scholarly journals Analyzing the Children’s Book The Journey Using Greimas’ Semiotic Analysis

2018 ◽  
Vol 3 (1) ◽  
Author(s):  
Kübra Güran Yiğitbaşı
sjesr ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 423-430
Author(s):  
Huda Tufail ◽  
Dr. Mamona Yasmin Khan ◽  
Prof. Dr. Uzma Qureshi

The massive spread of Coronavirus has badly affected the entire globe and lives of the people irrespective of age or gender. Children in this regard are no exemption. They are affected not only physically but also emotionally and mentally due to the virus and quarantine period. This study aims to provide a semiotic analysis of the visual representations of Covid-19 in the children’s book covers selected on a global level. These covers are new emerging literature and serve to narrate a global discourse related to COVID-19. The researchers have followed the qualitative approach and the data have been collected using purposive sampling technique to provide a holistic interpretation of the selected covers. Framework, selected for the study, is ‘Semiotic Analysis’ by Kress and van Leeuwen (2006). The findings revealed that the participants’ actions and overall circumstances in these covers are highly meaningful. The action narrative and colorful illustrations aim to motivate the young audience in a positive manner. Furthermore, they communicate a message of hope and urge them to fight against the virus. The visuals in these covers are therefore quite significant in their meanings and interpretations.


2020 ◽  
Vol 25 ◽  
pp. 1
Author(s):  
Andrialex William da Silva ◽  
Manoilly Dantas de Oliveira

Este trabalho é um recorte da pesquisa de mestrado e configura-se como um estudo de caso, de abordagem qualitativa. Tem como objetivo analisar uma proposta de ensino para a alfabetização e para o letramento de uma turma de 3º ano do Ensino Fundamental. A proposta, elaborada a partir da obra “Dois Chapéus Vermelhinhos”, escrita por Ronaldo Simões Coelho e ilustrada por Humberto Guimarães, desenvolveu-se no período de quatro dias. As aulas foram observadas, e, como instrumentos de coleta de dados, foi usado o diário de campo, além do registro fotográfico. O referencial teórico que norteia as análises do trabalho se refere aos processos de alfabetização e de letramento. Constatou-se que o livro infantil, com seu potencial textual, pode ser um instrumento significativo para o ensino da leitura e da escrita. Além disso, pode fornecer subsídio para o desenvolvimento de atividades que envolvem gêneros textuais de forma contextualizada. Por fim, compreende-se o livro infantil como uma ferramenta que pode vir a colaborar com os processos de alfabetização e de letramento.


Author(s):  
Aislu R. Abdulkhakova

In this article the national origins of Tatar children’s book art formation and the influence of Russian traditions of book design are considered. The history of Tatar children’s book design art development in the Soviet period covers the field briefly. The author succeeded in eliciting some facts in the field of children’s book design in the local archival and printed sources, and these facts are produced in the article. The names of some graphic artists are mentioned.


Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Rajab Ritonga

ABSTRACT ‘Tanda Tanya (?)’ movie has become an Indonesian cinematic work with some controversies complement with it. The controversies lie on how the movie constructed their messages related to the description of Islamic image. The Islamic image which is depicted in this movie contains several sym- bols which created a demonization on the construction of Islam and Moslem. The narrative theory that has been employed focuses on greimas actantial analysis models which emphasizes on how the narrative creates a story and how the story becomes a narrative discourse. The semiotic analysis used on this research is in term of constructivist perspective which aims at constructing the phenomena as a whole answer. The result of the research is that demonization of Islam has been constructed through the narrative sequences of ‘Tanda Tanya’. The movie depicted Islam in an image of traditional, un- civilized, terrorism, destructive, and aggressive community. This created a meaning of Islam as a negative and demonic community, religion, and value. Keywords: demonization, Islam, narrative  ABSTRAK Film ‘Tanda Tanya (?)’ merupakan sebuah karya cinema Indonesia yang mengundang banyak kontroversi. Kontroversi terletak pada bagaimana film ini mengkonstruksikan pesan-pesannya terkait penggambaran citra Islam. Citra Islam yang digambarkan dalam film ini mengandung simbol-simbol yang menciptakan sebuah demonisasi pada kon- struksi Islam dan muslim. Dalam penelitian ini teori naratif digunakan sebagai alat un- tuk memberikan gambaran tentang fenomena demonisasi. Teori naratif yang digunakan berfokus pada model analisis aktansial greimas yang menitikberatkan bagaimana naratif menciptakan sebuah cerita dan bagaimana cerita menjadi sebuah wacana naratif. Analisis semiotik yang digunakan dalam penelitian ini berdasarkan penggunaan dalam paradigma konstruktivis yang bertujuan mengkonstruksi fenomena sebagai sebuah jawaban. Temuan penelitian ini ialah demonisasi umat Islam dikonstruksikan melalui sekuen/babakan nara- tif dalam film ‘Tanda Tanya’. Film ini menggambarkan Islam dalam sebuah citra masyara- kat yang tradisional, tidak beradab, teroris, merusak, dan agresif. Ini menciptakan suatu pemaknaan Islam sebagai masyarakat, agama, dan nilai yang demonik dan negatif. Kata kunci: demonisasi, Islam, naratif


Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Rajab Ritonga

ABSTRACT ‘Tanda Tanya (?)’ movie has become an Indonesian cinematic work with some controversies complement with it. The controversies lie on how the movie constructed their messages related to the description of Islamic image. The Islamic image which is depicted in this movie contains several sym- bols which created a demonization on the construction of Islam and Moslem. The narrative theory that has been employed focuses on greimas actantial analysis models which emphasizes on how the narrative creates a story and how the story becomes a narrative discourse. The semiotic analysis used on this research is in term of constructivist perspective which aims at constructing the phenomena as a whole answer. The result of the research is that demonization of Islam has been constructed through the narrative sequences of ‘Tanda Tanya’. The movie depicted Islam in an image of traditional, un- civilized, terrorism, destructive, and aggressive community. This created a meaning of Islam as a negative and demonic community, religion, and value. Keywords: demonization, Islam, narrative  ABSTRAK Film ‘Tanda Tanya (?)’ merupakan sebuah karya cinema Indonesia yang mengundang banyak kontroversi. Kontroversi terletak pada bagaimana film ini mengkonstruksikan pesan-pesannya terkait penggambaran citra Islam. Citra Islam yang digambarkan dalam film ini mengandung simbol-simbol yang menciptakan sebuah demonisasi pada kon- struksi Islam dan muslim. Dalam penelitian ini teori naratif digunakan sebagai alat un- tuk memberikan gambaran tentang fenomena demonisasi. Teori naratif yang digunakan berfokus pada model analisis aktansial greimas yang menitikberatkan bagaimana naratif menciptakan sebuah cerita dan bagaimana cerita menjadi sebuah wacana naratif. Analisis semiotik yang digunakan dalam penelitian ini berdasarkan penggunaan dalam paradigma konstruktivis yang bertujuan mengkonstruksi fenomena sebagai sebuah jawaban. Temuan penelitian ini ialah demonisasi umat Islam dikonstruksikan melalui sekuen/babakan nara- tif dalam film ‘Tanda Tanya’. Film ini menggambarkan Islam dalam sebuah citra masyara- kat yang tradisional, tidak beradab, teroris, merusak, dan agresif. Ini menciptakan suatu pemaknaan Islam sebagai masyarakat, agama, dan nilai yang demonik dan negatif. Kata kunci: demonisasi, Islam, naratif


Author(s):  
Khaled Besbes

Abstract: The present article sought to offer a semiotic analysis of Pinter’s The Caretaker’s characters as signifers in their own right. The article also aimed at studying the play’s dramatis personae as loci of multi-coded expressions, with a focus on the various modes of signifcation associated with them. Using semiotics as an analytical method, the author explored the linguistic and paralinguistic features of the characters’ discourses as signs in relation to the play’s pivotal themes, their kinesic and body expressions as indexical signs, as well as their distinctive proxemic behavior(s) onstage. Some attention was also given to the characters’ handling of stage props and the special meanings attached to them as replicators of character personality. The results of the discussion showed that using a semiotic approach to analyze The Caretaker’s characters can yield positive outcomes in terms of comprehensive analysis and interpretation of the characters as dynamic unities of interrelated sign-systems. Keywords: Pinter, semiotics, dramatis personae, linguistic, kinesic, proxemic


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