Veterans

2016 ◽  
Author(s):  
Steffen Hantke
Keyword(s):  
World War Ii ◽  
Outer Space ◽  
The Body ◽  
The Other ◽  
Visual Metaphor ◽  
World War ◽  
Human Form ◽  
Romantic Couples ◽  
Repressed Memory

This chapter focuses on the traumatized war veteran and the repressed memory of World War II. The key text is Gene Fowler Jr.'s I Married a Monster from Outer Space (1958), which imagines the monstrous invader as an alien creature masquerading in human form. Underneath the perfect human surface is the grotesquely malformed alien creature—a potent visual metaphor that captures the complexity of the veteran's traumatization, especially when the injury is both psychological and physical in nature. The alien impostors in the other two films discussed in the chapter—William Cameron Menzies's Invadersfrom Mars (1953) and Don Siegel's Invasion of the Body Snatchers (1956)—address the larger impact of the male veteran's presence in the peaceful postwar community. The chapter tracks the disturbance caused by the veteran as it spreads from romantic couples to families and to entire towns and the nation at large.

scholarly journals The Body as a Source of Meaning in the Culture of Remembrance: The Reputational Entrepreneurship of the Characters of Yugoslav National Heroes

2020 ◽  
Vol 15 (4) ◽  
Author(s):  
Ivana Lučić Todosić
Keyword(s):  
World War Ii ◽  
The Body ◽  
The Other ◽  
Violent Death ◽  
National Liberation ◽  
World War ◽  
Group Memory ◽  
Collective Group ◽  
Political Myth ◽  
Wartime Experience

The aim of this paper is to explore the patterns and meanings to be found in the characters of Yugoslav national heroes who met a violent death in World War II. These are heroes who belong to the type of martyr heroes, and their sacrifice is highly rated in all patriotic mythologies. Created to denote the heroism of the chosen, they have sublimated the meaning and symbolism of one remembrance of the war. The death of these national heroes will be analyzed through their official biographies, which served to represent the characters of the National Heroes of Yugoslavia and keep the heroic symbol-names ever present in the collective group memory. Through their characters, a specific wartime experience and the martyr’s death of the national hero who died for the freedom of the Yugoslav peoples, as seen by the victors in this war drama, were transmitted to the citizens of Yugoslavia. Various patterns of wartime heroism (warrior, martyr, leader heroism) were represented as national patriotism, and the fighters and martyrs of the war of national liberation were named. The characteristics of  the reputational entrepreneurship of these heroes’ characters are specifically explored, taking into account the characteristics of the discourse through which they were interpreted and presented. On the other hand, the limitations of this discourse provide an opportunity to deconstruct certain common traits of a certain hero type and discover the latent meanings conveyed by the characters of Yugoslav national heroes as actors of a historical-political myth.

From Peoplehood to Church Membership: Mormonism's Trajectory since World War II

2007 ◽  
Vol 76 (2) ◽  
pp. 241-261 ◽  
Author(s):  
Jan Shipps
Keyword(s):  
World War Ii ◽  
The Body ◽  
The Other ◽  
Faith Communities ◽  
Church Membership ◽  
Body Of Christ ◽  
World War ◽  
New Covenant ◽  
The Church

Christians of every stripe are bound into faith communities by two sets of identifying metaphors. One, the body of Christ, is derived from the New Testament's account of the life, death, and resurrection of Jesus. The other, drawn from Hebraic prophecy, is linked to the understanding that Jesus was of the house and lineage of David. As the crucified Messiah, he stood at the head of the house of Israel as both Lord and Christ. In the practical terms spelled out in the Pauline letters, the first of these metaphorical congeries describes the church as Christ's body, an entity with members and a head. The second turns Christ's followers into a kinship group that is a party to a new covenant with God. Despite its heterogeneity, its inclusion of Gentiles as well as Jews, this group—along with the Jews—is one that the ancient of days selected to be his chosen people.

An ‘Age of Commerce’ in Southeast Asian History

1990 ◽  
Vol 24 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Anthony Reid
Keyword(s):  
World War Ii ◽  
Southeast Asia ◽  
Economic History ◽  
External Factors ◽  
The Other ◽  
Economic Factors ◽  
World War ◽  
The Past ◽  
Increased Sensitivity ◽  
Asian History

Since the end of World War II the study of Southeast Asia has changed unrecognizably. The often bitter end of colonialism caused a sharp break with older scholarly traditions, and their tendency to see Southeast Asia as a receptacle for external influences—first Indian, Persian, Islamic or Chinese, later European. The greatest gain over the past forty years has probably been a much increased sensitivity to the cultural distinctiveness of Southeast Asia both as a whole and in its parts. If there has been a loss, on the other hand, it has been the failure of economic history to advance beyond the work of the generation of Furnivall, van Leur, Schrieke and Boeke. Perhaps because economic factors were difficult to disentangle from external factors they were seen by very few Southeast Asianists as the major challenge.

The Other Price of Hitler's War: German Military and Civilian Losses Resulting from World War II

1987 ◽  
Vol 10 (2) ◽  
pp. 376
Author(s):  
Holger H. Herwig ◽  
Martin K. Sorge
Keyword(s):  
World War Ii ◽  
The Other ◽  
World War

After World War II

2017 ◽  
Author(s):  
David R. Mayhew
Keyword(s):  
World War Ii ◽  
Civil Rights ◽  
Energy Supply ◽  
Industrial Structure ◽  
Economic Planning ◽  
Transnational History ◽  
The Other ◽  
World War ◽  
Post World War Ii ◽  
Demographic Patterns

This chapter considers three impulses of the post-World War II era. Two of them deal with the economy, bracketing its course from an inspiration flowing out of the war through an ideological and policy retake a generation later. The other impulse covers one of the major developments of American, not to mention transnational, history—the civil rights revolution of those times. In the three impulses detailed here, economic planning devices, energy supply, the cities, travel, infrastructure, the tax code, industrial structure, the workplace, immigration, demographic patterns, the electorate, rights standards, and relations among the races, gained lasting imprints from U.S. government participation, among others.

scholarly journals A history of the city written in a map – cartography as the mirror of socio-political events in Gdańsk in the years of 1918–1939

2019 ◽  
Vol 1 ◽  
pp. 1-1
Author(s):  
Agnieszka Bień
Keyword(s):  
World War Ii ◽  
Interwar Period ◽  
The Other ◽  
World War ◽  
Historical Events ◽  
Political Events ◽  
History Of ◽  
The City ◽  
Made In

<p><strong>Abstract.</strong> A cartographic map of Gdańsk in the years of 1918&amp;ndash;1939 was very different from the other maps of Polish cities. The reasons for some differences were, among others, the proximity of the sea, the multicultural mindset of the inhabitants of Gdańsk from that period, and some historical events in the interwar period (the founding of the Free City of Gdańsk and the events preceding World War II). Its uniqueness came from the fact that the city of Gdańsk combined the styles of Prussian and Polish housing, as well as form the fact that its inhabitants felt the need for autonomy from the Second Polish Republic. The city aspired to be politically, socially and economically independent.</p><p>The aim of my presentation is to analyze the cartographic maps of Gdańsk, including the changes that had been made in the years of 1918&amp;ndash;1939. I will also comment on the reasons of those changes, on their socio-historical effects on the city, the whole country and Europe.</p>

scholarly journals Genre, Computation, and the Varieties of Twentieth-Century U.S. Fiction

2018 ◽  
Author(s):  
Matthew Wilkens
Keyword(s):  
United States ◽  
Twentieth Century ◽  
World War Ii ◽  
The Other ◽  
Literary Fiction ◽  
Contemporary Fiction ◽  
World War ◽  
Detective Story ◽  
Other Hand ◽  
Textual Content

Is "literary fiction" a useful genre label in the post-World War II United States? In some sense, the answer is obviously yes; there are sections marked "literary fiction" on Amazon, in bookstores, and on Goodreads, all of which contain many postwar and contemporary titles. Much of what is taught in contemporary fiction classes also falls under the heading of literary fiction, even if that label isn't always used explicitly. On the other hand, literary fiction, if it hangs together at all, may be defined as much by its (or its consumers') resistance to genre as by its positive textual content. That is, where conventional genres like the detective story or the erotic romance are recognizable by the presence of certain character types, plot events, and narrative styles, it is difficult to find any broadly agreeable set of such features by which literary fiction might be consistently identified.

scholarly journals Ciało, trup, śmierć w utworze Götz i Meyer Davida Albahariego

2019 ◽  
Vol 168 ◽  
pp. 553-564
Author(s):  
Sabina Giergiel
Keyword(s):  
World War Ii ◽  
The Body ◽  
The Novel ◽  
World War ◽  
City Center ◽  
Independent State ◽  
The City

Body, corpse and death in David Albahari’s Gotz and MeyerThe article investigates the broadly understood record of Jewish death that emerges from the text of the Serbian prose writer David Albahari. Emphasizing the dominance of economy in the Nazi system, the author indicates those procedures described in Albahari’s book which justify such an assessment e.g. human reification, the body as debris, technical syntax used by German officials. Additionally, these considerations on death representation are supplemented with an endeavor to establish the Belgrade dwellers’ attitude towards the fortunes of the Jews. According to the author, the novel explicitly marks the spatial opposition enclosure vs. opening, the camp vs. the city center that is reinforced by the river, which during World War II divided the capital into Zemun belonging to the Independent State of Croatia, also the place where the camp was situated and Belgrade’s Serbian center. This demarcation intensifies the victims’ feelings of separation and loneliness, at the same time enabling the capital’s dwellers to occupy a comfortable position of bystanders.  Telo, mrtvac, smrt u romanu Gec i Majer Davida AlbaharijaRad se bavi vidovima smrti u romanu Gec i Majer Davida Albaharija. Pokazuje mehanizme koje potvrđuju opštepoznatu činjenicu da je u nacističkom sistemu dominirala ekonomija. U te mehanizme se ubrajaju, između ostalih: reifikacija čoveka, tretiranje tela kao otpada i tehnička leksika koju upotrebljavaju nemački funkcioneri. Analiza uključuje i pokušaj odgovora na pitanje kakav je bio odnos stanovnika Beograda prema sudbini Jevreja. Istraživanje pokazuje prostornu opoziciju zatvoren i otvoren prostor, logor i centar grada. Nju naglašava reka koja je za vreme Drugog svetskog rata delila srpsku prestonicu na Zemun, gde je bio smešten logor, a koji je pripadao NDH, i srpski centar Beograda. Ova granica je vezana za osećaj separacije i usamljenost žrtava, s jedne starne, i udobnost i bajstander-efekat stanovnika prestonice, s druge strane

scholarly journals Field Experiments in Class Size from the Early Twentieth Century

2009 ◽  
Vol 23 (4) ◽  
pp. 211-230 ◽  
Author(s):  
Jonah Rockoff
Keyword(s):  
World War Ii ◽  
Public Schools ◽  
Class Size ◽  
Large Scale ◽  
Field Experiments ◽  
Research Literature ◽  
The Other ◽  
World War ◽  
Mixed Messages

A vast majority of adults believe that class size reductions are a good way to improve the quality of public schools. Reviews of the research literature, on the other hand, have provided mixed messages on the degree to which class size matters for student achievement. Here I will discuss a substantial, but overlooked, body of experimental work on class size that developed prior to World War II. These field experiments did not have the benefit of modern econometrics, and only a few were done on a reasonably large scale. However, they often used careful empirical designs, and the collective magnitude of this body of work is considerable. Moreover, this research produced little evidence to suggest that students learn more in smaller classes, which stands in contrast to some, though not all, of the most recent work by economists. In this essay, I provide an overview of the scope and breadth of the field experiments in class size conducted prior to World War II, the motivations behind them, and how their experimental designs were crafted to deal with perceived sources of bias. I discuss how one might interpret the findings of these early experimental results alongside more recent research.

George Rochberg's Road to Ars Combinatoria, 1943–63

2018 ◽  
Vol 12 (2) ◽  
pp. 119-150
Author(s):  
AMY LYNN WLODARSKI
Keyword(s):  
World War Ii ◽  
The Other ◽  
World War ◽  
Self Assessment ◽  
The Road ◽  
Historical Figures ◽  
Ethical Conflicts ◽  
George Rochberg ◽  
Cumulative Process ◽  
Ethical Criteria

AbstractGeorge Rochberg often attributed his postmodern shift to the death of his son in 1964. Accordingly, the literature has described his practice of ars combinatoria (“art of combination”) as an “abrupt about-face”—a sudden rejection of modernist aesthetics. But the composer's unpublished essays, diaries, correspondence, and musical sketchbooks suggest that the road to ars combinatoria had well-laid roots in two of his least considered biographical periods: his service during World War II and his serial period. During these two decades, Rochberg actively sought positive models for humanistic composition, historical figures who rose to the level of musical heroes in that they served humanity through their art. But as the war had taught him, heroes are necessarily defined by their struggle against nemeses in ethical conflicts. Correspondingly, he constructed the other side of the artistic world as a realm of vain egoists who sought self-promotion and seemed unconcerned with humanistic modes of expression. As his ideas matured, Rochberg assigned different figures to these archetypes, but the guiding ethical criteria remained fairly consistent throughout. I therefore argue that ars combinatoria was less a sudden aesthetic reversal than it was the result of a longer cumulative process of self-assessment and compositional maturation.

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