scholarly journals POE’S BIOPICS: REPRESENTATIONS OF THE AUTHOR IN D.W. GRIFFITH’S EDGAR ALLEN POE AND JAMES MCTEIGUE’S THE RAVEN

Abusões ◽  
2018 ◽  
Vol 6 (6) ◽  
Author(s):  
Amanda Leonardi de Oliveira ◽  
Elaine Indrusiak
Keyword(s):  
Edgar Allan Poe ◽  
Roland Barthes ◽  
Edgar Allen Poe

Cinebiografias literárias frequentemente reforçam visões românticas quanto ao fazer artístico, reiterando a visão biografista e a centralidade do autor há muito denunciadas por Roland Barthes (1977). Curiosamente, um dos mais célebres críticos de tais concepções românticas, Edgar Allan Poe, viu-se vítima desse mesmo tratamento ao ter sua produçãoliterária apropriada como parte e reflexo de sua controversa biografia em diversas obras. O presente artigodebruça-sesobre dois filmes biográficos, ou biopics, acerca do célebre poeta, Edgar Allen Poe(sic), de D.W. Griffith (1909), e O Corvo, de James McTeigue (2012). A análise das obras aponta que ambas reiteram a fusão entre vida e obrado artista, bem como o apagamento das fronteiras entre fato histórico e ficção, entre autor e personagem, alta cultura e cultura de massa, contribuindo para a caracterização do gênero biopiccomo um dos mais bem-acabados exemplos de metaficção historiográfica (Hutcheon, 1988).

scholarly journals Literary Processes In America in the 50s of the XXth Century

enadakultura ◽  
2021 ◽  
Author(s):  
Nana Gagua
Keyword(s):  
United States ◽  
Human Nature ◽  
20Th Century ◽  
Edgar Allan Poe ◽  
The United States ◽  
American Poetry ◽  
Dark Side ◽  
Xxth Century ◽  
Literary Process ◽  
Edgar Allen Poe

Above mentioned article describes development of literary process in the United States at the beginning of the 20th century. The article discusses the most influential figure of American Poetry Edgar Allan Poe. His immersive influence on art field. Generally his poetry is distinguished with expressing bitter truth about dark side of human nature. His works definitely express sympathy and love toward humans. Edgar Allen Poe is an inspiration for many modern writers, among them is Steven King. Generally Edgar Allen Poe’s works contain different genres, in the end he is genius, honest and human artist who worries about human’s condition.

Translation and Audience: Edgar Allen Poe’s “The Gold-Bug”

2017 ◽  
Vol 5 (4) ◽  
pp. 1 ◽  
Author(s):  
Clayton Tyler McKee
Keyword(s):  
Nineteenth Century ◽  
Edgar Allan Poe ◽  
Charles Baudelaire ◽  
Language Choice ◽  
Intended Audience ◽  
Original Works ◽  
Nineteenth Century France ◽  
Women's Magazine ◽  
Edgar Allen Poe ◽  
Work Done

This study intends to explore how the intended audience of a translation shapes the techniques used by the translators of the same text in order to convey the same message in a different manner. Focusing on two translations of a work done by Edgar Allen Poe, this work demonstrates how the translator shapes a translation to its audience, whether it is a pedagogical purpose or a literary one. In nineteenth century France, translations of Edgar Allan Poe began appearing in newspapers and journals catching the attention of well-known authors, such as Charles Baudelaire. While many academics, such as Wallaert and Bonnefoy, have compared Baudelaire’s translations and language choice to the original works and other translators working in the intellectual arena, the translation of “The Gold-Bug” in a young women’s magazine has not been included in the conversation. Twenty-two years before Baudelaire translates “The Gold-Bug,” originally published in English in 1843, Le magasin de desmoiselles offered a version of “Le scarabée d’or” which differed greatly in style from the version Baudelaire would provide. Comparing the two versions of the story through Schleiermacher’s theory on moving the text and Nida’s theory of equivalencies demonstrates how methods of translation fit for specific audiences in terms of a text’s foreignization and domestication. Le magasin strove to educate young bourgeoisie women à l’aristocrat while Baudelaire found inspiration in Poe’s work which would influence other movements in France. These purposes led to two translations that educate readers on foreign authors also allowing a view into how audience has influenced the translation of Poe for the French public. 

Edgar Allan Poe Matches Wits With One of the First Identified Serial Killers!

PsycCRITIQUES ◽  
2014 ◽  
Vol 59 (2) ◽  
Author(s):  
James F. Iaccino ◽  
Jennifer Dondero
Keyword(s):  
Edgar Allan Poe ◽  
Serial Killers

Formative Influences

2018 ◽  
Author(s):  
Hilary Radner ◽  
Alistair Fox
Keyword(s):  
Michel Foucault ◽  
Roland Barthes ◽  
Film Analysis ◽  
The 1960S ◽  
Christian Metz ◽  
The Way

In this section of the interview, Bellour describes how he began to engage in film analysis in the 1960s, beginning with a sequence from Alfred Hitchcock’s The Birds, with the aim of establishing the way it worked as a “text.” He proceeds to describe his personal encounters with major figures like Roland Barthes, Claude Lévi-Strauss, Michel Foucault, and his friendship with Christian Metz, suggesting how his interchanges with them helped to shape his own thinking, and how it diverged from theirs.

Roland Barthes in Harmony: the writing of Utopia

Paragraph ◽  
1988 ◽  
Vol 11 (2) ◽  
pp. 127-142 ◽  
Author(s):  
Diana Knight
Keyword(s):  
Roland Barthes

Notes on Loving a Mourner (with Roland Barthes and Others)

Paragraph ◽  
2017 ◽  
Vol 40 (2) ◽  
pp. 211-227
Author(s):  
Matt Phillips
Keyword(s):  
Sigmund Freud ◽  
Ethics Of Care ◽  
Roland Barthes ◽  
Melanie Klein ◽  
Personal Observation ◽  
Late Work ◽  
Point Of Departure

This essay examines the place of love in grief, staging a relation between a mourner and her lover. Taking as its point of departure Freud's observation that mourning leads to a ‘loss of the capacity to love’, it considers the effects bereavement might have on the bereaved's relations with those that love them, and the possibilities, pitfalls and ethics of care in such a context. This is explored largely through a reading of Roland Barthes's late work (both as a writer of grief and a theorist of love), as well as ideas drawn from Sigmund Freud, Melanie Klein, Sara Ahmed, Hamlet and personal observation. Love and care are thought through alongside notions of ‘tact’, ‘benevolence’ and ‘parrying against reduction’ in late Barthes.

ANALISIS VISUAL PADA SAMPUL DEPAN MAJALAH DESAIN GRAFIS “CONCEPT” EDISI ULTAH PERDANA (Sebuah Kajian Semiotika)

DeKaVe ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Prayanto WH
Keyword(s):  
Graphic Design ◽  
Roland Barthes ◽  
Specific Design ◽  
Design Work ◽  
Design Elements ◽  
Semiotic Approach ◽  
Short Time ◽  
Content Information ◽  
Magazine Cover

Magazine is one of the forms of mass media that has fungsikomunikasi to convey information to mass audiences. The cover is an important element because it is through cover / cover one can guess the contents of the magazine, as well as further interested to know further information contained therein. On a magazine cover consists of drawings and writings are arranged in such a way that looks interesting and has meaning Press publications, especially magazines, today's not enough just to rely on the quality of news or manuscript, although verbal aspect is very important. It must be recognized that the visual aspects (design) as the cover / envelope has crucial role to capture the prospective reader. For the cover of a magazine is a window that shows the content information, can be either a text or photographs, illustrations, and design elements. The function of a magazine cover is to attract, dazzle prospective readers, by way influence the thoughts flow in a short time. So it's no wonder much current the magazine publisher who made the cover of such a way as to attract the attention of prospective readers. Thus the task of designers to magazine cover to create designs that attract the attention of the reader becomes increasingly severe. This study tries to analyze a visual on the front cover Magazine Graphic Design 'Concept' birthday inaugural edition by using the Roland Barthes' semiotic approach. As Roland Barthes (1984), any simple "design work (magazine cover)" continue to play in management of the sign. So that will generate a message (image) specific. Design cover, usually contains the elements of the sign in the form of objects, context of the environment, people or other beings who provide meaning to objects, and text (of writing) that reinforce the meaning.Keyword: cover, magazine Concept, semiotics

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