I Was a Retail Salesperson: An Examination of Two Memoirs About Working in Retail

2018 ◽  
Vol 3 (1) ◽  
pp. 40-49
Author(s):  
Brittany Clark
Keyword(s):  
Working Class ◽  
Working Life ◽  
The Other ◽  
Nation State ◽  
American Perspective ◽  
Retail Workers

This article considers Barbara Ehrenreich’s Nickel and Dimed (originally published in 2001) and Caitlin Kelly’s Malled (2011) as representational narratives of working-class retail workers. The display of working-class experience in each work is considered in the context of the authors’ lives and experiences, considering use of language, events and broader expectations of the working life of retail salespeople. Using Stuart Hall’s concept of the ‘Other’ (2013) as a theoretical key point, the article also considers, for an American perspective specifically, how these workers are constructed in the broader ideology of the nation state.

Interactional means of teaming up: enacting the features of contemporary working life in a theater performance

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Riikka Nissi ◽  
Melisa Stevanovic
Keyword(s):  
Working Life ◽  
Social World ◽  
The Other ◽  
Social Setting ◽  
Live Performance ◽  
Societal Issues ◽  
The Core ◽  
The Social ◽  
Workplace Organization ◽  
The One

Abstract The article examines how the aspects of the social world are enacted in a theater play. The data come from a videotaped performance of a professional theater, portraying a story about a workplace organization going through a personnel training program. The aim of the study is to show how the core theme of the play – the teaming up of the personnel – is constructed in the live performance through a range of interactional means. By focusing on four core episodes of the play, the study on the one hand points out to the multiple changes taking place both within and between the different episodes of the play. On the other hand, the episodes of collective action involving the semiotic resources of singing and dancing are shown to represent the ideals of teamwork in distinct ways. The study contributes to the understanding of socially and politically oriented theater as a distinct, pre-rehearsed social setting and the means and practices that it deploys when enacting the aspects of the contemporary societal issues.

White Working-Class Support for Trump

Contexts ◽  
2021 ◽  
Vol 20 (2) ◽  
pp. 30-35
Author(s):  
Andrew J. Cherlin
Keyword(s):  
Working Class ◽  
The Other ◽  
Community Study ◽  
Reverse Discrimination ◽  
Economic Factors ◽  
Donald Trump ◽  
White Working Class

Why do working-class Whites support Donald Trump? The accepted explanation points to racial and ethnic resentment and anxiety about immigration, with economic factors secondary. Based on a community study, the author argues that feelings of reverse discrimination and anti-immigrant sentiment reflect both racial and economic factors. This article explains why it is difficult to conclude that either factor was more important than the other.

Combatting Bias in the Criminal Courts of France, 1870s-1913

2020 ◽  
Vol 60 (2) ◽  
pp. 137-168
Author(s):  
James Donovan
Keyword(s):  
Nineteenth Century ◽  
Quantitative Analysis ◽  
Working Class ◽  
The Other ◽  
Fin De Siecle ◽  
Criminal Courts ◽  
Chief Justice ◽  
Jury Verdicts ◽  
Nineteenth Century France ◽  
A Charge

Abstract In nineteenth-century France, liberals assumed that a conservative judiciary was frequently biased in favour of the prosecution, and socialists assumed that juries were dominated by the upper classes and too unrepresentative of the population to render justice equitably. Agitation by the left to combat these perceived biases led to the adoption of two key reforms of the fin de siècle. One was the abolition in 1881 of the résumé, or summing-up of the case by the chief justice of the cour d’assises (felony court). Liberals thought this reform was necessary because judges allegedly often used the résumé to persuade jurors in favour of conviction, a charge repeated by modern historians. The other reform, beginning at about the same time, was to make jury composition more democratic. By 1880, newly empowered liberals (at least in Paris) had begun to reduce the proportion of wealthy men on jury lists. This was followed in 1908 by the implementation of a circular issued by the Minister of Justice ordering the jury commissions to inscribe working-class men on the annual jury lists. However, a quantitative analysis of jury verdicts suggests that the reforms of the early 1880s and 1908 had only modest impacts on jury verdicts. Ideas and attitudes seem to have been more important. This has implications regarding two key controversies among modern jurists: the extent to which judges influence jurors and the extent to which the characteristics of jurors influence their verdicts.

White Working-Class Women and the Race Question

1998 ◽  
Vol 54 ◽  
pp. 80-102 ◽  
Author(s):  
Dana Frank
Keyword(s):  
Working Class ◽  
White Men ◽  
The Other ◽  
White Trash ◽  
White Writers ◽  
White Working Class ◽  
Working Class Women

In Towards the Abolition of Whiteness David Roediger tells the story of Covington Hall, the editor of a newsletter published by the Brotherhood of Timber Workers in Louisiana in 1913 and 1914. Roediger deftly analyzes efforts by Hall and other white writers in the brotherhood to construct cross-racial unity within an otherwise racially torn working class. He shows how Hall redrew the lines of solidarity: On one side were the degraded, of any race.On the other were enlightened workers who eschewed racial divisions, racist language, and stereotypes. “There are white men, Negro men, and Mexican men in this union, but no niggers, greasers or white trash,” proclaimed Ed Lehman, a soapbox speaker for the Brotherhood. A headline in the newsletter similarly asked readers to choose, “SLAVES OR MEN, WHICH?” Still more graphically, a cartoon commanded, “Let all white MEN and Negro MEN get on the same side of this rotten log.”

Pop and the Nation-State: towards a theorisation

Popular Music ◽  
1999 ◽  
Vol 18 (2) ◽  
pp. 193-207 ◽  
Author(s):  
Martin Cloonan
Keyword(s):  
Popular Music ◽  
State Level ◽  
The Other ◽  
Nation State ◽  
Popular Music Studies ◽  
Music Scene ◽  
The One

Recent years have seen two noticeable trends in Popular Music Studies. These have been on the one hand a series of works which have tried to document the ‘local’ music scene and, on the other, accounts of processes of globalisation. While not uninterested in the intermediate Nation-State level, both trends have tended to regard it as an area of increasingly less importance. To state the matter more boldly, both trends have underplayed the continually important role of the Nation-State.

Misfortune and resilience: a community study of women

1984 ◽  
Vol 14 (2) ◽  
pp. 347-363 ◽  
Author(s):  
P. E. Bebbington ◽  
E. Sturt ◽  
C. Tennant ◽  
J. Hurry
Keyword(s):  
Social Support ◽  
Working Class ◽  
Psychiatric Disorder ◽  
Community Survey ◽  
The Other ◽  
Community Study ◽  
Vulnerability Factors ◽  
Vulnerability Model ◽  
Working Class Women

SynopsisA community survey of psychiatric disorder carried out in South London enabled the authors to investigate the ‘vulnerability model’ proposed by Brown & Harris (1978). In the current study none of the ‘vulnerability factors’ proposed by Brown & Harris fulfilled the requirements of the model. It was, however, found that working class women with children seemed particularly prone to develop minor psychiatric disorder in response to adversity. A similar result is apparent in the analyses of the earlier authors. A number of studies now published give some support to the vulnerability model using what are broadly measures of social support, but there is little corroboration using the other variables proposed by Brown & Harris.

Ugliness and Beauty: the Politics of Landscape in Walter Greenwood's Love on the Dole

2013 ◽  
Vol 29 (1) ◽  
pp. 35-47
Author(s):  
Claire Warden
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
The Other ◽  
Surrounding Area ◽  
North West ◽  
Avant Garde ◽  
The North ◽  
The One ◽  
The University ◽  
Open Fields

The multi-spatial landscape of the North-West of England (Manchester–Salford and the surrounding area) provides the setting for Walter Greenwood's 1934 play Love on the Dole. Both the urban industrialized cityscape and the rural countryside that surrounds it are vital framing devices for the narrative – these spaces not simply acting as backdrops but taking on character roles. In this article Claire Warden reads the play's presentation of the North through the concept of landscape theatre, on the one hand, and Raymond Williams's city–country dialogism on the other, claiming that Love on the Dole is imbued with the revolutionary possibility that defines the very landscape in which it is set. From claustrophobic working-class kitchen to the open fields of Derbyshire, Love on the Dole has a sense of spatial ambition in which Greenwood regards all landscapes as tainted by the industrial world while maintaining their capacity to function independently. Ugliness and beauty, capitalist hegemony and socialistic hopefulness reside simultaneously in this important under-researched example of twentieth-century British theatre, thereby reflecting the ambivalent, shifting landscape of the North and producing a play that cannot be easily defined artistically or politically. Claire Warden is a Lecturer in Drama at the University of Lincoln. Her work focuses on peripheral British performances in the early to mid-twentieth century. She is the author of British Avant-Garde Theatre (Palgrave MacMillan, 2012) and is currently writing Modernist and Avant-Garde Performance: an Introduction for Edinburgh University Press, to be published in 2014.

Trade union strategy in fashion retail in Italy and the USA: Converging divergence between institutions and mobilization?

2018 ◽  
Vol 25 (4) ◽  
pp. 345-361 ◽  
Author(s):  
Stefano Gasparri ◽  
Peter Ikeler ◽  
Giovanna Fullin
Keyword(s):  
New York ◽  
Working Class ◽  
Trade Union ◽  
Institution Building ◽  
Contract Workers ◽  
Action Project ◽  
The Usa ◽  
Fashion Retail ◽  
Retail Workers ◽  
Effective Representation

We investigate trade union strategies in fashion retail, a sector with endemic low wages, precarity and a representation gap. Unions in Milan organized ‘zero-hours contract’ workers, while their counterparts in New York established an alternative channel of representation, the Retail Action Project. We argue, first, that the dynamics of both cases are counterintuitive, displaying institution-building in the USA and grassroots mobilization in Italy; second, union identity stands out as a key revitalizing factor, since only those unions with a broad working-class orientation could provide an effective representation for fashion retail workers.

Inclusion and exclusion—We and the Other. Response to Vamik Volkan’s Key-note Lecture

2018 ◽  
Vol 51 (3) ◽  
pp. 359-367 ◽  
Author(s):  
Thomas Mies
Keyword(s):  
Point Of View ◽  
The Other ◽  
Western World ◽  
Nation State ◽  
Refugee Crisis ◽  
Collective Identities ◽  
Specific Group ◽  
Norbert Elias ◽  
German Nation ◽  
History Of

This response is focused on the following question: What may be the specific group analytic point of view on phenomena as the resurgence of nationalism in the western world, the so-called refugee crisis and the confrontation with Islamism and Islamist terror? The guideline of this response will be the idea of the ‘group of individuals’, which Norbert Elias characterized as his main contribution to group analytic theory. The response will emphasize the significance of the Other for the formation of personal and collective identities. It will argue that we face the Other, not only outside our own group, but also inside, and that xenophobia goes hand in hand with the denial of real differences and conflicts inside one’s own group. Finally, the history of the German nation-state is discussed as an exemplary case.

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