scholarly journals TRACING THE ARMENIAN DESCENDANTS AND SELF-IDENTITY: AN ANALYSIS OF CAN THESE BONES LIVE?

2020 ◽  
Vol 8 (3) ◽  
pp. 01-10
Author(s):  
Muhammad Nasir
Keyword(s):  
Crime Fiction ◽  
Historical Background ◽  
New Historicism ◽  
Ethnic Cleansing ◽  
Self Awareness ◽  
The Novel ◽  
Literary Critic ◽  
Self Identity

Purpose of the study: The purpose of this study demonstrated how Armenian Massacres as crime fiction developed in response to finding their identity by tracing the ethnic criminal or heritage against their descendants. Besides, by looking at this genocide against the Armenian racial, I found it increasingly difficult to ignore the link between self-identity and the race criminalization conducted by the authority Methodology: In this study, the writer implemented New Historicism theory by looking at the historical background, and combined with Horney Psychoanalysis of Personality, through the activities conducted by the characters. Then, through analyzing the plot and the whole story, the writer found that self-awareness of those characters could be seen in different forms and cultures. Based on those theories that people who know themselves will know what they think, feel, and believe; they will be able to take responsibility for themselves and be able to determine their values by reflecting their personality Main Findings: Self-identity and Armenian descendants could be portrayed significantly, and they were very appropriate with the identity of the characters shown in the texts. Here, the writer also found that a novelist like Tom Frist (2015) used the backdrop of massacres to write about the inner lives of Turkish criminals. He focused directly on the narrative dilemmas posed by American Armenian. His work attempted to uncouple race from crime, and this writer showed us how massacres fiction became a necessary identity form for American Armenian who lived as migration and diaspora. Applications of this study: So, the study of Armenian descendants was not only useful for a literary critic but also presented the history and ethnic cleansing in Turkey. And through this analysis, we learned more about the bitter experiences faced by deportees as shown in the setting places and the author’s perspective. Novelty/Originality of this study: Finally, I believed that tracing the Armenian descendants and self-identity was fascinating by identifying the characters shown in the novel.

scholarly journals Yogmaya: Historical Reality in the Fictional Existence

2019 ◽  
Vol 10 (1) ◽  
pp. 1-11
Author(s):  
Anupa Wagle
Keyword(s):  
Social Background ◽  
Historical Background ◽  
New Historicism ◽  
Equal Weight ◽  
The Novel ◽  
Fictional World ◽  
Social Phenomena ◽  
Historical Approach ◽  
Historical Reality ◽  
Free Translation

 The aim of this article is to analyze the novel Yogmaya to find out the balance between the fictional world presented in it and the history related to it. Written as a novel on the background of Rana Period in Nepal, my endeavour is to find out whether the novel is successful to portray the contemporary Nepalese society. In order to analyze the novel this study draws insight from new historicism that demands the equal weight for literary foreground and historical background. For this, the study is limited within some aspects of New Historical approach and fictional world related to social phenomena presented in the novel. Finally, this article includes the major finding of this study that the fictional foregrounding of the novel successfully portrays the contemporary social background of the concerned time and place. Free translation is used while citing texts from the novel since it is in Nepali.

scholarly journals Tracing the decline of Yugoslav identity: a case for ‘invisible’ ethnic cleansing

2016 ◽  
pp. 65-84
Author(s):  
Hana Srebotnjak
Keyword(s):  
Focal Point ◽  
Analytical Framework ◽  
Historical Background ◽  
Ethnic Cleansing ◽  
The Novel ◽  
Nation States ◽  
The Media ◽  
Break Up ◽  
Novel Concept ◽  
The Individual

Tracing the decline of Yugoslav identity: a case for ‘invisible’ ethnic cleansingThis essay explores the concept of invisible ethnic cleansing by examining the remaining group of self-identifying Yugoslavs who continue to identify themselves as such despite the break-up of Yugoslavia, the country that shaped and constituted the focal point of their identity. The analysis argues that the lack of recognition of the Yugoslav identity during the country’s disintegration as well as afterwards in the individual republics befitted the new nationalistic and distinctly anti-Yugoslav narratives adopted by individual post-Yugoslav republics. The sheer existence and acknowledgment of the Yugoslav identity could therefore disprove the new nationalistic tenets. The essay begins by setting up an analytical framework for the study of invisible ethnic cleansing and Yugoslav identity by examining the concepts of ethnic cleansing, nationalism, group destruction and ethnicity. It goes on to establish the historical background for Yugoslavia’s break up and looks at Yugoslavia’s ‘nationalities policy’, the break up itself and the role of the West and the Western media. Finally, the study identifies the hegemonic power of current nation-states reflected in the media, education and government-sponsored intellectual efforts, as those that control the image of the past can erase from it the memory of the disappeared states and the identities connected to them. The bulk of the analysis and the conclusions drawn were based on personal memoires and accounts of self-identifying Yugoslavs in order to preserve the memories of marginalized and forgotten groups as well as to stress the importance of counter-memory, which can challenge the narrative promoted by dominant groups and oppressive states. Moreover, the novel concept of invisible ethnic cleansing introduced will allow scholars to examine the loss of supranational identities, which accompany the dissolutions of multinational states. Jak ginie tożsamość jugosłowiańska: przypadek „niewidzialnej” czystki etnicznejEsej podejmuje kwestię niewidzialnej czystki etnicznej, w oparciu o badania nad grupą osób samoidentyfikujących się jako Jugosłowianie, które nadal tak właśnie siebie identyfikują pomimo rozpadu Jugoslawii - kraju, który ukształtował ich tożsamość i stworzył dla niej punkt odniesienia. Analiza dowodzi, że nieuznawanie tożsamości jugosłowiańskiej w okresie dezintegracji Jugosławii i po rozpadzie tego kraju w poszczególnych republikach przyniosło nowe nacjonalistyczne i wyraźnie antyjugosłowiańskie narracje przyjęte przez poszczególne republiki postjugosłowiańskie. Samo istnienie i uznanie tożsamości jugosłowiańskiej mogłoby zatem podważać nowo wyznaczone nacjonalistyczne cele. Autorka najpierw wyznacza ramy analitycznego podejścia do niewidzialnej czystki etnicznej i tożsamości jugosłowiańskiej poprzez analizę takich pojęć, jak: czystka etniczna, nacjonalizm, destrukcja grupy i etniczność. Następnie przechodzi do omówienia historycznego tła rozpadu Jugosławii i „polityki narodowościowej” Jugosławii, samego rozpadu kraju oraz roli, jaką odegrał Zachód i media zachodnie. Ostatnia część opracowania zawiera ustalenia odnoszące się do hegemonii władzy współczesnych państw narodowych, która odzwierciedla się w mediach, szkolnictwie i wspieranych przez rząd wysiłkach intelektualnych, ci bowiem którzy zawiadują obrazem przeszłości mogą z niej wymazać pamięć o państwach, które przestały istnieć i o związanych z nimi tożsamościach. Analiza i wnioski w zasadniczej części opierają się na wspomnieniach osobistych i relacjach samoidentyfikujących się Jugosłowian, którzy dążą do zachowania pamięci o marginalizowanych i zapomnianych grupach, jak też podkreślenia wagi kontrpamięci, mogącej stać się wyzwaniem dla narracji promowanej przez grupy dominujące i opresyjne państwa. Ponadto, wprowadzona tu nowa koncepcja niewidzialnej czystki etnicznej pozwoli badaczom zgłębiać utratę tożsamości ponadnarodowych, która towarzyszy rozpadowi państw wielonarodowościowych.

scholarly journals Textuality of History and Historicity of Text: New Historical Analysis of Ian McEwan’s Black Dogs

2016 ◽  
Vol 6 (3) ◽  
pp. 98
Author(s):  
Meiling Fu
Keyword(s):  
Life Experience ◽  
Historical Analysis ◽  
Historical Background ◽  
New Historicism ◽  
The Novel ◽  
Historical Events ◽  
Free Indirect Discourse ◽  
Indirect Discourse

<p>This article intends to investigate Ian McEwan’s <em>Black Dogs</em> from the perspective of New Historicism, focusing on the textuality of history and the historicity of text. Research shows that the textuality of history is embodied in the application of omniscient focalization and free indirect discourse presentation, while the historicity of text, crystallized in the influence of the historical background and the writer’s own life experience on the novel and the reader’s response to the novel. This paper concludes that the novel reflects on history through the unique reconstruction of the historical events.</p>

scholarly journals Place matters: geographical context, place belonging and the production of locality in Mediterranean Noirs

GeoJournal ◽  
2021 ◽  
Author(s):  
Nicola Gabellieri
Keyword(s):  
20Th Century ◽  
Crime Fiction ◽  
The Novel ◽  
Late 20Th Century ◽  
Literary Works ◽  
Geographical Discourse ◽  
Detective Stories ◽  
Narrative Medium ◽  
Geographical Context

AbstractScholars have been investigating detective stories and crime fiction mostly as literary works reflecting the societies that produced them and the movement from modernism to postmodernism. However, these genres have generally been neglected by literary geographers. In the attempt to fill such an epistemological vacuum, this paper examines and compare the function and importance of geography in both classic and late 20th century detective stories. Arthur Conan Doyle’s and Agatha Christie’s detective stories are compared to Mediterranean noir books by Manuel Montalbán, Andrea Camilleri and Jean Claude Izzo. While space is shown to be at the center of the investigations in the former two authors, the latter rather focus on place, that is space invested by the authors with meaning and feelings of identity and belonging. From this perspective, the article argues that detective investigations have become a narrative medium allowing the readership to explore the writer’s representation/construction of his own territorial context, or place-setting, which functions as a co-protagonist of the novel. In conclusion, the paper suggests that the emerging role of place in some of the later popular crime fiction can be interpreted as the result of writer’s sentiment of belonging and, according to Appadurai’s theory, as a literary and geographical discourse aimed at the production of locality.

Iraq

2017 ◽  
Author(s):  
Haytham Bahoora
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Social Issues ◽  
Social Realism ◽  
Self Awareness ◽  
Historical Novels ◽  
The Novel ◽  
War In Iraq ◽  
Critical Social

This chapter examines the development of the novel in Iraq. It first considers the beginnings of prose narrative in Iraq, using the intermingling of the short story and the novel, particularly in the first half of the twentieth century, as a framework for reassessing the formal qualities of the Arabic novel. It then turns to romantic and historical novels published in the 1920s, as well as novels dealing with social issues like poverty and the condition of peasants in the countryside. It discusses the narrative emergence of the bourgeois intellectual’s self-awareness and interiority in Iraqi fiction, especially the novella; works that continued the expression of a critical social realism in the Iraqi novelistic tradition and the appearance of modernist aesthetics; and narratives that addressed dictatorship and war in Iraq. The chapter concludes with an overview of the novel genre in Iraq after 2003.

scholarly journals Immigrants in Finland as a Problem Discussed in Leena Lehtolainen’s Minne Tytöt Kadonneet

2014 ◽  
Vol 16 (1) ◽  
pp. 66-76
Author(s):  
Martyna Kokotkiewicz
Keyword(s):  
Detailed Analysis ◽  
Social Issues ◽  
Crime Fiction ◽  
The Novel ◽  
Main Subject ◽  
Racial Hatred ◽  
The Subject ◽  
Different Cultures

Abstract Leena Lehtolainen belongs to the most appreciated Finnish authors of crime fiction. One of the significant features of her works is that she discusses some most alarming social issues in them. The problem concerning immigration and its different aspects can definitely be considered as an example of such an issue. Since the problem of cultural antagonisms, racial hatred and xenophobia has been widely discussed by many other Scandinavian authors of crime fiction as well, it is worth analyzing how Lehtolainen herself approaches the problem. The aim of this article is to discuss some aspects concerning the problems of immigrant societies in Finland, basing on one of Leena Lehtolainen’s novels, Minne tytöt kadonneet, which main subject could be described as a collision of two completely different cultures and attitudes to the reality. Its aim is not, however, to discuss any formal aspects of the text, since such a kind of detailed analysis cannot be the subject of one article only. That is why the article concentrates on the plot of the novel and its possible relations to some actual problems the Finnish society faces. Taking it all into consideration it may be seen as an introduction to a wider analysis of Leena Lehtolainen’s works.

scholarly journals Stepping up Effort to Enlightenment in the Novel Graceland (2004) by Chris Abani

2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Ilma Fitriani ◽  
Leni Marlina
Keyword(s):  
Sigmund Freud ◽  
Self Awareness ◽  
The Novel ◽  
Main Character ◽  
Thinking Skill ◽  
The Way

This thesis is the analysis of a novel which written by Chris Abani entitled Graceland (2004). It explores the issue of step up efforts to enlightenment which reflected by the main character. It is also intended to find out the contribution of fictional devices such as character, plot (conflict), and setting in revealing the issue of efforts to enlightenment. This analysis is related to the concept of life instinct which self-awareness by Sigmund Freud that is supported by the text-based and context-based interpretation. The result of this analysis shows about the way the main character effort to enlightenment in dealing with any situation in his life by building self-awareness, gaining thinking skill and having vocational skill.  

scholarly journals OJEBETA “THE SELF AWAKENED” IN BUCHI EMECHETA’S THE SLAVE GIRL

2018 ◽  
Vol 6 (10) ◽  
pp. 95-99
Author(s):  
Mary Stella Ran B. ◽  
Poli Reddy R.
Keyword(s):  
Christian Education ◽  
Small Degree ◽  
The Self ◽  
African Women ◽  
Self Awareness ◽  
The Novel ◽  
Buchi Emecheta ◽  
The People ◽  
In The Beginning

The novel “The Slave Girl” by Buchi Emecheta exposes the plights of African women and portrayal of their struggle as slaves and ultimately how they come up the problem and becomes a self-awakened.  In this paper, one can see Ojebeta starting her life as a slave and finally becomes an owner of a house by passing so many phases of life as a slave. In the beginning, she is sold into domestic slavery by her own brother.  She has become the victim to her brother’s traits.  She has become a scapegoat to the plans of African patriarchy.  The intention of Buchi Emecheta is to recreate the image of women through feminism.   Emecheta’s fiction is blended with reality representing socio historical elements of the prevailing society and its environment besides questioning the pathetic conditions of the people in general and women in particular. One can observe the narration of innocence of childhood grown into adulthood by attaining certain amount of freedom with the Christian education which she has received with which she has attained a small degree of self-awareness.

scholarly journals Dwelling, Dispossession, and “Slow Violence” in the Time of Climate Change The Representation of Refugees in Amitav Ghosh’s The Hungry Tide

Il Tolomeo ◽  
2020 ◽  
Author(s):  
Nicola Pilia
Keyword(s):  
Climate Change ◽  
South Asia ◽  
Historical Background ◽  
The Novel ◽  
Human History ◽  
Amitav Ghosh ◽  
Deep Time ◽  
The Poor ◽  
Slow Violence ◽  
The Sundarbans

In this essay, I will analyse the crucial issues of dwelling and dispossession concerning refugees in the novel The Hungry Tide by Amitav Ghosh. Political and environmental displacement is addressed within the framework of ‘slow violence’ as proposed by the landmark work of Rob Nixon, Slow Violence and the Environmentalism of the Poor (2011). With the intention to define the Morichjhãpi refugees as a foreshadowing of the climate migrations involving the lives of the subalterns in South Asia, as argued by Brandon Jones (2018), the essay provides a historical background of the Morichjhãpi Massacre and studies the forced eviction narrated in the novel through the pages of Nirmal’s diary. Together with Kusum, the Marxist professor experiences the tragedy of the subalterns in the ever-changing ecosystem of the Sundarbans, bridging the gap between environmental and postcolonial categories while providing fruitful insights within the notions of human history and ecological deep time.

scholarly journals The Logical Basis of a Literary Text, or What Does Porfiry Petrovich Hide in F. M. Dostoevsky’s “Crime and Punishment”?

2020 ◽  
Vol 27 (1) ◽  
pp. 239-259
Author(s):  
Valentina E. Vetlovskaya
Keyword(s):  
Literary Text ◽  
Crime Fiction ◽  
The Novel ◽  
Crime And Punishment ◽  
Logical Basis ◽  
The Aesthetic ◽  
The Individual

<p>The article explores the role of logical connections in an epic text. It is these connections, according to the author of the article, that connect the individual components of the narrative (motifs, complexes of motifs) and make up in the reader&rsquo;s perception for the missing elements. The reticence and failures to mention, common in fiction, appear in the narrative for various reasons. Sometimes due to the aesthetic principles of the writer who prefers ambiguity to a completed statement depriving readers of the opportunity to finish thinking over a vague idea. And sometimes, due to the author&rsquo;s conviction that there is no need to explain the idea implied by what has been earlier said. But it also happens that the omissions in the narrative are engendered by the requirements for the presentation of a chosen topic, for example in crime fiction. But these reasons may go together as it occurs in Crime and Punishment. These ideas are illustrated by the analysis of one of the themes of the novel Crime and Punishment.</p>

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