scholarly journals A Mortuary of Books: The Rescue of Jewish Culture after the Holocaust by Elisabeth Gallas

2021 ◽  
Vol 44 (1) ◽  
pp. 204-205
Author(s):  
Noam Zadoff
Keyword(s):  
Author(s):  
Jonathan Webber ◽  
Chris Schwarz ◽  
Jason Francisco

The present-day traces of the Jewish past in Poland are complex. Jewish life lay in ruins after the Holocaust. Much evidence of ruin remains, but there are also widespread traces that bear witness to the elaborate Jewish culture that once flourished there, even in villages and small towns. One also sees places where Jews were murdered by the Germans in the war: not only in death camps and ghettos, but also in fields, forests, rivers, and cemeteries. After the war, forty years of communism suppressed even the memory of the destroyed Jewish heritage. Today, by contrast, the historic Jewish culture of Poland is increasingly being memorialized, by local Poles as well as by foreign Jews. Synagogues and cemeteries are being renovated, monuments and museums are being set up. There are festivals of Jewish culture, hasidic pilgrims, and Jewish tourists; and local people who rescued Jews during the war are being honoured. In rediscovering the traces of memory one also finds clear signs of a local Jewish revival. This extensively revised second edition includes forty-five new photographs and updated explanatory texts. Together they suggest how to make sense of the past and discover its relevance for the present. This book will appeal to everyone concerned with questions of history, memory, and identity.


Author(s):  
Jonathan Webber ◽  
Chris Schwarz ◽  
Jason Francisco

This chapter talks about the people who are creating and maintaining projects that memorialize both the Jewish life that existed in Polish Galicia for centuries and the enormity of the Holocaust during which it was destroyed. It discloses the public acknowledgment of the Jewish heritage that has been ongoing since Poland regained its democratic freedom in 1989, which led to the revival of Jewish life. It also describes the main Holocaust memorial in Kraków, which is comprised of symbolic abandoned chairs scattered through an entire city to highlight the Jewish absence. The chapter mentions non-Jewish Poles who have become aware of the past in Poland that included Jews and Jewish culture. It details post-Holocaust Poland in the 1970s that was severely restricted and in danger of facing extinction as 90 percent of Holocaust survivors had emigrated.


Slavic Review ◽  
2000 ◽  
Vol 59 (4) ◽  
pp. 761-781 ◽  
Author(s):  
Gabriella Safran

Jerzy Kawalerowicz told reporters that he made his 1982 film,Austeria(The inn) to commemorate the Polish-Jewish people and culture destroyed in the Holocaust. This non-Jewish Polish director, known best in the west for hisMother Joanna of the Angels(a depiction of death and possession at a medieval French convent), grew up among Jews in the eastern part of Poland. He had been struck by the Polish-Jewish author Julian Stryjkowski's 1966 novella,Austeria,a haunting depiction of Jewish life in Galicia at the beginning of the twentieth century. Kawalerowicz—with Stryjkowski—immediately decided to turn the book into a movie. After the Six-Day War in 1967 sparked an “anti-Zionist campaign” in Poland, however, the Polish government found the Jewish topic of their screenplay “politically unacceptable.” In 1981, the film was granted permission and funding. It was completed in 1982, following the crackdown on Solidarity and the imposition of martial law. The authorities allowed its distribution, having determined that it displayed “humanitarian values” and that it did not represent a political threat. In the capacity of a quasiofficial expression of Polish regret at the passing of the Jews, and perhaps as a demonstration of liberalism aimed at the western critics of the new regime,Austeriawas widely promoted and exported to film festivals abroad.


2016 ◽  
Vol 52 (3) ◽  
pp. 519-545 ◽  
Author(s):  
Jason Lustig

Who are to be the successors of European Jewry? This question faced Jewish leaders after the Holocaust, in terms both legal – inheriting heirless property – as well as spiritual – carrying forward Jewish culture. Looted Jewish property was never merely a matter of inheritance. Instead, disputes revolved around the future of Jewish life. While Jewish restitution organizations sought control of former communal property to use around the world, some German-Jewish émigrés and survivors in Germany sought to establish themselves as direct successors to former Jewish communities and institutions. Such debates set the stage and the stakes for mass archival transfer to Israel/Palestine in the 1950s. The fate of the German Jewish communal archives highlights the nature of postwar restitution debates as proxy for the issue of the continuation of Jewish culture and history, calling into question the nature of restitution itself. As opposed to policies of proportional allocation to meet the needs of radically diminished Jewish communities, wholesale transfer of archives reflected a belief in a radical rupture in German Jewish existence as well as Israel’s position as successor to European Jewry. The fate of the archives, which broke with archival practices of provenance, concretized and validated the historical rupture represented by the Holocaust.


2003 ◽  
Vol 1 (2) ◽  
Author(s):  
Geoffrey Short

Recent years have witnessed the beginnings of a debate over whether the Holocaust should be taught in primary schools. In this article the claims advanced in favour of the proposal are shown to be plausible but lacking in empirical support, while the counter-claims are considered either peripheral, contentious or contrary to established research. It is argued that some key omissions in the debate, such as the way primary school pupils conceptualise Jewish culture and identity, significantly strengthen the case against introducing young children to the Holocaust.


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