“The Paper Old and Faded and Falling to Pieces”: Absalom, Absalom! and the Pulping of History
This chapter examines how Faulkner's dramatization of the historical endeavor reflects the print culture conventions of his era. It argues that Absalom's “fluid and flexible” relationship to history amounts to a “pulping” of the historical record, “self-consciously destroying, recycling, and repurposing” it in ways gleaned from the “popular literary production” of the 1920s and 1930s. The so-called shudder pulps, with their emphasis on terror and the occult; “hero pulps” and other modes of popular adventure fiction; Black Mask-school hard-boiled crime fiction; Yellow Peril narratives and other tales depicting “racialized threat[s] to sexual purity” and the domestic sphere—the novel employs all of these pulp genres to shape and sensationalize the Sutpen saga and its central figures, in what amounts to a lowbrow version of the “emplotment” process that Hayden V. White finds at work in all historical narrative.