Design drawing/drawing design

Author(s):  
A. Moreira da Silva
Keyword(s):  
Author(s):  
Yin Shi

As a branch of watercolor painting, watercolor light color has been widely used in different fields. In the field of design, designers use the convenience, quickness, transparency and brilliance of watercolor to draw a design drawing. In the field of art creation, watercolor is usually the best choice for painters to go out to sketch and create large-scale drawings. In the field of art education, watercolor tools are easy to carry, low-cost and easy to operate, which can facilitate students’ repeated practice and outside Sketching is helpful to cultivate students’ sense of color and observation ability. Therefore, as a branch of art curriculum, watercolor light color has a wide range of uses and great practicability, which is worth exploring and studying.


2005 ◽  
Author(s):  
Raffaele Moschillo

This research, dealing with the design of furnishing accessories, has been sparked by the teaching activity within the design drawing workshop. The objective of the course was to apply themes and methods connected with representation and, at the same time, to develop the graphic elaboration capacities of each student. The text has been organised under four headings: drawing as the science of representation, drawing as analysis, drawing as a communication tool and drawing as design. Each subject is developed through a theoretical section and a corresponding practical part with one or more exercises.


Author(s):  
Yael Valerie Perez

Against the backdrop of increasing recognition of the social and cultural pillar of sustainable development, this chapter advances the notion of design freedom as a conceptual and methodological tool for deepening our commitments towards participatory and emancipatory design. Drawing from Sen's development as freedom approach, design freedom is broadly defined as a process that identifies opportunities for people to ameliorate their life conditions. In addition to enabling sustainability, design freedom is also a transformative process in and of itself, expanding opportunities of all participants in the process. As such, it augments the subfield of design methods adding processual consideration to its instrumental orientation. The chapter offers an illustration of the potential of design freedom as research and action approach by presenting a case study of co-design with the Pinoleville Pomo Nation tribe in California. This design freedom project identified and fostered three key capacities for community flourishing: distributed agency, expressive materials, and effective form.


Author(s):  
Todd S. Stubbs ◽  
Andrew S. Gibbons

This chapter is a survey of the literature of design studies, where the various characteristics of a phenomenon called design drawing, are considered. Included in this review is an exploration of the roles and attributes design drawing plays in those design fields outside ID, as an important design language. Its importance to those design fields suggests that design drawing might have much to teach us about Visual Instructional Design Languages (VIDLs). In reviewing these attributes of design drawing and how they are implemented in those other fields of design, we hope to inspire a dialogue on how these important characteristics will aid in creating or nurturing VIDLs.


2011 ◽  
pp. 262-272 ◽  
Author(s):  
Daniel Brandon Jr.

This chapter presents some particularly useful UML stereotypes for use in business systems. Stereotypes are the core extension mechanism of UML. If you find that you need a modeling element or information extension to an element that is not in UML but it is similar to something that is, you treat your addition/extension as a stereotype. These new stereotypes are defined and the need for them is discussed. The stereotypes aid in both the design/drawing phase and in the implementation (coding) phase of the overall system construction. An example case study illustrates their usage with both design drawings and the implementation code (C++).


2012 ◽  
Vol 256-259 ◽  
pp. 2871-2876
Author(s):  
Jiang Chang Jin ◽  
Cheng Wang

In the paper, the non-metallic bulletproof helmet is analyzed in research. The way can not accurately describe and transmit the shape messages of free-curve and free-camber , in design drawing by hand, design period long and a large amount of work, a large number of data are lose and man-made muff. Advance to use the way combine Rhino software and AutoCAD 2007 software in The Computer Simulation Auxiliary Design of non-metallic bulletproof helmet, raise design level.


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