history of men's costume and its contribution to modern fashion. The laconism and harmony of figurative solutions of the 1970s experience their last years of popularity in the early 1980s, right before their disappearance, giving us an example of the perfect combination of simple form and deep filling, which can serve as an example to follow in modern men's clothing design.

scholarly journals The moulds from Velebit and European bronze age metal anvils

Starinar ◽  
2019 ◽  
pp. 139-182
Author(s):  
Barbara Armbruster ◽  
Albrecht Jockenhövel ◽  
Aleksandar Kapuran ◽  
Rasko Ramadanski
Keyword(s):  
Functional Analysis ◽  
Social Context ◽  
Bronze Age ◽  
General Role ◽  
Starting Point ◽  
History Of ◽  
The Village ◽  
The Bronze Age ◽  
Significant Class

During the first excavations of the cemetery dating from the Bronze Age and Early Antiquity in the village of Velebit near Kanjiza (Northern Serbia) one of the excavated artefacts was found to belong to a used and broken stone mould for casting anvils. However, without an expert archaeologist to supervise the recovery of this find, which remained unknown for decades after its discovery, as a starting point, the authors of this article present a synthesis that takes into account several aspects of this significant class of metalcraft object. This proceeds from the history of the excavation to the general role of European Bronze Age anvils in gold and bronze metalworking, and then further on to their typological, terminological, chronological and functional analysis and to their long-range distribution as a sign of an interregional network of craftsmen, including their social context and symbolism.

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